Subscribe to our newsletter

Published 01/12/2020

Subscribe to our newsletter

Join our mailing list to receive the latest reviews of exhibitions and interviews with artists

Follow us

The Story of the Country House: A History of Places and People – book review
British Ceramics Biennial 2021
genuinefake – interview: ‘I use my creative practice to try to start conversations and dialogue about access, our aspirations … and agency’
Noguchi
Disciples of Dóra Maurer
Nneka Uzoigwe – interview: ‘I find plein air painting extraordinary because there’s so much information to capture and there are so many elements’
Gijs Van Vaerenbergh – interview: ‘We are always experimenting with the extremities of architecture, space, sculpture and form’
Doron Langberg – interview: ‘There's this rush of empathy and emotion’
Graham Little – interview: ‘Smallness feels natural to me’
Jennifer Wen Ma: ‘With the pandemic and the turbulent political situation, the work had to be more reflective, it had to bind up wounds’
Peter Freeth: 40 Years of Aquatints
Angela Heisch – interview: ‘I think of these works as theatrical – they’re emotive and dramatic as well as gestural’
Mit Jai Inn: Dreamworld
Visions of Heaven: Dante and the Art of Divine Light by Martin Kemp – book review
National Gallery Outdoor Exhibition
Kenji Hirasawa – interview: ‘I approach the sitter like a guardian angel, watching over them from far away’
Yoan Capote – interview: ‘When a Cuban looks at the sea, he remembers the isolation and pain of thousands of families’
Folkestone Triennial 2021: The Plot
Leiko Ikemura – interview: ‘I think we have this inner life, and this inner life has a kind of physiognomy’
Matthew Krishanu – interview: ‘I want my paintings to exist somewhere between the precision of a photograph and something looser’
Simone Fattal: Finding a Way
Adam Jeppesen – interview: ‘I embrace imperfection’
Matthew Wong: Footsteps in the Wind, Ink Drawings 2013-2017
Tess Jaray: Thinking on Paper by Tess Jaray – book review
The Lost Leonardo – film review
Gustave Moreau: The Fables
Alastair Gordon – interview: ‘For me, painting and faith are very much intertwined, like the warp and weft of a tapestry’
Adam Farah: What I’ve Learned from You and Myself (Peak Momentations/Inside My Velvet Rope Mix)
Hans Op de Beeck – interview: ‘It’s about suspension of disbelief and how far you can take a spectator into something undeniably fake’
Peter St John – interview: ‘You can see how this building has developed. And that’s really special’
Thomas Joshua Cooper: The World’s Edge
Summer Exhibition 2021
Christopher Houghton Budd – interview: ‘What’s needed here is a high street all the way from the town hall to the lighthouse, without interruption, for pedestrians’
Ibrahim Mahama: Lazarus
The impact of the Covid-19 pandemic on artists: ‘It was necessary for artists to feel that they are still in a network’
Jasper Johns: Mind/Mirror
Joan Eardley: Centenary
The Armory Show 2021
Hilda Kortei: Waitless Beyond Blue
Phyllis Christopher – interview: ‘We had come out, people were dying, we had nothing to lose, so we just wanted to have the best party’
Pope.L: Notations, Holes and Humour
The Renaissance Cities: Art in Florence, Rome and Venice by Norbert Wolf – book review
Helsinki Biennial and Helsinki Design Week
Marina Abramović: Seven Deaths
Tal R by Martin Herbert – book review
Tokyo: Art and Photography
Turi Simeti (1929-2021): A Homage
Christen Sveaas Art Foundation: This is the Night Mail selected by Ida Ekblad
Annie Morris – interview: ‘All my work revolves around experiences I’ve had. A lot is based on things I’m not comfortable talking about’
Restitution: The Return of Cultural Artefacts – book review

Click on the pictures below to enlarge

Home	About Studio
Archive	Yearbooks
Interviews	Contributors
Video	Cybernetic Serendipity
CyberArt	Contact us