José Pedro Croft: Uncertain Measure – Venice Biennale 2017

For his Portugal Venice Biennale commission, artist José Pedro Croft has made a series of six glass...

It’s How Well You Bounce

In the grounds of the UK’s first hospital to treat people with mental illness, lie a fascinating m...

Peter Halstead: ‘People should have their own personal adventure with sc...

Cathy and Peter Halstead talk about Tippet Rise Art Center, the remarkable music venue and sculpture...

Shilpa Gupta: ‘I am always playing with the idea of the location in the ...

The Mumbai-based artist Shilpa Gupta talks about her practice, notions of identity and nation states...

Studio Ben Allen: The Clearing

On the first floor cafe/bar of Folkestone’s Quarterhouse, a performance venue for music, theatre, ...

Jonathan Wright: Fleet on Foot

Local artist Jonathan Wright delved deep into local narratives to devise his tribute to the local fi...

Emily Peasgood: Halfway to Heaven

Emily Peasgood’s sound piece Halfway to Heaven is set in a Baptist graveyard, a high hump of soil,...

Klimt and Antiquity: Erotic Encounters

Bringing together works by Gustav Klimt with pottery, sculptures and texts from late classical antiq...

Daniel Richter: Lonely Old Slogans

German painter Daniel Richter’s first UK solo show reveals uncomfortable truths about human expres...

Chris Alton: ‘By bringing different artists together, there is the possi...

Curator and artist Chris Alton talks about his latest venture, You’re Surrounded By Me, which weav...

Godwin Bradbeer: ‘the work must have both physical presence and an enigm...

Bradbeer talks about his technique, why he works on a large scale and what drawing means to him – ...

Breathing Colour by Hella Jongerius

This brilliant show from Dutch industrial designer Jongerius aims to ‘tickle the eyes of the viewe...

Vermeer and the Masters of Genre Painting: Inspiration and Rivalry

The organisers of this exhibition are keen to show how the Dutch genre painters both drew inspiratio...

Maryam Najd: ‘I became interested in reaching a certain perfectionism in...

Iranian-born artist Maryam Najd talks about identity and culture in her practice, her love of materi...

Alma-Tadema: At Home in Antiquity

A capacious retrospective of the long-neglected Victorian academician uncovers a master of the sensu...

A Perfect Chemistry: Photographs by Hill and Adamson

A celebration of collaboration, friendship and innovative spirit, A Perfect Chemistry illuminates th...

Hannah Quinlan and Rosie Hastings: ‘Our work poses questions that bridge...

The collaborative duo talk about their film UK Gay Bar Directory, which is showing at the Walker Art...

Santiago Sierra: Impenetrable Structure

The controversial Spanish artist returns to London with a new site-specific installation that contin...

Julián Zugazagoitia: ‘Museums should generate interest and open a door ...

Since 2010, when Zugazagoitia joined the Nelson-Atkins Museum of Art, visitor numbers have soared. N...

Simon Patterson: ‘It’s about you filling in the gaps … the viewer co...

Simon Patterson talks about his show Safari: An Exhibition as Expedition, at the De La Warr Pavilion...

Hans Hansen: Still Life

This survey of six decades of the work of German photographer Hans Hansen, perhaps best known for hi...

Harold Cohen: ‘I was probably the only person who considered the compute...

Pioneer of computer art Harold Cohen died last year at the age of 87. In 2015, in one of the last in...

Hélio Oiticica: To Organize Delirium

This inspiring retrospective at the Whitney captures the sensuous resonance of Brazilian artist Hél...

Guy Yanai: ‘Every work that leaves my studio is part of an inexhaustible...

The Israeli artist Guy Yanai explains the stories behind the bold, colourful oil paintings in Speak,...