Henry Moore: The Sixties
Deutsche Börse Photography Foundation Prize 2022
Mahesh Baliga – interview: ‘Collected sorrow becomes my work. My work is autobiographical’
Jonathas de Andrade: With the Heart Coming Out of the Mouth – Venice Biennale 2022
Julian Perry – interview: ‘It’s about wanting to create spaces that the imagination can move around in’
Celia Paul: Memory and Desire
Libby Heaney – interview: ‘The point of the work is to destabilise you’
Beatrice Merz – interview: ‘The purpose of the project is to contribute to the traditions of Sicily and southern Italy’
Mark Francis – video interview: ‘l like to use a grid to convey order and chaos. Both things can reside on the same plane’
Things Will Continue to Change …
Rachel Jones: Say Cheeeeese
Lawrence Calver: Under the Sun
Pedro Cabrita Reis – interview: ‘Through all these years, I’ve always done what I wanted. I intend to stay like that’
Tomás Saraceno: Particular Matter(s)
Charles Ray: Figure Ground
A State of Matter: Modern and Contemporary Glass Sculpture
Albert Edelfelt and Akseli Gallen-Kallela
Ann Gallagher – interview: ‘Hélio Oiticica’s work was outstanding in terms of its radicality’
Emilio Vedova: Documenta 7
Jasia Reichardt – video interview: ‘It’s not really labour … It’s like making a work of art’
Leeroy New – interview: ‘I am trying to challenge myself to use only reused and recycled materials’
Per Kirkeby: Geological Messages – Paintings from 1965-2015
Radio Ballads
Stalin’s Architect: Power and Survival in Moscow – book review
Britta Marakatt-Labba: Under the Vast Sky
Joan Mitchell
Goran Trbuljak – interview: ‘It is a kind of painting – a painting that was created by refraining from painting’
Ettore Spalletti: Works on paper, editions and books
Ali Cherri – interview: ‘You cannot un-write violence. I am interested in these hidden wounds’
Reframed: The Woman in the Window
Garmenting: Costume as Contemporary Art
Robert Indiana: Sculpture 1958-2018
Raphael
Karen Kilimnik: Early Drawings 1976-1998
Rana Begum: Dappled Light
Jasmina Cibic – interview: ‘I’m drawn towards the political psychology and unconsciousness of states’
Postwar Modern: New Art in Britain 1945-1965
Gillian Wearing: Wearing Masks
Langlands & Bell: Ideas of Utopia, Near Heaven, and Absent Artists
Ingrid Pollard – interview: ‘I like to concentrate on that vast history of the world as it has been photographed since 1835’
Ming Smith – interview: ‘Photography’s the only thing I know’
David Diao: Berlin Chair in Pieces
A Century of the Artist’s Studio: 1920–2020
Sigurður Guðjónsson: Perpetual Motion – Venice Biennale 2022
Hulda Guzmán – interview: ‘I feel a little bad for the rest of the natural world, that it can't laugh’
Hassan Khan Infusing Objects with Texts – an Essay
Whistler’s Woman in White: Joanna Hiffernan
Sophie Calle and her guest Jean-Paul Demoule: The Ghosts of Orsay
Sheila Hicks: Off Grid
Reflections from Frieze Los Angeles 2022
Click on the pictures below to enlarge