Eight key works from the past 15 years, all unapologetically seen from a woman’s perspective, circle around the fluidity of sexuality, identity and the diversity of human behaviour.

In these prints of Paris, Toulouse-Lautrec and his contemporaries bear witness to the enduring appeal of illusion, suggestion and nostalgia.

This exhibition presents a survey of works by the Shanghai-based artist whose aim is to open up a dialogue across cultures and chronologies.

Nature, says Swartz, is her primary source of inspiration and her paintings are grounded in the increasingly complex relationship we have with it.

With its packed walls, vibrant colour and impressive work, the Royal Academy’s first show by artists from its community partner programmes is like a miniature Summer Exhibition.

Best-known for her colourful, expressionist landscapes and her graphic portraits, as well as for her relationship with Wassily Kandinsky, Münter deserves to be remembered in her own right, as this expansive exhibition makes clear.

In her three new films, Biggs mixes footage of the Mars Desert Research Station in Utah with scenes from refugee camps and adds in terrific soundtracks. The result is utterly compelling.

The Cuban artist discusses his return to production, a fascination with the systems of arcane sciences and why teaching and practice are born of the same spirit of enquiry.

In 1938, a year after the notorious Nazi exhibition of “degenerate art” in Munich, a counter exhibition in London showed works by 65 of the defamed artists. Eighty years on, this retrospective looks back at that exhibition, its organisers, the artworks and the artists themselves, and the stories of the lenders.

Léger is regarded as the father of pop art and, despite his harrowing experiences during the first world war, the works here reflect a sense of optimism.