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Increasingly, we now seek to verify what is presented as 'real': we are wary of 'sim...
The year 2000 in Sydney was a hard act to follow. Every cynic - and there were many ...
Will Maclean’s exhibition, ‘Driftworks’ at Dundee Contemporary Arts (24 November 2001 – 3 Fe...
Ever since the Treaty of Nangking opened Shanghai to foreign trade in 1842, the city...
Frank Auerbach's career is celebrated at the Royal Academy in all the ways in which this institution...
Frank Auerbach: Paintings and Drawings 1954-2001
The paintings on show at the RA have an effect that it would have been impossible to anticipate; the...
If there was ever a clearer purpose and definition of the respective rationale behind the division o...
Letter from Stockholm, September 2001
The newly opened memorial for Raoul Wallenberg (1912-1947) is a significant event in Stockholm...
Patrick Heron: the growing legacy of genius
The work of Patrick Heron is bound up with what is probably the most crucial series of events in...
The world of the imagination, like that of the dream has attracted many twentieth century artists, f...
Apocalypse: Beauty and Horror in Contemporary Art
The exhibition contains the work of thirteen artists (or partnerships) allocated thi...
On Purpose: An enquiry into the possible roles of the computer in art
This is not another article about ‘computer art’...
The sociology of knowledge is sure to be an eventful area of debate over the next few years...
The series [Art & Technology on BBC] is primarily concerned with two problems—how artists use vari...
On industrialization and machinery in The Red Desert; on 'Ecogame' designed as a continuous intera...
Technology and Art 15: Computer graphics at Brunel
"The potential that was so evident at the 1968 ICA exhibition is still there, but the actuality has ...
Technology and art 8: `The prehistory of the visible'
To read Burnham on vitalist or biomorphic sculpture is to be reminded that there is no apparent corr...
The added originality in [Petar] Milojević's technique is that by slight changes to his programming...
Technology and Art 4: SYMBIOTIC ART
Sound and light are not the only media which can be used, and it seems worthwhile to consider such w...
An artist can acquire such [technical] skills for himself or he can borrow other people's....
The cybernetic sculpture of Tsai Wen-ying
Our attitude today to machinery is such a compound of dependence, admiration and fear; and the relat...
One nice thing about technology is that it can neither be called serious nor the opposite. It just i...
Cybernetic Serendipity—Getting Rid of Preconceptions
Cybernetic Serendipity exhibition was the demonstration of machine-aided creative processes...
Cybernetic Serendipity: Correspondence
Cybernetics includes all observable systems—whether biological, electronic, industrial, economic o...
The esoteric books and games we are involved with here are those which one cannot do anything with. ...
Computer Art: The computer performs various functions which in the broader sense seem to be acts of ...
Venice Biennale: the British five
“... this year’s selection of Caro, the Cohens [Bernard Cohen, Harold Cohen], Denny, and Richard...
An interview with Marcel Duchamp
Marcel Duchamp '...The whole of modern art—the Impressionists, the Fauves, the Cubists—the whole...
Venice Biennale: choosing the artists
“...in 1948, [at the Venice Biennale] ...Henry Moore walked off with the major Sculpture Prize...t...
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