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Published  30/11/-0001
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Plastic: Remaking Our World

Dundee’s V&A Design explores the fascinating history of this miraculous but now highly controversi...

Paint Like the Swallow Sings Calypso

Paul Dash, Errol Lloyd and John Lyons show their own works alongside those of others from the collec...

Elizabeth Price: Underfoot

Elizabeth Price’s explorations of the archives of carpet manufacturers operating in Scotland from ...

Vanessa Baird – interview: ‘I don’t think art can rescue anything’

As two shows of her thrilling, carnivalesque drawings open in the UK, Oslo-based artist Vanessa Bair...

Making Modernism: Paula Modersohn-Becker, Käthe Kollwitz, Gabriele Münte...

This is a brilliant exposition of these four painters, who were working in Germany at the start of t...

Strange Clay: Ceramics in Contemporary Art

Expect the unexpected from this exuberant show of ceramic fine art, filled as it is with fantastical...

Qiu Zhijie

In this, Qiu Zhijie’s first solo UK show, we must mentally navigate his ink map paintings, in whic...

John Riddy – interview: ‘I don’t want to make an ordinary print. I w...

John Riddy talks about his work over the years and his new show at Frith Street Gallery in London, w...

Grafton Architects: ‘A building is a collection of experiences. It’s n...

Designing a new building for the LSE, Grafton’s founders, Yvonne Farrell and Shelley McNamara, wer...

Fuseli and the Modern Woman: Fashion, Fantasy, Fetishism

A precisely focused exhibition takes us into the disturbing mind of the eccentric 18th-century artis...

The Artist’s Studio: A Cultural History – book review

Hall’s accounts of the changing nature of artists’ studios from Greek antiquity onwards are enth...

Marina Strocchi – interview: ‘I quit regular employed work to focus on...

An internationally recognised artist in her own right, Marina Strocchi has also spent many years in ...

H’arts in Mind: Drawing Our Way Back to Health

Paying lip service is not enough. The artworks in this exhibition, made by members of the mental hea...

Adrian Ghenie: The Fear of NOW

Two new series by the history-fixated Romanian painter Adrian Ghenie see him tackle the woes of the ...

Shi Jinsong: Waiting for a response which we might never get

With his tree motorbikes modelled on Harley-Davidsons and bamboo fashioned from metal, Shi Jinsong s...

Stephen Willats: Social Resource Project for Tennis Clubs

In the 1970s, Stephen Willats worked with four socially disparate tennis clubs in Nottingham in a pa...

Harold Cohen: The AARON Retrospective

Could one human’s lifetime of artistic knowledge be encoded? That is what Harold Cohen set out to ...

Helen Saunders: Modernist Rebel

One of only two female members of the vorticists’ group, Helen Saunders' work was later sidelined....

Hans Ulrich Obrist and Peter Pakesch – interview: ‘The work of Atta Kw...

The artistic director of the Serpentine Galleries and the director of the Maria Lassnig Foundation e...

Kate Groobey – interview: ‘The drip, for me, is pure joy and a kind of...

Kate Groobey talks about bringing her paintings to life through performance, diverse cultural and li...

Gabriel Orozco: Diario de Plantas

During the Covid-19 pandemic, reflecting his concern with the fragility of our environment, Gabriel ...

Just Above Midtown: Changing Spaces

Linda Goode Bryant’s gallery and experimental space gave prominence to black artists and artists o...

Sámi Pavilion (Nordic Countries), Venice Biennale 2022

Sámi artists Anders Sunna, Máret Ánne Sara and Pauliina Feodoroff have transformed the Nordic Pav...

Hollow Earth: Art, Caves & the Subterranean Imaginary

Nottingham Contemporary takes a richly rewarding descent into the art of the underground: a place fo...

Lucian Freud: New Perspectives

This thought-provoking exhibition attempts to shift our attention away from the myths that surround ...

Kamala Ibrahim Ishag: States of Oneness

Women and plant forms are intertwined among primal patterns and symbolism in Kamala Ibrahim Ishag's ...

Jorge Tacla: Stagings/Escenarios

The 1973 coup in Jorge Tacla’s mother country and the brutal dictatorship of General Pinochet that...

Dindga McCannon – interview: ‘Not having money never stopped me creati...

With a 50-year career as an artist and teacher, Dindga McCannon is widely celebrated in the US’s b...

Anna Freeman Bentley: Make Believe

Anna Freeman Bentley’s sensuous paintings evolved from an informal residency on the set of The Col...

Royal Museum of Fine Arts Antwerp reopens after €100m renovation

After 11 years of work, the Royal Museum of Fine Arts Antwerp (KMSKA) has finally opened its doors, ...

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