Lindsey Mendick – interview: ‘My brain is not my best friend’
What is it to be a woman who doesn’t have all her shit together and to be making work that is quit...
Karolina Albricht, Basil Beattie and Lizzie Munn – interviews: ‘What a...
Karolina Albricht, Basil Beattie and Lizzie Munn talk about the paintings they are exhibiting in the...
Lizzie Munn – interview: ‘Composing them on a wall, rather than being ...
A recent graduate of the Royal Academy Schools, Lizzie Munn works between printing, painting, sculpt...
Karolina Albricht – interview: ‘I was fascinated by how an image plays...
Karolina Albricht discusses her ambitious multi-part painting inspired by the Eastern European tradi...
Basil Beattie – interview: ‘passageway, corridor, ladder, staircase, t...
Rooted in abstract painting, Basil Beattie has for many years developed a uniquely powerful vocabula...
Anna Perach – interview: ‘I am always searching for that magic ingredi...
Anna Perach talks about why she is more like Sergei Diaghilev than Taylor Swift, how she explains th...
Gabriella Boyd – interview: ‘I work through intuitive and formal probl...
Gabriella Boyd shares the experiences and educational journeys through which her layered and intimat...
Mali Morris – interview: ‘A phrase that I use as a mantra is “What i...
In the run up to her exhibition at Hatton Gallery, Mali Morris talks about her processes of applying...
Liorah Tchiprout – interview: ‘Painting is terrifying!’
As Liorah Tchiprout's second solo show arrives in London, the printmaker and painter discusses her u...
Selva Aparicio – interview: ‘I have worked a lot with mourning. It is ...
Aparicio has had a packed year, with her first major solo show in Chicago and two works commissioned...
-Flora-Yukhnovich-300.jpg)
Flora Yukhnovich – interview: ‘I’m always looking at history through...
Where better to view the work of contemporary rococo-inspired painter Flora Yukhnovich than at the W...
Goshka Macuga – interview: ‘I wanted to invite viewers to consider the...
Macuga, whose exhibition Born from Stone is now on view at the London Mithraeum, discusses the poten...
Lucía Pizzani – interview: ‘Come on, look at me, I’m here. We both ...
The London-based Venezuelan artist talks about her commission at Harewood House, her exhibition at C...
-300.jpg)
Hetain Patel – interview: ‘Getting to that essence of creation, which ...
Alongside the artist’s own work, which includes a carpet-covered Ford Escort, is a cornucopia of s...
Garth Evans – interview: ‘There has to be the sense that the physicali...
In the lead up to his 90th birthday, sculptor Garth Evans talks to Sam Cornish, curator of A Place i...
-Olive-and-Maeve-300.jpg)
Mella Shaw – interview: ‘All art is a form of activism. I use my pract...
Bella Shaw talks about her award-winning work Sounding Line, which focuses on the overuse of marine ...
Gavin Jantjes – interview: ‘I want to be free from expectation’
Gavin Jantjes, the South African painter, printmaker and former curator talks about the pitfalls of ...
Dominique White – interview: ‘I do everything the wrong way’
Ahead of her Whitechapel Gallery commission, Dominique White, the winner of the Max Mara Art Prize f...
Emma Stibbon – interview: 'We need the science, the data, but art can re...
Tackling issues of climate change and coastal erosion in both the local area and as far afield as th...
Hildigunnur Birgisdóttir – interview: ‘I am inspired by the underwhel...
Recycled jute coffee bags, plastic pizza and a heap of wet wipes – for Iceland’s Pavilion at thi...
Tony Cragg - interview: ‘There are many more things that do not exist th...
In the gardens of Castle Howard, north Yorkshire, Tony Cragg talks about his different sculptural se...
Antony Gormley – interview: ‘What is made here is a repositioning of t...
Probably the UK’s best-known contemporary sculptor, Antony Gormley has created a new ‘field’ o...
Wayne Eager – interview: ‘In Central Australia, I was mesmerised by th...
A three-month stay in Central Australia with his partner, the artist Marina Strocchi, turned into a ...
Alex Ely – interview: ‘Ultimately the success of any building is how w...
What is the secret to making buildings that other architects admire and envy, but which are dedicate...
Gayle Chong Kwan – interview: ‘I’ve made a connection between displa...
Gayle Chong Kwan talks about using sand and sugar to make historic and contemporary connections betw...
_Credit-GAS-Foundation-300.jpg)
Leo Robinson – interview: ‘Human beings need meaningful symbols and na...
Leo Robinson, whose exhibition Dream-Bridge-Omniglyph is now at the London Mithraeum, considers his ...
Outi Pieski – interview: ‘Contemporary art museums in general are spac...
Small carved figures, knotted fringes and historic hats represent Outi Pieski’s Sámi heritage as ...
Ronald Davis – interview: ‘Two artists who use perspective in their wo...
Ronald Davis talks about his art and how he started out in the 1960s, his friendship with Judy Chica...
Ramesh Mario Nithiyendran – interview: ‘Part of creating the work is t...
A melange of multilimbed, fertility, guardian, protector and warrior figures animate Glasgow’s Tra...
Andrew Cranston – interview: ‘Trust in things around you being the stu...
As his first public exhibition opens in Wakefield, the brilliant Scottish painter Andrew Cranston ta...
Copyright © 1893–2024 Studio International Foundation.
The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.
 |
 |
 |
|---|