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Published 01/12/2020

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British Ceramics Biennial 2021
Angela Heisch – interview: ‘I think of these works as theatrical – they’re emotive and dramatic as well as gestural’
Peter St John – interview: ‘You can see how this building has developed. And that’s really special’
The Story of the Country House: A History of Places and People – book review
The Armory Show 2021
Marina Abramović: Seven Deaths
The Lost Leonardo – film review
Tal R by Martin Herbert – book review
Alastair Gordon – interview: ‘For me, painting and faith are very much intertwined, like the warp and weft of a tapestry’
Adam Farah: What I’ve Learned from You and Myself (Peak Momentations/Inside My Velvet Rope Mix)
Noguchi
Ibrahim Mahama: Lazarus
Kenji Hirasawa – interview: ‘I approach the sitter like a guardian angel, watching over them from far away’
Pope.L: Notations, Holes and Humour
The Renaissance Cities: Art in Florence, Rome and Venice by Norbert Wolf – book review
Mixing It Up: Painting Today
Graham Little – interview: ‘Smallness feels natural to me’
The impact of the Covid-19 pandemic on artists: ‘It was necessary for artists to feel that they are still in a network’
Turi Simeti (1929-2021): A Homage
Disciples of Dóra Maurer
Catsou Roberts – interview: ‘It is our duty to the NHS to elicit the production of remarkable artwork’
Yoan Capote – interview: ‘When a Cuban looks at the sea, he remembers the isolation and pain of thousands of families’
Tokyo: Art and Photography
Phyllis Christopher – interview: ‘We had come out, people were dying, we had nothing to lose, so we just wanted to have the best party’
National Gallery Outdoor Exhibition
Summer Exhibition 2021
Restitution: The Return of Cultural Artefacts – book review
Mit Jai Inn: Dreamworld
Joan Eardley: Centenary
Matthew Krishanu – interview: ‘I want my paintings to exist somewhere between the precision of a photograph and something looser’
Leiko Ikemura – interview: ‘I think we have this inner life, and this inner life has a kind of physiognomy’
Annie Morris – interview: ‘All my work revolves around experiences I’ve had. A lot is based on things I’m not comfortable talking about’
Gustave Moreau: The Fables
Visions of Heaven: Dante and the Art of Divine Light by Martin Kemp – book review
Tess Jaray: Thinking on Paper by Tess Jaray – book review
Nneka Uzoigwe – interview: ‘I find plein air painting extraordinary because there’s so much information to capture and there are so many elements’
Helsinki Biennial and Helsinki Design Week
Hans Op de Beeck – interview: ‘It’s about suspension of disbelief and how far you can take a spectator into something undeniably fake’
Simone Fattal: Finding a Way
Bourse de Commerce, the new François Pinault Art Museum in Paris
Adam Jeppesen – interview: ‘I embrace imperfection’
Matthew Wong: Footsteps in the Wind, Ink Drawings 2013-2017
Thomas Joshua Cooper: The World’s Edge
Hilda Kortei: Waitless Beyond Blue
Gijs Van Vaerenbergh – interview: ‘We are always experimenting with the extremities of architecture, space, sculpture and form’
Jennifer Wen Ma: ‘With the pandemic and the turbulent political situation, the work had to be more reflective, it had to bind up wounds’
Doron Langberg – interview: ‘There's this rush of empathy and emotion’
Peter Freeth: 40 Years of Aquatints
Christen Sveaas Art Foundation: This is the Night Mail selected by Ida Ekblad
Jasper Johns: Mind/Mirror

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