Malani won the Joan Miró Prize last year and the resulting exhibition, You Don’t Hear Me, is now on in Barcelona. She has also just been awarded the first National Gallery Contemporary Fellowship. She explains why telling and retelling stories, often from a feminist perspective, has been at the core of her art.

Parks’s photographs of everyday life for black families in the 1950s and 60s lure the viewer in with their lush colours, only to reveal the toxic reality of segregation and racism – something that, 60 years on, still resonates.

The artist talks about his concern with expressing human vulnerability and encouraging empathy and connection.

An online exhibition at Hauser & Wirth serves as a fine reintroduction to one of the interwar avant garde’s great boundary-shattering figures.

The artistic director at the Museum of Contemporary Art in Tokyo was preparing a solo exhibition of Eliasson’s work when the museum shut because of Covid-19. She explains how a printed catalogue and an online talk saved the day.

This accessible and entertaining book by Richard Davey focuses on the 90-year-old artist’s long-forgotten sketches and works on paper and provides new insights into Whishaw’s career.

The artist talks about his strategies for thinking about painting, how his long-distance running is integral to his work, and the unexpectedly huge success of his #ArtistSupportPledge idea.

For an artist whose work is bound up with trauma and who suffered the devastating loss of 12 years’ work in a fire earlier this year, De Freston remains remarkably upbeat .

The Bulgarian-born artist famed for wrapping massive structures, great bodies of water and chunks of coastline died on Sunday at his home in New York, aged 84.

The original 1933 building, a mix of traditional Japanese design and 1920s western architectural style, has been sympathetically renovated by architects Jun Aoki and Tezzo Nishizawa to make it relevant to 21st-century museum-goers.