Art & Today is the fruit of the decade spent by the author as contributing editor to Art in America ...
Book review: Real Baroque. The Baroque Architecture of Sicily
This work is timely in so far as it forms part of the broad revision of architectural history that i...
This exhibition and catalogue of the work of German artist Neo Rauch (now at the Max Ernst Museum, B...
Contemporary Drawing: Recent Studies
Drawing has played a pivotal role in the work of most artists since the beginning of time. Following...
When Marcel Duchamp met Francis Picabia in September 1911, it was the start of a friendship that wou...
![Oscar Niemeyer. <em>Museu de Arte Contemporânea de Niterói</em> [Niterói Museum of Contemporary Art], Niterói, Brazil (1996). Photograph © Official images/MAC-Niterói.](/images/articles/n/niemeyer/smallpix/0013_b-300.jpg)
That Man from Rio: Celebrating Oscar Niemeyer's Centennial
Considered to be Brazil's most important architect, Oscar Niemeyer (b.1907) is also a major figure i...
Face to Face - The Daros Collections
'Face to Face' presents the two facets, or faces, of the Daros Collections, finding similarities bet...
With this third architectural/typological monograph, Professor Simon Unwin has completed what is eff...
John Bellany, Exhibition of Portraits
The human image is central to the work of John Bellany. In his treatment of the figure, and in his r...
In the closing years of the seventeenth century, the youthful Peter the Great toured western Europe ...
In 1974, following a visit to the Furniture Fair in Copenhagen, the question was raised, How will De...
Modern Painters: The Camden Town Group
To most people who live in London the name Camden Town means a busy interchange on the Northern Line...
A gift horse in the mouth: the Artists Rooms project and the d'Offay beque...
On 27 February 2008 a major announcement was made at Edinburgh's National Gallery of Modern Art. Bef...
Book review: Pallasmaa phenomenon
Juhani Pallasmaa, the Finnish architect and theorist, has in the current period entering the twenty-...
Richard England: Architect as Artist
Dennis Sharp has produced this well-prepared monograph to coincide (approximately) with England's 70...
Revisiting Juan Soriano in Philadelphia
Mexican artist Juan Soriano is an intriguing figure among the personalities animating the history of...
It is now three months since the New Museum of Contemporary Art (NMCA) in Manhattan's Lower East Sid...
Book review: The Formalesque: A Guide to Modern Art and its History
According to the Australian art historian Bernard Smith, The Formalesque: A Guide to Modern Art and ...
From Agit-Prop to Free Space: The Architecture of Cedric Price
This important city monograph was first published over a year ago, but it is exemplary within the 'W...
An Exhibition of Event Photography
For anyone interested in the ways in which a photograph can aspire to the condition of a work of art...
The NeoCraft Conference held in the Nova Scotia College of Art and Design University in Halifax, Nov...
The Art of Nothing: Ivo Mesquita and the Bienal Internacional de Arte de S...
The 'Bienal Internacional de Arte de S...
l'atelier d'Alberto Giacometti
Travelling through countryside around the northern reaches of Paris, you catch sight of white escarp...
Book review: Heterotopic visions
Increasingly, contemporary artists, as much as architects and urban planners, have to grope for a cl...
Book review: Marvellous Melbourne
This important city monograph was first published over a year ago, but it is exemplary within the 'W...
Seduced by the Oldest Topic in the World
Sex is an extremely popular subject, but 'sex appeal' is nearly impossible to define. People seem to...
Joan Eardley's life was cut tragically short by cancer in 1963 at the age of 42. Born in England she...
The current winter show at the National Gallery, London, perhaps springs from mixed motives. Firstly...
The One and the Many: Carlos Ortiz and the Dance of Life
For Nuyorican artist Carlos Ortiz, the seeds for a series of personal epiphanies were planted while ...
Towers: from Manhattan to Moscow
Renzo Piano's New York Times Building, situated on 8th Avenue, Manhattan, was opened this month to c...
Copyright © 1893–2022 Studio International Foundation.
The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.
 |
 |
 |
|---|