Through multilayered works that merge vibrant female figures with fantastical landscapes, the South African artist, who currently has a solo show at Goodman Gallery, London, is forging more complex and nuanced portrayals of black women.

Now in his 80s, Gough continues to paint his vast abstract canvases. He talks about his long career and, in particular, the influence John Walker had on him.

She has worked with dancers in the world’s deepest swimming pool, with scientists investigating glacial retreats and others investigating the effect of noise pollution on the oceans’ inhabitants. She explains how her work responds to environmental crises.

How did you choose the clothes you are wearing today, and what do they say about you? This show picked apart fashion and the meaning of dress codes.

The artist talks about the development of her art practice and her curatorial debut, Goddess Now.

Do we need yet another impressionist exhibition? This Royal Academy showcase of Denmark’s Ordrupgaard collection proves that there is life still in the old dog.

The work of the photographer Bill Brandt and the sculptor Henry Moore first came together during the second world war. From their depictions of coalmines to the London underground, a new book tells the story of their intersecting practices in a way that helps us see the work of both artists afresh.

Seven artists interpret the sexuality of the female body in subversive and surreal ways.

One of the most infamous YBAs returns to London and Sadie Coles with an exultant, expressive refinement of a seminal sculptural series.

Malani won the Joan Miró Prize last year and the resulting exhibition, You Don’t Hear Me, is now on in Barcelona. She has also just been awarded the first National Gallery Contemporary Fellowship. She explains why telling and retelling stories, often from a feminist perspective, has been at the core of her art.