Published  31/10/2023

Olga Grotova – interview: ‘I started to think how soil and plants are sometimes the only witnesses’

Olga Grotova – interview: ‘I started to think how soil and plants are sometimes the only witnesses’

In her east London studio, Olga Grotova talks about the ‘choreographic’ process and inspiration for dense, mysterious works bearing the imprints of plants and limbs, layered with soil and pigments to reveal hidden narratives and tales of trauma

Olga Grotova was born, literally, on the eve of the explosion at the Chernobyl nuclear reactor in April 1986, the most serious accident ever to occur in the nuclear power industry, so it is perhaps not surprising that her work reveals her fascination with trauma as expressed through soil, nature and histories that have been denied or violently obliterated.

Although her birthplace, Chelyabinsk, is in the Urals, more than 1,000 miles away, that sense of living through an ecological disaster – with a government that suppressed knowledge of the extent of the catastrophe and its impact on the local landscape and people – seems imprinted in her DNA. It is visible in the large paintings on linen, where the silhouette of a plant, a foot, a limb, is layered over with swirling patterns of pigment, soil and minerals that she grinds herself – often taken directly from sites of humanitarian or ecological assaults.

Olga Grotova. Rot, 2023. Pigments and photograms on linen, 100 x 80 cm. © The Artist, Courtesy of Schoeni Projects and The Shophouse. Photo: Arcalis Studio.

They have the look of parchment, mottled with age, or shrouds. And that quality of timelessness is something she seeks, she says, expressing also her family lineage of stoic single motherhood and even imprisonment; her great-grandmother was deported to a prison camp in Kazakhstan for “wives of traitors” because she married a German man (he was subsequently executed during Stalin’s purges). In 2022, Grotova visited the camp, along with her mother, as part of her research. The resulting film, along with further paintings, was revealed this summer at her show The Friendship Garden, at Studio Voltaire in London.

Olga Grotova: The Friendship Garden, installation view, Studio Voltaire, 20 May – 30 July 2023. Image courtesy the Artist. Photo: Zoë Maxwell.

Photography is also part of her practice, although she favours an older form of photography devoid of cameras: using light, she exposes objects to fabrics or materials primed with photo emulsion. She describes it as “one of the first photographic techniques”. This strand of work, titled Our Grandmothers’ Gardens, appeared at the 2022 edition of the prestigious photo exposition Les Rencontres d’Arles.

Grotova studied at Chelsea College of Art and completed her master’s at the Royal College of Art in 2016. She has undertaken many residencies, including at Wysing Arts Centre in Cambridge and Praksis in Oslo. In 2023, she joined a residency through Schoeni Projects in Hong Kong, the results of which are on show at Cromwell Place, London.

Olga Grotova, gallery view, Door to Door exhibition, Cromwell Place, 20 October – 5 November 2023. Courtesy of Schoeni Projects and The Shophouse. Photo: Leon Kong.

Door to Door Artist Residency: Szelit Cheung and Olga Grotova
Cromwell Place, London
20 October – 5 November 2023


Click on the pictures below to enlarge

studio international logo

Copyright © 1893–2024 Studio International Foundation.

The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.

twitter facebook instagram

Studio International is published by:
the Studio International Foundation, PO Box 1545,
New York, NY 10021-0043, USA