To mark its 30th anniversary, Rebecca Hossack Gallery is showing the Australian artist Damien Coulthard. Here, he talks about painting the creation stories of his people, the Adnyamathanha.
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The Turner Prize-winning architectural collective Assemble has transformed an old bathhouse into a contemporary arts centre that is idiosyncratic and joyful.
What’s the difference between design and art? This year’s Vienna Design Week went a long way to answering that perennial question. Designers, artists, architects and educators from all over central Europe used this platform to interrogate how and why we live the way we do, and proposed intriguing, absorbing or simply beautiful solutions.
As Dan Graham’s new show opens at the Lisson Gallery in London, he talks about his early days as a New York gallerist, his love of music and why he doesn’t believe his famous pavilions are important.
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From Ann Veronica Janssens’ Magic Mirrors to Anish Kapoor’s mind-bending sculptures, this playful exhibition will leave you questioning the reliability of your senses.
By sidestepping radical abstraction and highlighting the quixotic figurative work of Chagall, this exhibition foregrounds the revolution’s potential to bring joy, sex and playfulness into people’s lives apart from political propaganda, utopianism and promises of a better life.
From slapstick to sarcasm, parody to political activism, this group show at the South London Gallery, curated by Ryan Gander and gallery director Margot Heller, interrogates contemporary artists’ diverse manipulations of humour as a compelling facet of human connection.
A two-day, 3D festival celebrated the opening of the V&A Dundee with a visual collaboration between Scottish rock band Primal Scream and artist Jim Lambie, and a light, sound and graphics show by Dundee digital creatives Biome Collective and Agency of None.
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Charleston, home of the Bloomsbury set, is celebrating the opening of a new exhibition and arts space with three concurrent exhibitions, Orlando at the Present Time, Zanele Muholi: Faces and Phases and Vanessa Bell and Duncan Grant’s Famous Women Dinner Service.
‘I was always drawing with my mother, and making things with my mother,’ says the artist.
The French artist and illustrator explains his love of collecting, his collaboration with Patrick Modiano and why he stopped working for magazines.
From his diminutive drawings to his large Pepto-Bismol pink sculptures, Franz West's world will leave you feeling slightly scrambled, but wholly absorbed.
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The White Cube presents two of Doris Salcedo’s works, each exploring loss and the fragility of life with the artist’s signature flair.
In this solo exhibition, Eder explores cultural value judgments through his kitsch portrayals of kittens, puppies and female nudes, in paintings spanning the past 15 years of his career.
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This thought-provoking exhibition explores how artists can raise awareness about climate change and the environment.
Nicolas and Frances McDowall started the Old Stile Press almost 40 years ago. They talk to Studio International about the many and varied books they have produced in that time.
The artist discusses works done over the past year, now at Waddington Custot, London, as well as the three decades of his work on show at Dallas Contemporary.
From his famed Pompidou Centre to eye-opening projects that many won’t know about, including a travelling pavilion for IBM, to the Shard, Renzo Piano’s inspiration and genius shine through in this exhibition highlighting 16 of his works.
Performance artist Vanessa Brazeau devises absurd exercise routines and fitness apps in order to connect the act of movement to the way we think and make decisions.
Spellbound is an exhibition that not only examines the superstitious practices that governed our ancestors, but also exposes those we still cling to today .
Unwin describes the role of memory in the 10 oil paintings of this solo show and explains why she resists being aligned with any specific group or movement.
Billy Apple is not just an artist – he’s a trademarked brand. He talks about exchanging his art for a knee operation and his new exhibition at the Mayor Gallery, London.
Farthing explains how his Miracle paintings, now on show at Salisbury Cathedral, came from a conversation he had with a Coptic priest in Cairo.
In two powerful sets of new work at Hauser & Wirth’s Somerset outpost, the Belgian sculptor moves beyond her figurative past in an attempt to capture the tragedy of the present day.
This exhibition, the first in the UK dedicated to the work of Jusepe de Ribera, delves in to the motivations behind some of the baroque artist’s most arresting images of suffering.
A haunting exhibition that will transport those visiting the Royal Academy of Arts to a world of Pacific gods and powerful ancestors.
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The Swiss artist’s intriguing latex ‘skinnings’ of buildings and objects are shown for the first time in a UK public institution, 25 years after her death.
Mitchell and Emily Rales’s $125m extension of Glenstone – due to open on 4 October – makes it one of the world’s largest private museums, with six buildings, 230 landscaped acres and a formidable collection. The only problem will be getting in.
Kengo Kuma has delivered a new landmark in the V&A Dundee. It is a craggy sculptural structure inspired by the city’s shipbuilding past and Scotland’s rugged cliffs, which Kuma hopes will reconnect the city with nature. Inside, he has crafted an interior of warmth and welcome. But has he delivered a ‘living room for the city?’.
Istanbul-based artist Banu Cennetoğlu talks about the List, a documentation of refugees known to have died trying to reach Europe, now on show at the Liverpool Biennial, her recent film at the Chisenhale that spanned more than 128 hours, and the images we create of ourselves and other people.
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