With more than 160 works, this ambitious retrospective highlights Knight’s considerable achievements in the context of women’s rights and her evident skill. What it fails to do is address the criticism that her work lacks substance.
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There is some compelling work here, but this could have been a chance to see a century of revolution in art, science and technology from the 1920s to the present, so neglecting the pre-1950 period seems a shame.
In this small but inspiring exhibition of work by Margaret Mellis, an unfairly overlooked member of the St Ives group, her joy of colour shines through, whether in her small collages, her later oil paintings or her driftwood constructions.
Made during pregnancy and the Covid pandemic, these new works explore motherhood, goddess culture and anxiety.
To enter this show is to enter Casteel’s world. Drawn in by her monumental portraits of often marginalised people, you are allowed an intimacy with her subjects as if they are there with you.
With the opening of her first major UK solo show in her 60-year career, De Jong talks about her time as part of the revolutionary Situationist International movement, her ever-changing style and her empathy for what is happening in the world.
Mesiti skilfully choreographs our experiences, guiding us around the gallery and immersing us in the worlds of bees, trees and ancient music in her evocative sound and video installations.
Cousin’s paintings are named after childhood games, but the contorted life-sized figures and faces in her paintings appear to be engaged in more complicated mind games.
In his first major London show in a decade, including more than 60 recent works, Richter demonstrates a variety of approaches to drawing.
The boundaries between painting and sculpture are blurred in Sze’s works, where pictures within pictures become portals into another world that only the viewer can enter.
For three months in New York, and then at the Tate Modern, visitors will be treated to that increasingly rare phenomenon in museum show business – a teaching exhibition. A blockbuster, yet not, so bouleversé you may not be, but enlightened you shall.
Tadao Ando’s renovation of this majestic building in the heart of Paris, and the appointment of Emma Lavigne as CEO, promise that this new museum will play a singular role in the art world.
Roberts, the director of Vital Arts, which commissions projects for five London hospitals, talks about the range of artists and work involved and the transformative power of art on the wellbeing of patients and staff.
In an uplifting show that is dizzying in its scope and variety, 31 contemporary artists celebrate diverse images and ideas.
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For 2021, the inaugural Helsinki Biennial and Helsinki Design Week wore their hearts on their sleeves: showcasing art and design in an ethical, environmentally responsible framework that placed nature, craftsmanship and creativity in the service of community, both local and global.
The photographer talks about her coming of age in 1990s San Francisco, where, despite the Aids crisis, lesbians, in the post-lesbian feminist era, largely wanted to come together, have fun and create visibility.
As western nations increasingly give consideration to the repatriation of stolen artefacts, cultural heritage law expert Alexander Herman takes us on a fascinating tour of the legal, ethical and political issues involved .
Aiming to bring sculpture into people’s everyday lives, Noguchi mixed cultural traditions with modern techniques. The sculpture, lighting, furniture, theatre sets and playground models on show here are a measure of his success.
A tribute to Turi Simeti presents an encapsulated overview of a major figure of Italy’s postwar avant-gardes.
This is a staggering show, dominated by five unsettling figures, whose abstraction echoes the artist’s explanation that they are embarking on a journey of transformation.
