Gabriella Boyd – interview: ‘I work through intuitive and formal probl...
Gabriella Boyd shares the experiences and educational journeys through which her layered and intimat...
Mali Morris – interview: ‘A phrase that I use as a mantra is “What i...
In the run up to her exhibition at Hatton Gallery, Mali Morris talks about her processes of applying...
Liorah Tchiprout – interview: ‘Painting is terrifying!’
As Liorah Tchiprout's second solo show arrives in London, the printmaker and painter discusses her u...
Selva Aparicio – interview: ‘I have worked a lot with mourning. It is ...
Aparicio has had a packed year, with her first major solo show in Chicago and two works commissioned...
-Flora-Yukhnovich-300.jpg)
Flora Yukhnovich – interview: ‘I’m always looking at history through...
Where better to view the work of contemporary rococo-inspired painter Flora Yukhnovich than at the W...
Goshka Macuga – interview: ‘I wanted to invite viewers to consider the...
Macuga, whose exhibition Born from Stone is now on view at the London Mithraeum, discusses the poten...
Lucía Pizzani – interview: ‘Come on, look at me, I’m here. We both ...
The London-based Venezuelan artist talks about her commission at Harewood House, her exhibition at C...
-300.jpg)
Hetain Patel – interview: ‘Getting to that essence of creation, which ...
Alongside the artist’s own work, which includes a carpet-covered Ford Escort, is a cornucopia of s...
Garth Evans – interview: ‘There has to be the sense that the physicali...
In the lead up to his 90th birthday, sculptor Garth Evans talks to Sam Cornish, curator of A Place i...
-Olive-and-Maeve-300.jpg)
Mella Shaw – interview: ‘All art is a form of activism. I use my pract...
Bella Shaw talks about her award-winning work Sounding Line, which focuses on the overuse of marine ...
Gavin Jantjes – interview: ‘I want to be free from expectation’
Gavin Jantjes, the South African painter, printmaker and former curator talks about the pitfalls of ...
Dominique White – interview: ‘I do everything the wrong way’
Ahead of her Whitechapel Gallery commission, Dominique White, the winner of the Max Mara Art Prize f...
Emma Stibbon – interview: 'We need the science, the data, but art can re...
Tackling issues of climate change and coastal erosion in both the local area and as far afield as th...
Hildigunnur Birgisdóttir – interview: ‘I am inspired by the underwhel...
Recycled jute coffee bags, plastic pizza and a heap of wet wipes – for Iceland’s Pavilion at thi...
Tony Cragg - interview: ‘There are many more things that do not exist th...
In the gardens of Castle Howard, north Yorkshire, Tony Cragg talks about his different sculptural se...
Antony Gormley – interview: ‘What is made here is a repositioning of t...
Probably the UK’s best-known contemporary sculptor, Antony Gormley has created a new ‘field’ o...
Wayne Eager – interview: ‘In Central Australia, I was mesmerised by th...
A three-month stay in Central Australia with his partner, the artist Marina Strocchi, turned into a ...
Alex Ely – interview: ‘Ultimately the success of any building is how w...
What is the secret to making buildings that other architects admire and envy, but which are dedicate...
Gayle Chong Kwan – interview: ‘I’ve made a connection between displa...
Gayle Chong Kwan talks about using sand and sugar to make historic and contemporary connections betw...
_Credit-GAS-Foundation-300.jpg)
Leo Robinson – interview: ‘Human beings need meaningful symbols and na...
Leo Robinson, whose exhibition Dream-Bridge-Omniglyph is now at the London Mithraeum, considers his ...
Outi Pieski – interview: ‘Contemporary art museums in general are spac...
Small carved figures, knotted fringes and historic hats represent Outi Pieski’s Sámi heritage as ...
Ronald Davis – interview: ‘Two artists who use perspective in their wo...
Ronald Davis talks about his art and how he started out in the 1960s, his friendship with Judy Chica...
Ramesh Mario Nithiyendran – interview: ‘Part of creating the work is t...
A melange of multilimbed, fertility, guardian, protector and warrior figures animate Glasgow’s Tra...
Andrew Cranston – interview: ‘Trust in things around you being the stu...
As his first public exhibition opens in Wakefield, the brilliant Scottish painter Andrew Cranston ta...
James Lingwood and Michael Morris, former Artangel directors – interview...
Their legacy includes Rachel Whiteread’s cast of a terraced house, Roger Hiorns transformation of ...
Jake Grewal – interview: ‘I don’t know where I make work from other ...
Jake Grewal, whose compelling first solo institutional exhibition is now showing at Pallant House Ga...
Bruce Munro – interview: ‘I was constantly telling people about this l...
Bruce Munro dreamed of installing Field of Light in the Australian desert. He explains how the monum...
Ibrahim Mahama – interview: ‘It’s not so much about what you produce...
Ibrahim Mahama is showing at the Bienal de São Paulo and the Chicago Architecture Biennial and is a...
Sara Reisman – interview: ‘This was an opportunity to engage with cont...
Sara Reisman, chief curator at the National Academy of Design, talks about the institution’s 200-y...
Nimrod Vardi and Claudel Goy – interview: ‘We want to explore what it ...
The co-directors of arebyte, a charitable organisation specialising in digital art, talk about being...
Copyright © 1893–2024 Studio International Foundation.
The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.
 |
 |
 |
|---|