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Published  30/11/-0001
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Chris Ofili: The Caged Bird’s Song

Weavers translated a triptych watercolour painting by Ofili into a tapestry, and this exhibition giv...

Ed Clark

Bringing together works from the 1940s to the 2000s, this is the first institutional exhibition in E...

Now You See Us. Women Artists in Britain 1520-1920

Monumental and momentous, this exhibition does away with any lingering notion that there have been ...

Hetain Patel – interview: ‘Getting to that essence of creation, which ...

Alongside the artist’s own work, which includes a carpet-covered Ford Escort, is a cornucopia of s...

Lonnie Holley: All Rendered Truth

Lonnie Holley, American artist and musician redeems humanity’s junk and reveals the dark histories...

Dion Kitson: Rue Britannia* and Silver Lining**

From pool cues resembling mops to a re-creation of a landfill pile, Kitson’s witty sculptures at t...

In the Eye of the Storm: Modernism in Ukraine, 1900-1930s

A touring exhibition of art from Ukraine’s national museums captures the country’s distinctive c...

Collidoscope: De la Torre Brothers Retro-Perspective

A feast for maximalists, the Mexican American brothers’ sparkling blown-glass sculptures and gaudy...

Francis Alÿs: Ricochets

Belgian artist Francis Alÿs’s thoughtful new exhibition transforms the Barbican into a bustling g...

Fruit of Friendship: Portraits by Mary Beale

A prolific portrait painter from the 17th century, Mary Beale left a far-reaching legacy and espouse...

Garth Evans – interview: ‘There has to be the sense that the physicali...

In the lead up to his 90th birthday, sculptor Garth Evans talks to Sam Cornish, curator of A Place i...

Augustus John and the First Crisis of Brilliance

Augustus John was a star around whom many significant artists were in orbit. This enlightening exhib...

Thinking Like a Mountain

Not so much a festival as a cultural programme that runs over two years, Thinking Like a Mountain ai...

Vanessa Bell: A Pioneer of Modern Art

This exhibition focuses on the 1910s, the most radical and experimental period of an artist who indi...

Watch! Watch! Watch! Henri Cartier-Bresson

This comprehensive retrospective of the French master of street photography Henri Cartier-Bresson fo...

Ronald Moody: Sculpting Life

Ronald Moody’s sculptures fizz with life in this beautifully paced show, in which the Jamaican art...

Igshaan Adams: Weerhoud

This show, about the imprints of the human body, and which includes three new commissions – two ta...

Brilliant Exiles: American Women in Paris 1900-1939 – book review

Robyn Asleson’s beautifully illustrated book follows women such as Zelda Fitzgerald and Peggy Gugg...

Roger Mayne: Youth

Roger Mayne’s genuine curiosity about people shines through in his photographs of kids playing on ...

Huong Dodinh: Transcendence

This exhibition, Paris-based Huong Dodinh’s first solo show in New York, is a revelation in elegan...

Mella Shaw – interview: ‘All art is a form of activism. I use my pract...

Bella Shaw talks about her award-winning work Sounding Line, which focuses on the overuse of marine ...

Discover Degas and Miss La La

Take one exceptional work and tease out various strands to create a small but exemplary exhibition ...

Gavin Jantjes – interview: ‘I want to be free from expectation’

Gavin Jantjes, the South African painter, printmaker and former curator talks about the pitfalls of ...

Sandra George

Sandra George’s social-documentary photography is the standout exhibition of this year’s Glasgow...

Biennale Gherdëina 9: The Parliament of Marmots

Against the breathtaking landscape of the Val Gardena in Italy’s Dolomites, under the curation of ...

Zanele Muholi

Anger, hurt, vulnerability, love, togetherness, celebration, passion … South African visual activi...

All That Glitters: A Story of Friendship, Fraud and Fine Art – book revi...

Orlando Whitfield recounts the behind-the-scenes story of his friend and one-time business partner I...

To Italy! With Liebermann in Venice, Florence and Rome

This exhibition explores uncharted territory not only by tracing Max Liebermann’s visits to Italy ...

Angelica Kauffman

Finally, 256 years after Angelica Kauffman became one of its founding members, the Royal Academy is ...

Dominique White – interview: ‘I do everything the wrong way’

Ahead of her Whitechapel Gallery commission, Dominique White, the winner of the Max Mara Art Prize f...

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