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Craig Gough – interview: ‘Improvisation in painting is a lot like jazz...

Now in his 80s, Gough continues to paint his vast abstract canvases. He talks about his long career ...

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Jacqueline Poncelet – interview: ‘Uncertainty is all right; it gives u...

A major UK survey exhibition of her work reveals the restless creativity and curiosity of this talen...

Emma Critchley – interview: ‘Being underwater where everything complet...

She has worked with dancers in the world’s deepest swimming pool, with scientists investigating gl...

Alberta Whittle – interview: ‘No one can find Barbados on a map, where...

The artist talks about the erasure of black people in everyday society, and how this informs and mot...

Heather Phillipson – interview: ‘I wanted to respond to the loaded pol...

With her sculpture THE END finally installed in Trafalgar Square, after a delay due to Covid-19, and...

Kate Mieczkowska – interview: ‘I have always loved being in front of a...

The artist talks about the development of her art practice and her curatorial debut, Goddess Now...

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Natacha Nisic – interview: ‘We needed a place for free expression, a v...

The French artist and film-maker Natacha Nisic talks about The Crown Letter, the international parti...

Pat Steir – interview: ‘I want the paint to make the painting, to make...

She discusses a new, candid documentary of her life, and talks about her art practice and the influe...

Aliza Nisenbaum – interview: ‘I’ve found Zoom surprisingly intimate....

Nisenbaum is preparing for two exhibitions this year, one at Anton Kern Gallery in New York and one ...

Sam Lucas – interview: ‘I do not make pretty things: they are conversa...

The artist talks about clay’s therapeutic and expressive qualities, and how her work helps her to ...

Nalini Malani – interview: ‘The future is female. There is no other wa...

Malani won the Joan Miró Prize last year and the resulting exhibition, You Don’t Hear Me, is now ...

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Toby Deveson – interview: ‘There is definitely a sense of seeking perf...

The photographer talks about his love of landscapes, his instinctive composition, and that elusive s...

Andrew Litten – interview: ‘I like the feeling that my work is emotion...

The artist talks about his concern with expressing human vulnerability and encouraging empathy and c...

Mami Kataoka – interview: ‘We need to look at long-term museum managem...

The director of the Mori Art Museum in Tokyo explains how it has used its online presence and social...

Stefan Brüggemann – interview: ‘The language in the work adapts to th...

The artist explains why he has painted a building in Folkestone in gold leaf and scrawled OK across ...

Esther Teichmann: ‘My work explores our relationship to the maternal, th...

The artist talks about the inspiration of watery places, lockdown at her parents’ home and how mot...

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David Blandy – interview: ‘The online world can be a space for transfo...

Blandy talks about his new films, produced during lockdown and made to be viewed at home, his use of...

Yuko Hasegawa – interview: ‘We built Olafur Eliasson’s exhibition wi...

The artistic director at the Museum of Contemporary Art in Tokyo was preparing a solo exhibition of ...

Ann Thomson – interview: ‘Art is a means of renewing culture’

Now in her late-80s, the Australian artist discusses how her love of Aboriginal art was sparked as a...

Hetain Patel – interview: ‘What does it do growing up to see that the ...

Known for performance art that mixes superheroes such as Spider-Man with the Gujarati traditions of ...

Clae Eastgate – interview: ‘I want my portraiture to be that bridge, t...

The artist talks about her project Painting the Poets, comprising a growing collection of portraits ...

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Matthew Burrows – interview: ‘I think as an artist and I make as a pai...

The artist talks about his strategies for thinking about painting, how his long-distance running is ...

David Downes – interview: ‘Through the adversity, I thought this is so...

David Downes talks about his project of documenting the Covid-19 pandemic and how his autism feeds i...

Studio Morison – interview: ‘MOTHER … was made to heal us now, to pr...

The artists talk about their site-specific, timber and straw commission, MOTHER …, for Wicken Fen,...

Tom de Freston – interview: ‘Painting by its very nature is an act of ...

For an artist whose work is bound up with trauma and who suffered the devastating loss of 12 years...

Mark Titchner – interview: ‘Language is how we relate to the world, th...

His text-based work Please Believe These Days Will Pass has formed a key part of the UK’s early lo...

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Lonnie Holley – interview: ‘I started doing my work with a knife, fork...

Following a traumatic childhood, his art saved him, says Holley. Here he talks about the environment...

Ken Done – interview: ‘We white blokes could learn from collaboration ...

Now 80, Done says you should be fearless as you age and take more risks. Here he talks about why a g...

Robert Fitzmaurice – interview: ‘I started to truncate the figure a lo...

The artist talks about the work in his latest show, now postponed, his interests and influences – ...

Hilarie Mais – interview: ‘I draw what I am working on as a way of und...

The artist talks about her abstract constructions, which lie partway between painting and sculpture,...



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