Now 96, remarkably the Royal Academician’s latest show is full of recent paintings, which Frank Auerbach has told him are his most original yet. He talks about his artistic practice, the influence of his mother’s work and how hard he finds it to finish a painting.
From sex dolls to data harvesting, the artist lays the blame for the digital-human disconnect squarely at our door, with our increasing willingness to allow companies access to our personal data.
Using early-19th century techniques, Miller works without a camera, experimenting with light to produce mesmerising and haunting images.
From the dreamlike worlds of her colossal tapestries to her printmaking and the photographs in which she records her own sculptures, this show reveals the multiple threads that weave in and out of her rich, multidisciplinary practice.
An exhibition of work by Alan Davie in Wakefield in 1958 was formative for the young David Hockney and the power of influence is foregrounded in this new exhibition.
MK Gallery’s generous survey confirms the Liverpudlian Leonardo’s position as one of the 18th century’s greatest artists, who matched anatomical exactitude with a proto-Romantic spirit.
The haunting microcosm of north Italian suburbia as pictured by the matchless Luigi Ghirri is on display in this show at Thomas Dane Gallery.
Half-a-dozen works by Dean and two by Deleporte make up this stunning double exhibition by the New York-based pair.
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The hare dominated his practice to such an extent that it is often all he is remembered for, but this comprehensive exhibition reveals the true breadth of Flanagan’s oeuvre.
With her six-month inaugural exhibition and a live Aktion ahead of the official opening, Joyce hopes to surprise visitors and make them think – as well as to leave behind something of her collaborative research to guard the new Brandenburgian arts centre.
The Zimbabwe-born, London-based artist talks about her new work for her solo show at Gasworks in London and why her paintings for this year’s Venice Biennale almost reduced her to tears.
This exhibition of self-portraits across seven decades shows the artist at his most vulnerable.
In his first exhibition at Hauser & Wirth London, the LA-based artist looks into the past to create an abstract art for the present.
This small but delightful display, comprising largely sketches from the RA’s collection, beautifully illustrates the key themes of Knight’s working life: the countryside, the nude, and scenes from the theatre, ballet and circus.
The artist discusses how going to a football match at the age of seven inspired him to start painting, his dislike of organised religion, his rigorous approach to his art and his current new work at Blain Southern.
Sherrill talks about his current retrospective at the Smithsonian’s Renwick Gallery, why he calls himself a “material-based artist”, being influenced by Matisse – and the joy of home-grown tomatoes.
The National Gallery’s autumn blockbuster posits the troublesome post-impressionist firebrand as a revolutionary painter of portraits, concerned with himself even as he painted others.
The Barbadian-Scottish artist explores her heritage and the legacy of Scottish involvement in the British Empire through a multifaceted, powerful and triumphant exhibition.
The Welsh-based land artist talks of his early years, the evolution of his process, the importance of dialogue with materials and the need for his work to communicate the spirit and materials of its place.
From the luxurious carpet depicting a homeless man to the Osprey handbag bearing the words ‘private school for my kids’, Perry is not afraid to lampoon the very people who buy his work.
From Paterson’s exploration of deep time and the cosmos to Almond’s ethereal moonlit photographs, this exhibition focuses on the concept of time.
This exhibition of work by the octogenarian painter shows everything from her earliest work to her most recent explorations.
The inventiveness and curiosity of Nam June Paik is what shines through in this show of visionary work from throughout his career.
One hundred years since the founding of the Bauhaus school, this exhibition considers how it influenced the UK’s cultural scene, from film to music and performance art to hairstyles.
From buildings to sustainable products to gaming technology, this year’s design festival proved a welcome look at how to care for our beleaguered environment.
The restored, expanded MoMA has opened its doors and it is a bold new vision.
Haroon Mirza, Jack Jelfs, Gaika and Hannah Perry were among nine international artists performing to a packed house at the London nightclub Ministry of Sound during the city’s Frieze Week. The evening’s event was curated by Louise O’Kelly, founding director of Block Universe.
The New York-based painter discusses his new show, The Cinematic Self, at Ben Brown Fine Arts, his painterly process, the interiors that excite him, and his approach to turning 50.
Just three years after leaving art school, Hendry has already had several high-profile shows. She talks about her love of problem-solving and manipulating materials and discusses her new exhibition at Yorkshire Sculpture Park.
It’s all about power – electricity and power relations – and this dynamic opening night for E-Werk Luckenwalde, curated by Block Universe, combined all varying aspects in an electrifying manner.
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