JMW Turner (1775-1851). Llanberis Lake and Snowdon - Caernarvon, Wales, about 1836 (detail). Photo: © National Galleries of Scotland | Antonia Reeve.
From storms thrashing lighthouses to mountaintops enveloped by cloud, from golden piazzas to the Italian Riviera, Turner’s delicate watercolours are stirring visions of the natural world
Scottish artist Lorna Macintyre delves into the relationships between people, their objects and their traces, in this fascinatingly forensic yet poetic exhibition at DCA.
This exhibition of artwork from Ireland’s Great Hunger Museum at Quinnipiac University, Connecticut, looks at how the country’s great famine in the mid-19th century still resonates today.
Ceal Floyer’s subversion of everyday objects continues her meditation on materiality in private and public space.
A retrospective exhibition, curated by Jasia Reichardt, celebrates the 1968 ICA show that first brought the Japanese avant garde to Europe.
British photographer Oli Kellett travels to the US to shoot people at road junctions. Here, he explains what led him to the subject matter that now forms his first solo show.
With glimmers of a cloak-and-danger cold war thriller, this look at the US artist’s 1958 UK debut considers the gallery design, remarkable for its time, and the murky matter of Pollock’s secret CIA support.
Lorenzo Lotto was a painter of emotions as well as likenesses. With every portrait, he reached beyond convention to get to the heart of his sitters.
Trend-spotting is over, but lacking, too, was the buzz. In the end, what ABMB brought to fair-goers was less an agglomeration of work for sale than an indelible, fully sensory experience of art.
The artist talks about Sympathetic Resonance, his new show at Pace, why he refers to his weaving as painting, and trawling websites daily in search of secondhand yarn.
Leonard’s stripped-back black-and-white aerial photographs take us back to a simpler time.
Exploring the life, work and artistic times of the German expressionist artist Otto Mueller, this exhibition revives the lively cultural exchange of the early 20th-century between Berlin and Wrocław.
New York-based artist Betty Yu talks about the gentrification of her neighbourhood in Brooklyn and what galleries can do to help.
Commemorating the centenary of the deaths of two of Austria’s great modernist artists, this exhibition showcases 100 drawings on loan from the Albertina Museum and proves them to be far more than just erotic sketches.
Pardo and his team have transformed a tired French hotel in Arles into a work of art, designing and making a million handmade tiles, almost every piece of furniture and hundreds of his signature light fittings.
A tribute to the British artist and art historian whose droll vignettes and punning wordplay open up life’s absurdities.
This is a portrayal of love and intimacy, but love and pain are inevitably intertwined, and Hole is a stirring and heartbreaking work.
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For her first solo exhibition in London, the Indonesian artist presents a group of intricately layered paintings and drawings that call on the contrasting environments of her home city of Bandung.
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Chihuly’s sheer brilliance and inventiveness in working with glass shine through in the magical creations on show here.
From Nam June Paik’s 1960s experiments to alter images on a TV screen to Ian Cheng’s use of chatbots and Jonah Brucker-Cohen and Katherine Moriwaki’s comments on celebrity-making through software that tracks Twitter feeds for reality TV shows, this exhibition spans 50 years of programmed works.
Creed spoke to us at the opening of his new show, Toast, which includes a dancing sock, a painting that moves in and out of the room and a troupe of singers, along with new drawings, videos, paintings, textiles and a rotating piece of toast.
Eight key works from the past 15 years, all unapologetically seen from a woman’s perspective, circle around the fluidity of sexuality, identity and the diversity of human behaviour.
In these prints of Paris, Toulouse-Lautrec and his contemporaries bear witness to the enduring appeal of illusion, suggestion and nostalgia.
This exhibition presents a survey of works by the Shanghai-based artist whose aim is to open up a dialogue across cultures and chronologies.
Nature, says Swartz, is her primary source of inspiration and her paintings are grounded in the increasingly complex relationship we have with it.
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With its packed walls, vibrant colour and impressive work, the Royal Academy’s first show by artists from its community partner programmes is like a miniature Summer Exhibition.
Best-known for her colourful, expressionist landscapes and her graphic portraits, as well as for her relationship with Wassily Kandinsky, Münter deserves to be remembered in her own right, as this expansive exhibition makes clear.
In her three new films, Biggs mixes footage of the Mars Desert Research Station in Utah with scenes from refugee camps and adds in terrific soundtracks. The result is utterly compelling.
The Cuban artist discusses his return to production, a fascination with the systems of arcane sciences and why teaching and practice are born of the same spirit of enquiry.
In 1938, a year after the notorious Nazi exhibition of “degenerate art” in Munich, a counter exhibition in London showed works by 65 of the defamed artists. Eighty years on, this retrospective looks back at that exhibition, its organisers, the artworks and the artists themselves, and the stories of the lenders.
Léger is regarded as the father of pop art and, despite his harrowing experiences during the first world war, the works here reflect a sense of optimism.
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