Using installation, photography, film and sound, Whipps takes us on a journey exploring histories from around the world through plants and minerals.
The Baroque splendour of Blenheim Palace meets its match in Cecily Brown’s furious, kaleidoscopic vision of a nation in decline.
The artist discusses his use of found objects, the place of autobiography in his work, his fascination with concrete and the challenges he faced while developing his installation for the Northern line extension in Battersea, south London.
The Japanese food artist Ayako Suwa usually uses food and flavours as her medium, but the Covid pandemic means she has had to adapt her practices. In this show, she focuses instead on our sense of smell.
This celebratory exhibition of Byrne’s screenprints, along with a companion show of portraits of the artist, by his friend the photographer David Eustace, champions the camaraderie, craft and warmth of one of Scotland’s most admired and multi-talented artists.
With its nod to the US-Mexico border wall, Zamora’s installation at the Met raises provocative questions about socioeconomic and environmental issues as well as the increasing scrutiny facing art in public spaces.
With museums and galleries shut due to the pandemic, art had to be rethought. Online shows have their place but can’t compete with seeing the real thing. With that in mind, here is a roundup of New York’s best outdoor offerings.
A clever smartphone app has turned Christo & Jeanne-Claude’s London Mastaba into a trick of augmented reality that you can carry around in your pocket, allowing you to site it anywhere you chose.
The Metropolitan Museum of Art in New York reveals Yoko Ono’s new commission, created in response to the Covid-19 pandemic, ahead of the museum’s reopening this month.
With contributions from painters, poets, illustrators and film-makers, including Ralph Steadman, Rasheed Araeen and Frank Bowling, this glossy publication gives older creatives a platform to discuss their daily working habits and motivations, and how their approaches have adapted over the years.
A hometown survey of the Berlin photographer captures a city on the cusp of change, anxious and expectant.
Unable to install The End of Fun! at Ikon in Birmingham because of Covid-19 travel restrictions, Kintera spoke to Studio International via Zoom from his studio in the Czech Republic.
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Despite reminding us of our catastrophic past, our difficult present and our fragile future, this exhibition of Vo’s new works is oddly comforting.
In her latest exhibition, Roissetter creates a distorted dreamworld that playfully, but subtly reveals the seediness inherent in England’s ‘polite society’.
In a new series of large geometric works on paper and smaller figurative oil paintings on aluminium, Ziegler explores the relationships between memory and images.
A major UK survey exhibition of her work reveals the restless creativity and curiosity of this talented, multimedia artist. She talks about her love of landscape and her revolutionary approach to pattern.
The artist talks about the erasure of black people in everyday society, and how this informs and motivates her to challenge herself, and her audience, with her filmic and performative installations.
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With her sculpture THE END finally installed in Trafalgar Square, after a delay due to Covid-19, and the first full monograph of her work now out, Phillipson talks about the pandemic, subversion, her multimedia practice and endings and beginnings.
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The French artist and film-maker Natacha Nisic talks about The Crown Letter, the international participatory art project she launched in April, which offers a digital space for female artists from around the world.
The Chinese artist Li Qing explores the tensions between east and west through the lens of architecture and the urban environment, documenting what he calls Hangzhou’s ‘lonely house’ phenomenon.
Her enduring interest in language and visual perception, combine in this fascinating yet intimate exhibition of Holt’s early work.
The American painter’s first London show unleashes a gallery of grotesques that are equal parts horrifying, laughable and strangely sympathetic.
This sumptuous publication brings together Matisse’s eight livres d’artiste with meticulous attention to feel and detail.
Through multilayered works that merge vibrant female figures with fantastical landscapes, the South African artist, who currently has a solo show at Goodman Gallery, London, is forging more complex and nuanced portrayals of black women.
Now in his 80s, Gough continues to paint his vast abstract canvases. He talks about his long career and, in particular, the influence John Walker had on him.
She has worked with dancers in the world’s deepest swimming pool, with scientists investigating glacial retreats and others investigating the effect of noise pollution on the oceans’ inhabitants. She explains how her work responds to environmental crises.
How did you choose the clothes you are wearing today, and what do they say about you? This show picked apart fashion and the meaning of dress codes.
The artist talks about the development of her art practice and her curatorial debut, Goddess Now.
Do we need yet another impressionist exhibition? This Royal Academy showcase of Denmark’s Ordrupgaard collection proves that there is life still in the old dog.
The work of the photographer Bill Brandt and the sculptor Henry Moore first came together during the second world war. From their depictions of coalmines to the London underground, a new book tells the story of their intersecting practices in a way that helps us see the work of both artists afresh.
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