logo studio international

Oluwole Omofemi – interview: ‘In my paintings, I try to tell the black...

The Nigerian artist talks about how he uses hair – specifically the afro – as a metaphor for fre...

<

Janet Laurence – interview: ‘White Australians didn’t have a way of ...

A leading contemporary artist in Australia, Laurence talks about colonialisation and using her art t...

Ziba Ardalan – interview: ‘Parasol has been 16 years of go-go … Mayb...

Ardalan talks about her decision to close Parasol unit, and its achievements in London over the last...

Maurice Burns – interview: ‘I think musically when I compose my painti...

The artist talks about his current exhibition at Gerald Peters, his first show in New York, his comp...

Marguerite Humeau – interview : ‘I think art was born from a will to b...

Whether she is reconstructing the voice of Cleopatra or creating futuristic elephantine forms, Humea...

Carmen Neely – interview: ‘I'm interested in the process of what is lo...

The artist talks about the role of collecting, (re)creating characters and identities, translation, ...

<

Jake Wood-Evans – interview: ‘I don’t think you can make a successfu...

Taking great baroque altarpieces as his starting point, Jake Wood-Evans marks out his composition, a...

Denzil Forrester – interview: ‘I needed that dark space to bring out t...

Studio International spoke with Forrester at the opening of Itchin & Scratchin, his first major solo...

An-My Lê – interview: ‘All the striations of important events are ret...

Photographer An-My Lê talks about her project Silent General and the personal and political tension...

Tony Lewis – interview: ‘I’ve got to wear a Tyvek suit, a ventilatio...

The artist explains the lengths he must go to in order to create his signature graphite ‘floor dra...

Christine Rebet– interview: ‘Animation is perfect for critique: it is ...

Studio International spoke to Rebet at the opening of Time Levitation, her first solo show in the UK...

<

Darren Waterston – interview: ‘My normal studio practice is quite mona...

Studio International spoke to Waterston ahead of the opening of his installation Filthy Lucre: Whist...

John Cornish – interview: ‘It would be unfair just to look back on my ...

The son of the artist Norman Cornish, whose work is synonymous with mining life in the County Durham...

Paul Mpagi Sepuya - interview: ‘I’m not making tricky pictures. There...

While a quest to understand the myriad undefined potentials of queer social spaces is one factor beh...

Ann Dumas – interview: ‘Every exhibition is fraught with problems and ...

One of the UK’s leading curators, Dumas talks about women in the art world, the trials and triumph...

Pio Abad – interview: ‘The backbone of my practice is family: personal...

The London-based Filipino artist talks about The Collection of Jane Ryan & William Saunders, 3D repl...

<

Alfredo Jaar – interview: ‘You can talk about violence without humilia...

As his seminal Rwanda Project is revived at London’s Goodman Gallery, the Chilean artist and archi...

Robert Holyhead – interview: ‘I see each painting as a single, emerged...

The artist discusses his new work, No Movement, No Colour, at Galerie Max Hetzler, London, and why, ...

Meryl McMaster – interview: ‘I explore complex questions around one’...

McMaster, who often transforms herself into hybrid animal-human creatures for her photographs, disc...

Leo Villarreal – interview: ‘It was interesting to connect to the univ...

American artist Leo Villareal talks about his first solo show at Pace, London, and his latest public...

Sara MacKillop – interview: ‘I take things that I’ve seen in the wor...

The artist talks about her latest show, Returns and Renewals, now at Peer Gallery in east London, ma...

<

Hansjörg Mayer – interview: ‘To handle and open and read the books .....

Poet, typographer and publisher Hansjörg Mayer and the computer art pioneer Frieder Nake talk us th...

Berenice Carrington: ‘I think of the naturalistic style of my drawing as...

The artist, who describes her work as ethnographic drawing, explains how her practice began when she...

Larissa Sansour – interview: ‘That is often what identity and trauma d...

The Palestinian artist unravels some of the layers of In Vitro, her science-fiction film now showing...

Edmund de Waal – interview: ‘The great thing about a library is that, ...

The British artist and author talks about his many exhibitions this year, including his work for the...

Anthony Eyton – interview: ‘I’m still dealing with my mother’s ear...

Now 96, remarkably the Royal Academician’s latest show is full of recent paintings, which Frank Au...

<

Kudzanai-Violet Hwami - interview: ‘How I identify isn’t what pushes m...

The Zimbabwe-born, London-based artist talks about her new work for her solo show at Gasworks in Lon...

Michael Simpson – interview: ‘Every single painting involves an elemen...

The artist discusses how going to a football match at the age of seven inspired him to start paintin...

Michael Sherrill – interview: ‘I’d call myself a student of art’

Sherrill talks about his current retrospective at the Smithsonian’s Renwick Gallery, why he calls ...

David Roberts Art Foundation’s Evening of Performances

Haroon Mirza, Jack Jelfs, Gaika and Hannah Perry were among nine international artists performing to...



studio international logo
Copyright © 1893–2019 Studio International Foundation.

The title Studio International is the property of the
Studio International Foundation and, together with
the content, are bound by copyright. All rights reserved.
studio international cover 1894
Home About Studio
Archive Yearbooks
Interviews Contributors
Video Cybernetic Serendipity
CyberArt Contact us
twitter facebook RSS feed instagram

Studio International is published by:
the Studio International Foundation, PO Box 1545,
New York, NY 10021-0043, USA