Follow us | ![]() |
![]() |
![]() |
---|
Philip Hughes – interview: ‘Drawing captures the memory of a place like a diary’
Lina Ghotmeh – interview: ‘Sometimes I wonder whether I am constructing something new or revealing what was already there’
Ali Kazim – interview: ‘When I picked up a pottery shard and it had some imprint of the potter, it was a sort of time travelling key for me’
Nick Hornby – interview: ‘Liquefied photography is magical and mysterious’
Young Poland: The Polish Arts and Crafts Movement, 1890-1918 – book review
Eleanor May Watson – interview: ‘Home is a sanctuary, but also a really complicated space for most people’
Anne Hardy – interview: ‘I’m interested in residues, leftovers, stranded things, as carriers of potential’
Susie MacMurray – interview: ‘A feather is never just a feather, and a fishhook is never just a fishhook’
Prabhakar Pachpute – interview: ‘I juxtapose memories and what is happening in real life’
Arik Levy and Zoé Ouvrier – interview: ‘We definitely influence each other in many ways – some we know about and many we don’t’
Matt Jukes – interview: ‘You need to dream big, so you can shoot for the stars, and maybe reach the moon’
Frick Madison provides temporary home for the Frick Collection
Vision & Reality: 100 Years of Contemporary Art in Wakefield
Sarah Wood – interview: ‘At the moment we all want to gather around stories, so I think art is going to be quite important in the future and I hope we value it’
Trulee Hall – interview: ‘When I say “whore”, I wouldn’t say that it’s a bad word’
Katharina Grosse – interview: ‘My eyes are my most important tools’
Tim Clark – interview: ‘This set of Hokusai’s drawings is a really important piece of the jigsaw’
Sadie Morgan – interview: ‘When you’re part of a community, architecture becomes an ingredient in a much more complex organism’
Lana Locke – interview: ‘I look more at the racial connotations of colour and whiteness in relation to the laundry rather than dirt itself’
Shneel Malik – interview: ‘I’m a crazy optimist. I know that the right opportunity comes at the right time’
Emily Jacir – interview: ‘I wanted the locals to show me what was important for them, what they thought I should see, what they wanted to talk about’
Crystal Fischetti – interview: ‘I use my whole body when I paint’
Jordan Baseman on turning mastectomy tattoos into the subject of a cartoon – interview
Grief and Grievance: Art and Mourning in America – book review
Shaping the World: Sculpture from Prehistory to Now – book review
Jim Dine – interview: ‘I never stop looking. I never stop examining. I never stop inventing from what I see’
Emma Nicolson of Inverleith House: ‘Art institutions can highlight the devastating effects humans have had on the planet’
Jens Fänge – interview: ‘I try to come to a painting from a different angle each time’
Christina Quarles – interview: ‘These works are holding onto that slow-fast contrast of a physically still world and this mental chaos’
Ann Veronica Janssens — interview: ‘I try to make visible the invisible, to work with the limits’
Private art museums – ‘I like to collect by myself and make decisions by myself’
Exercising Freedom: Encounters with Art, Artists and Communities
Billie Zangewa – interview: ‘I realised that I had chosen to embody the most disempowered human form’
Eleanor Bartlett – interview: ‘When you see a great lump of tar, it’s like looking at a fundamental building block of the universe’
Monica von Schmalensee – interview: ‘Architecture is an instrument for creating a better quality of life’
Claire Ashley – interview: ‘I’m not an artist who is scared about the word entertainment’
Tako Taal and Adam Benmakhlouf – interview: ‘This slow-motion style of festival creates a community of audience members’
Peter Kennard – interview: ‘Montage is about allowing people to think critically’
Sara Barker – interview: ‘I tackle sculpture from the position of painting and vice versa’
Harold Offeh – interview: ‘I am always asking: who is not part of the conversation? That is who you need to be addressing’
Rachel Whiteread – interview: ‘I’ve always picked things up. I’m a magpie and I play around with things’
Click on the pictures below to enlarge