A retrospective of the first 20 years of the Max Mara Art Prize for Women finds an inexhaustible well of inspiration in Italy.
This new work is very much about indeterminate selfhood as Turato immerses the visitor in a swimming pool-like psychological space – is she a mystic or a charlatan, or both?.
The Burmese artist has been jailed many times and this show includes some of the remarkable paintings and drawings he created while held as a political prisoner.
This retrospective brings the acclaimed and trailblazing, but nearly forgotten French modernist artist back into view.
A kaleidoscope of colour through which the history of modernism is refracted, this exhibition brings to light the creative benefits of long-lasting friendship, collaboration and experimentation.
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In this major retrospective, the viewer is like an avatar navigating the humans – real and CGI – that populate Atkins’ world of existential dread.
Sharjah Art Foundation’s annual symposium this year explored how culture is preserved and shared within communities.
To coincide with a rare joint exhibition now on view at The Gallery at Windsor in Florida, the artists consider the limitless possibilities of paint, their resistance to genre boundaries and the importance of keeping a harmonious distance between one another’s work.
The artist highlights the ecological horrors ravaging our world, but her aim is not to shock or to shame. With her cosy sofas and sensory objects, she wants us to find ways to deal with the anxieties and conflicts we face.
Mitchell’s photographs of urban decay and the demolition of buildings in Leeds over the past 50 years show a world now vanished, but his empathy for his subjects shines through.
Lee’s headless heroines and canines are the fifth of the Met’s Genesis Facade Commissions. But what do the Korean artist’s sculptures represent, and what are the influences behind these fantastic creatures?.
Perhaps best known for her eco-opera Sun & Sea (Marina), Lapelytė discusses her approach to improvisation and collaboration, the joy of interacting with architecture and the virtuosity of listening and her new installation at The Cosmic House, London.
Spanning four centuries and diverse cultures, this show of more than 7o works, including paintings, prints, drawings and objects, explores the mysteries and myths of the world beneath our oceans.
With highlights from the Courtauld’s collection of German and Austrian modernist works on paper and some noteworthy loans, this is a must-see exhibition for anyone interested in early modernist expressionism and the graphic arts.
Louise Bourgeois, Sheida Soleimani and Gillian Wearing are among the 30 female artists contributing to a show that is challenging, unsettling and sometimes downright uncomfortable.
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In this mind-blowing and dazzling exhibition, Zajko takes us into a mysterious realm of art and domesticity, of manufacturing and consumption.
With portraits of mosques and people at prayer, the British Asian artist documents the racist stereotyping typically experienced by Muslims across his home city of Birmingham.
This show retraces the roots of the expressionist artists who made up the Blue Rider group, looking at the influences and connections that shaped them.
Two concurrent solo exhibitions paint a much broader portrait of the artist Celia Paul, debunking the myth of her as a recluse and showing us some of who and what went into making her her.
In her films, sculptures, tapestries and prints Barrada plays with the materiality of colour.
The artist’s portraits have flown under the radar, but getting to know his sitters reveals a lot about Munch himself.
From the heart of her installation at the White House in east London, the Romany artist talks about her inspirations, her processes, and how she seeks to deconstruct the stereotypes, language and images that are used to exclude Gypsy, Roma and Traveller communities in broader society.
The sculptor talks about curating These Mad Hybrids: John Hoyland and Contemporary Sculpture, now at the Millenium Gallery, Sheffield, her early career as Anthony Caro’s assistant and why humour is so vital to her work.
