logo studio international

Alvaro Barrington – interview: ‘When you look at my paintings, you’r...

The New York-based painter talks about the artists he steals from, integrating his lived experience ...

<

David Lewis, Billy Gerard Frank: Epic Memory – Venice Biennale 2019

Two quite different artists who have distinct and diverse relationships with the islands of Grenada ...

Callum Hüseyin – interview: ‘Music has the power to shock people in a...

Taking as inspiration the stories of scientists, donors and patients and creating a breathtakingly b...

Kevork Mourad: the making of Seeing Through Babel

We visited Mourad at the Ismaili Centre in London to witness the creation of his latest work, a six-...

Andrea Luka Zimmerman – interview: ‘This is how I work in films, it’...

Luka Zimmerman talks about her interest in people on the margins, her collaborative process, and tha...

Nikhil Chopra – interview: ‘I try to hold a mirror up to the world and...

Nikhil Chopra, the 2019-2020 artist in residence at New York’s Metropolitan Museum of Art, talks a...

<

Ekaterina Degot – interview: ‘We now have an abyss on all fronts – e...

Degot discusses Steirischer Herbst, an annual art festival held in Graz, Austria. Last year, her fir...

Lubaina Himid – interview: ‘It is my intention to create artworks that...

Lubaina Himid’s first solo exhibition in the US opens this week, debuting works that continue her ...

Shirley Tse: Stakeholders – Venice Biennale 2019

The artist talks about accommodation and negotiation as expressed in her Venice installation, Stakeh...

Paula Rego – interview: ‘I’m interested in seeing things from the un...

From criticism of dictatorship in her native Portugal in the 60s to the 90s abortion series and Dog ...

Julie Cunningham – interview: ‘I had the experience for many years of ...

Seeking to erase embedded patriarchal structures and fixed gender identities through dance, Julie Cu...

<

Remy Jungerman and Iris Kensmil: The Measurement of Presence – Venice Bi...

Jungerman and Kensmil’s installations for the Dutch Pavilion explore issues of race, identity, cul...

Shu Lea Cheang: 3x3x6 – Venice Biennale 2019

Shu Lea Cheang’s multi-media installation for Venice uses its ancient prison setting well to explo...

Lothar Götz – interview: ‘In Britain, people think abstraction is jus...

Artist Lothar Götz talks about designing a monumental mural for Towner Art Gallery, the politics of...

Raffi Kalenderian – interview: ‘It’s like banging your head against ...

For Kalenderian, painting is all about excitement. His radical portraiture – as much of the scene ...

Andrew Marr – interview: ‘Everybody is angry and upset. We’ve messed...

The broadcaster, writer and former BBC political editor talks about how his painting and drawing pra...

<

Petra Bauer – interview: ‘The crucial thing was to make sure the sex w...

Inspired by feminist film practitioners who emphasise the importance of making films with their subj...

Leonor Antunes: a seam, a surface, a hinge or a knot – Venice Biennale 2...

Leonor Antunes combines her sculpture and craft to open up conversations within architectural spaces...

Keith Tyson – interview: ‘I’m quite happy for the world to seep thro...

The artist talks about the joys of scaling back, relearning the craft of painting, and why the flowe...

Renate Bertlmann: Discordo Ergo Sum – Venice Biennale 2019

Renate Bertlmann’s work is rooted in 1970s feminism, yet her message is entirely contemporary. She...

Eva Rothschild: The Shrinking Universe – Venice Biennale 2019

Eva Rothschild’s installation in Venice’s Arsenale summons the spirit of infrastructure, rubble ...

<

Jock McFadyen – interview: ‘The Royal Academy Summer Exhibition doesn...

McFadyen, known for his urban landscapes and putting the marginal centre stage in his paintings, is ...

Sean Edwards: Undo Things Done – Venice Biennale 2019

Sean Edwards discusses growing up in a community with low expectations and expressing the most hones...

Casey Reas – interview: ‘There is an increased understanding that soft...

Reas is known as the man who helped to create the open-source programming language Processing and br...

Lawrence Lek – interview: ‘AI could become the ultimate content creati...

Lek talks about artificial intelligence taking over from human creativity, and AIDOL, his feature-le...

Victor Wong – interview: ‘The human is inspired by the machine and the...

Artist-inventor Victor Wong talks about his robot artist AI Gemini, how he feels about his invention...

<

Nye Thompson – interview: ‘The bots are actually the primary audience ...

In her project The Seeker, a system of machines looking at images on screen, analysing them and whis...

Angelica Mesiti – interview: ‘I really want to maintain ambiguity and ...

Representing the Australian Pavilion at this year’s Venice Biennale, Angelica Mesiti is showing a ...

Aliza Nisenbaum – interview: ‘I was torn between wanting to be a socia...

The Mexican-born, New York-based artist talks about her first UK public commission, a mural at Brixt...

Irina Nakhova – interview: ‘I want my works to provoke curiosity’

The Russian artist talks about her latest exhibition, Museum on the Edge, at the Zimmerli Art Museum...



studio international logo
Copyright © 1893–2019 Studio International Foundation.

The title Studio International is the property of the
Studio International Foundation and, together with
the content, are bound by copyright. All rights reserved.
studio international cover 1894
Home About Studio
Archive Yearbooks
Interviews Contributors
Video Cybernetic Serendipity
CyberArt Contact us
twitter facebook RSS feed instagram

Studio International is published by:
the Studio International Foundation, PO Box 1545,
New York, NY 10021-0043, USA