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Philip Hughes – interview: ‘Drawing captures the memory of a place like a diary’
Nick Hornby – interview: ‘Liquefied photography is magical and mysterious’
Young Poland: The Polish Arts and Crafts Movement, 1890-1918 – book review
Prabhakar Pachpute – interview: ‘I juxtapose memories and what is happening in real life’
Frick Madison provides temporary home for the Frick Collection
Vision & Reality: 100 Years of Contemporary Art in Wakefield
Trulee Hall – interview: ‘When I say “whore”, I wouldn’t say that it’s a bad word’
Katharina Grosse – interview: ‘My eyes are my most important tools’
Tim Clark – interview: ‘This set of Hokusai’s drawings is a really important piece of the jigsaw’
Crystal Fischetti – interview: ‘I use my whole body when I paint’
Jordan Baseman on turning mastectomy tattoos into the subject of a cartoon – interview
Grief and Grievance: Art and Mourning in America – book review
Shaping the World: Sculpture from Prehistory to Now – book review
Jens Fänge – interview: ‘I try to come to a painting from a different angle each time’
Ann Veronica Janssens — interview: ‘I try to make visible the invisible, to work with the limits’
Private art museums – ‘I like to collect by myself and make decisions by myself’
Exercising Freedom: Encounters with Art, Artists and Communities
Claire Ashley – interview: ‘I’m not an artist who is scared about the word entertainment’
Peter Kennard – interview: ‘Montage is about allowing people to think critically’
Sara Barker – interview: ‘I tackle sculpture from the position of painting and vice versa’
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