Lygia Clark: The I and the You
Co-curated by Sonia Boyce, this concise exhibition shows how Lygia Clark’s geometric abstraction i...
Medieval Women: In Their Own Words
While medieval texts may best be understood as a collaborative production, not deriving from a singl...
Lindsey Mendick – interview: ‘My brain is not my best friend’
What is it to be a woman who doesn’t have all her shit together and to be making work that is quit...
Erica Rutherford: The Human Comedy
This small show is important in showing the shifts that took place between the early and late work o...
Victor Pasmore | Patrick Heron: VIII São Paulo Biennial, Great Britain 19...
Sixty years after Pasmore and Heron showed together at the eighth São Paulo biennial, this abridged...
Bekhbaatar Enkhtur’s ephemeral sculptures, carved from his signature beeswax and aluminium, subver...
The Palestinian Danish artist Larissa Sansour’s films and installations interweave science fiction...
Children scrapping, lovers embracing, the pain of losing a loved one, even Brexit, all demonstrate t...
-from-Hill-of-Tarvit-300.jpg)
Stitched: Scotland’s Embroidered Art
Magnificent bed hangings, tablecloths, tea cosies and more bring Scotland’s heritage of interior d...
Michelangelo, Leonardo, Raphael: Florence, c1504
Set in Florence at the turn of the 16th century, this exhibition is a portrait of drawing, every bit...
-300.jpg)
This magical exhibition of Tove Jansson’s lesser-known murals captures a yearning for paradise in ...
Portia Zvavahera: Zvakazarurwa
The Zimbabwean artist combines dreams, painting and prayer in her work, resulting in an intensely mo...
Sheikh Mohammed Rashid Al-Thani – interview: ‘We are all part of a lar...
Sheikh Mohammed Rashid Al-Thani is an author, curator and a member of the Qatari royal family. He is...
From the works of Nancy Holt and Richard Long in the 1960s and 70s to contemporary artists, this sho...
Enchanted Alchemies: Magic, Mysticism, and the Occult in Art
In 1924, the surrealist manifesto stated that art serves as a magical act, invoking mysteries beyond...
The works here riff on the interplay between text and images, between the tangible and the conceptua...
Lauren Halsey’s multicolour, candyfloss, shout-out vision of a universe is an image of what it is ...
Barbie dolls, garden gnomes, toy gorillas and an exploding penis reveal Tinguely’s mischievous spi...
Karolina Albricht, Basil Beattie and Lizzie Munn – interviews: ‘What a...
Karolina Albricht, Basil Beattie and Lizzie Munn talk about the paintings they are exhibiting in the...
Lizzie Munn – interview: ‘Composing them on a wall, rather than being ...
A recent graduate of the Royal Academy Schools, Lizzie Munn works between printing, painting, sculpt...
Karolina Albricht – interview: ‘I was fascinated by how an image plays...
Karolina Albricht discusses her ambitious multi-part painting inspired by the Eastern European tradi...
Basil Beattie – interview: ‘passageway, corridor, ladder, staircase, t...
Rooted in abstract painting, Basil Beattie has for many years developed a uniquely powerful vocabula...
A well-sized survey distils the Congolese artist Sammy Baloji’s research-heavy practice, which dra...
Anna Perach – interview: ‘I am always searching for that magic ingredi...
Anna Perach talks about why she is more like Sergei Diaghilev than Taylor Swift, how she explains th...
A Different Impressionism: International Printmaking from Manet to Whistler
With rarely shown works by famous artists, this exhibition demonstrates how new printing techniques ...
Ephemeral installations incorporate melting candles, felled trees, ageing fruit and decomposing flow...
A long overdue London retrospective of the pioneering, prescient American artist is not for the fain...
Emma McNally: The Earth is Knot Flat
Installed by Emma McNally over the month preceding its opening, this exhibition draws us into a mani...
(4)-300.jpg)
Sophia Al-Maria and Lydia Ourahmane: Grey Unpleasant Land
From chamberpots paired with Georgian silver to the reimagining of the story of Jacob and Esau, Soph...
-300.jpg)
This stripped-back exhibition, with just three drawings and six hand-built vessels, allows the stark...
Copyright © 1893–2024 Studio International Foundation.
The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.
 |
 |
 |
|---|