Natalia Millman – interview: ‘I want to talk about grief in an approac...

Inviting others to write a letter about their grief, and responding to each with a drawing, was the ...

Millet: Life on the Land

A fine-tuned pocket survey celebrates the influential French realist painter, who imbued scenes of r...

Ernest Edmonds – interview: ‘The technology didn’t make it easy at t...

On the occasion of Networked, his show at Gazelli Art House, London, the pioneering computer artist ...

For Children: Art Stories since 1968

A skating ramp, an invitation to paint the floor, a glowing tent-like structure – this ambitious j...

Folkestone Triennial 2025: How Lies the Land?

Sorcha Carey’s first outing as curator of the Folkestone Triennial turns its sixth iteration into ...

Pat Steir: Song

New paintings by American artist, Pat Steir, now 87, make their debut in this exhibition in Zurich...

Lubaina Himid with Magda Stawarska: Another Chance Encounter

Drawing on correspondence between the writer Sophie Brzeska and the artist Nina Hamnett as well as H...

Seulgi Lee: Span

Collaborating with craftspeople from around the world, Seulgi Lee incorporates traditional technique...

Berlin. Cosmopolitan: The Vanished World of Felicie and Carl Bernstein

This small but insightful show puts the spotlight on a microcosm within Berlin’s art world at the ...

Emma Talbot – interview: ‘I imagine the experience of life as an epic...

Large installations, paintings on silk, fabric sculptures and drawings convey the connection between...

It Takes a Village

To mark its 40th birthday, Ditchling Museum of Art + Craft is hosting an exhibition all about reachi...

Mike Nelson: Humpty Dumpty, a transient history of Mardin earthworks low r...

From the architecture of an old hilltop city in Turkey to the demolished Heygate Estate in south Lon...

Margaret Salmon: Assembly

From a mother bathing her children to cleaners working at the gallery, Margaret Salmon gives voice t...

Slavs and Tatars: The Contest of the Fruits

Rapping fruit, legendary birds and nail art feature in the UK debut of the Berlin-based collective S...

Liverpool Biennial 2025: Bedrock

From Sheila Hicks’s gemstone-like sculptures to Elizabeth Price’s video essay on modernist Catho...

Mikhail Karikis – interview: ‘What is the soundscape of the forthcomin...

Mikhail Karikis explains the ideas behind his new sound and video installation calling for action ag...

May Morris: Art & Advocacy

Focusing on the skills of wallpaper design and embroidery, this exhibition tells the story of the ...

Daphne Wright: Deep-Rooted Things

This show is a celebration of the domestic, and the poignant sculpture of Wright’s two sons, now o...

Anna Boghiguian: The Sunken Boat: A Glimpse into Past Histories

The venerable Egyptian Canadian installation artist Anna Boghiguian brings shipwrecks, shells and th...

Abstract Erotic: Louise Bourgeois, Eva Hesse, Alice Adams

A groundbreaking New York show from 1966 is brought back to life with the work of three women whose ...

Encounters: Giacometti x Huma Bhabha

The first of three exhibitions to position historic sculptures by Alberto Giacometti with new works ...

Edward Burra

The Parisian scenes that Edward Burra is known for are joyful and sardonic, but his work depicting t...

The 36th Ljubljana Biennale of Graphic Arts: The Oracle

Surprising, thrilling, enchanting – under the artistic direction of Chus Martínez, the works in t...

It’s Terrible the Things I Have to Do to Be Me: On Femininity and Fame ...

In a series of essays about pairs of famous women, the cultural critic Philippa Snow explores the co...