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Christina Quarles – interview: ‘These works are holding onto that slow...

Created during lockdown, against a backdrop of rising deaths from Covid, the police killing of Georg...

Krištof Kintera – interview: ‘Humour helps us to survive’

Unable to install The End of Fun! at Ikon in Birmingham because of Covid-19 travel restrictions, Kin...

Yoko Ono: DREAM TOGETHER

The Metropolitan Museum of Art in New York reveals Yoko Ono’s new commission, created in response ...

Nicole Schoeni: ‘We wanted to look at the psychological effects of the p...

Schoeni discusses the challenges of curating an immersive group exhibition in a London townhouse dur...

Anish Kapoor

Anish Kapoor’s postponed exhibition at Houghton Hall opens as lockdown eases in the UK...

Transparent Things

Video walkthrough of this group exhibition at Goldsmiths Centre for Contemporary Art narrated by cur...

A personal message: Anita Glesta

Brooklyn-based artist Anita Glesta sends a video message from her temporary studio in upstate New Yo...

Oluwole Omofemi – interview: ‘In my paintings, I try to tell the black...

The Nigerian artist talks about how he uses hair – specifically the afro – as a metaphor for fre...

Ziba Ardalan – interview: ‘Parasol has been 16 years of go-go … Mayb...

Ardalan talks about her decision to close Parasol unit, and its achievements in London over the last...

Jake Wood-Evans – interview: ‘I don’t think you can make a successfu...

Taking great baroque altarpieces as his starting point, Jake Wood-Evans marks out his composition, a...

Denzil Forrester – interview: ‘I needed that dark space to bring out t...

Studio International spoke with Forrester at the opening of Itchin & Scratchin, his first major solo...

Christine Rebet– interview: ‘Animation is perfect for critique: it is ...

Studio International spoke to Rebet at the opening of Time Levitation, her first solo show in the UK...

Darren Waterston – interview: ‘My normal studio practice is quite mona...

Studio International spoke to Waterston ahead of the opening of his installation Filthy Lucre: Whist...

Paul Mpagi Sepuya - interview: ‘I’m not making tricky pictures. There...

While a quest to understand the myriad undefined potentials of queer social spaces is one factor beh...

Leo Villarreal – interview: ‘It was interesting to connect to the univ...

American artist Leo Villareal talks about his first solo show at Pace, London, and his latest public...

Hansjörg Mayer – interview: ‘To handle and open and read the books .....

Poet, typographer and publisher Hansjörg Mayer and the computer art pioneer Frieder Nake talk us th...

David Roberts Art Foundation’s Evening of Performances

Haroon Mirza, Jack Jelfs, Gaika and Hannah Perry were among nine international artists performing to...

David Nash – interview: ‘The world of nature, the environment, weather...

David Nash, the Welsh-based land artist, talks of his early years, the evolution of his process, the...

AlanJames Burns: ‘I’m embedding the cave with an assumed consciousness...

Burns guides us around the cave where his latest installation is taking place and explains that, his...

David Lewis, Billy Gerard Frank: Epic Memory – Venice Biennale 2019

Two quite different artists who have distinct and diverse relationships with the islands of Grenada ...

Kevork Mourad: the making of Seeing Through Babel

We visited Mourad at the Ismaili Centre in London to witness the creation of his latest work, a six-...

Shirley Tse: Stakeholders – Venice Biennale 2019

The artist talks about accommodation and negotiation as expressed in her Venice installation, Stakeh...

Remy Jungerman and Iris Kensmil: The Measurement of Presence – Venice Bi...

Jungerman and Kensmil’s installations for the Dutch Pavilion explore issues of race, identity, cul...

Shu Lea Cheang: 3x3x6 – Venice Biennale 2019

Shu Lea Cheang’s multi-media installation for Venice uses its ancient prison setting well to explo...

Leonor Antunes: a seam, a surface, a hinge or a knot – Venice Biennale 2...

Leonor Antunes combines her sculpture and craft to open up conversations within architectural spaces...

Renate Bertlmann: Discordo Ergo Sum – Venice Biennale 2019

Renate Bertlmann’s work is rooted in 1970s feminism, yet her message is entirely contemporary. She...

Eva Rothschild: The Shrinking Universe – Venice Biennale 2019

Eva Rothschild’s installation in Venice’s Arsenale summons the spirit of infrastructure, rubble ...

Sean Edwards: Undo Things Done – Venice Biennale 2019

Sean Edwards discusses growing up in a community with low expectations and expressing the most hones...

Hew Locke – interview: ‘A lot of my work has to do with the burden of ...

Hew Locke discusses monarchy, nationhood, bigotry, boats, Brexit and the seductive silliness of TV...

Mary Griffiths – interview: ‘I extrapolate a drawing that has some res...

In Protest and Remembrance at Alan Cristea, with her large abstract works of plywood, acrylic gesso ...

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