The director of the Mori Art Museum in Tokyo explains how it has used its online presence and social media during the Covid-19 pandemic, and considers how this will shape the future of exhibitions and the funding of museums.
The artist talks about the inspiration of watery places, lockdown at her parents’ home and how motherhood has changed her as an artist.
Now in her late-80s, the Australian artist discusses how her love of Aboriginal art was sparked as a child, being influenced by the Scottish-born artist Ian Fairweather along with American, French and Chinese art, and being compared to Cy Twombly.
Known for performance art that mixes superheroes such as Spider-Man with the Gujarati traditions of his family, Patel explains why Eddie Murphy and The Simpsons influence him more than the arts and why he struggles to be seen as a British artist.
The artist talks about his project of documenting the Covid-19 pandemic and how his autism feeds into his work.
His text-based work Please Believe These Days Will Pass has formed a key part of the UK’s early lockdown landscape. Here, he talks about his process and the power of language – its ambiguity as well as our collective understanding – within specific contexts.
Following a traumatic childhood, his art saved him, says Holley. Here he talks about the environment, the coronavirus – and why he’d love a Lonnie Holley museum near a landfill site.
Now 80, Done says you should be fearless as you age and take more risks. Here he talks about why a good work is like a long-term relationship, collaborating on art with his grandchildren – and swimming with sharks.
The artist talks about her abstract constructions, which lie partway between painting and sculpture, and how her art was shaped by life in New York in the 1970s followed by her move to Australia nearly 40 years ago.
This exhibition of works from Glasgow Museums’ collection explores the concept of domestic bliss, from domestic labour and feminism to intimate relationships and contested social roles.
The artist explains why he has painted a building in Folkestone in gold leaf and scrawled OK across it and talks about his forthcoming show of gold paintings done during lockdown, a period that spurred him on to great creativity.
Blandy talks about his new films, produced during lockdown and made to be viewed at home, his use of video games to produce art, and how his works, which deal with cultural appropriation, postcolonial legacies and racism, have turned out to be so prescient.
Szalay points to the injustices in society, and in her paintings of women bound and petrified as statues, dominated and controlled, the tension and fear are palpable.
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The artist talks about her project Painting the Poets, comprising a growing collection of portraits of female poets, which she hopes to exhibit to provide a platform for, and raise awareness of, the importance of women’s voices.
The artists talk about their site-specific, timber and straw commission, MOTHER …, for Wicken Fen, Cambridgeshire, which offers visitors somewhere to sit and shelter and escape from their own heads.
An online exhibition of new net art critiques the digital networks we have become so reliant on during lockdown.
Unable to open to the public, museums and galleries have been quick to offer virtual tours and exhibitions, but often the viewer is left feeling something is missing. Digital art and, in particular, art made to be viewed onscreen could be a way forward.
The artist talks about the work in his latest show, now postponed, his interests and influences – and how he is coping with lockdown.
As Italy tentatively enters a less restrictive phase of Europe’s longest lockdown, the leaders of three prominent art institutions consider the immediate effects and longer-term implications of a global calamity.
Newling’s ecological artworks provoke questions about how we can work in harmony with nature and contribute to a sustainable future for all.
An online exhibition at Hauser & Wirth serves as a fine reintroduction to one of the interwar avant garde’s great boundary-shattering figures.
The artistic director at the Museum of Contemporary Art in Tokyo was preparing a solo exhibition of Eliasson’s work when the museum shut because of Covid-19. She explains how a printed catalogue and an online talk saved the day.
This accessible and entertaining book by Richard Davey focuses on the 90-year-old artist’s long-forgotten sketches and works on paper and provides new insights into Whishaw’s career.
The artist talks about his strategies for thinking about painting, how his long-distance running is integral to his work, and the unexpectedly huge success of his #ArtistSupportPledge idea.
For an artist whose work is bound up with trauma and who suffered the devastating loss of 12 years’ work in a fire earlier this year, De Freston remains remarkably upbeat .
The Bulgarian-born artist famed for wrapping massive structures, great bodies of water and chunks of coastline died on Sunday at his home in New York, aged 84.
The original 1933 building, a mix of traditional Japanese design and 1920s western architectural style, has been sympathetically renovated by architects Jun Aoki and Tezzo Nishizawa to make it relevant to 21st-century museum-goers.
Nanda Vigo, the multifaceted protagonist of postwar European arts, has died in Milan aged 83.
The coronavirus pandemic is a chance for people to ask how they can do better by nature, says Ginsberg, who talks about her work using artificial intelligence and technology.
With Scotland’s premier contemporary art biennial postponed to 2021, a digital programme of often timely film and sound pieces marks the festival’s original dates.
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