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Outi Pieski – interview: ‘Contemporary art museums in general are spac...

Small carved figures, knotted fringes and historic hats represent Outi Pieski’s Sámi heritage as ...

These Mad Hybrids: John Hoyland and Contemporary Sculpture

In this joyous and eccentric show, Hoyland’s jaunty ceramic sculptures are shown alongside equally...

Unravel: The Power and Politics of Textiles in Art

The 50 artists in this formidable show have all used textiles to tell powerful stories of resistance...

Ronald Davis – interview: ‘Two artists who use perspective in their wo...

Ronald Davis talks about his art and how he started out in the 1960s, his friendship with Judy Chica...

Charles Holden’s Master Plan: Building the Bloomsbury Campus* and Warbur...

Spanning master plans and covert models, these two exhibitions conjure up a point in the early 1930s...

Frank Auerbach: The Charcoal Heads

Repeatedly drawing the same sitters from among his circle of close friends, Auerbach conveys his sub...

Jacqueline Poncelet: In the Making

After years of resistance, Jacqueline Poncelet has facilitated a full retrospective of 50 years of h...

When Forms Come Alive

The Hayward Gallery’s spring exhibition is an effervescent playground of kinetically inclined scul...

Paolozzi at 100

This show celebrating the centenary of the local artist who became internationally famous includes m...

Emily Kam Kngwarray

This major new show pays homage to Kngwarray, an Indigenous Australian who, though she only began pa...

A History of Women in 101 Objects: A Walk Through Female History – book ...

A suffragette’s medal, a 16th-century dildo and a hatpin are just some of the fascinating items th...

Judith Godwin: Expressions of Life

Although associated with abstract expressionism, Judith Godwin strove for a more nuanced approach th...

Ramesh Mario Nithiyendran – interview: ‘Part of creating the work is t...

A melange of multilimbed, fertility, guardian, protector and warrior figures animate Glasgow’s Tra...

Art Without Frontiers: The Story of the British Council, Visual Arts, and ...

This is a fascinating account of the personalities, events and contexts that have shaped an organisa...

Sara Shamma – interview: ‘When I paint, I am in a state like meditatio...

Sara Shamma’s latest exhibition of new paintings responds to works by greats from Rembrandt to Rub...

Pasquarosa: From Muse to Painter

Remembered more as an artist’s model than a painter, Pasquarosa, this largely forgotten female art...

Jonathan Jones: Untitled (Transcriptions of Country)

Jones collaborates with recent migrants to Australia to show how the culture and practices of its In...

Why contemporary art has to fight for survival in Cuenca

On the occasion of the Ecuadorian city’s 16th biennial, we look at how religion, deeply conservati...

Emilie L Gossiaux: Other-Worlding

Emilie L Gossiaux lost her sight in an accident 13 years ago. This show reads like a lover letter to...

Ruth Orkin: Women

She photographed celebrities such as Lauren Bacall and Doris Day and worked for Life magazine and Lo...

William Pope.L: ‘There should be a porosity to the work when you’re bu...

At the opening of Hospital at the South London Gallery, William Pope.L's first major institutional U...

Belles Choses. Art Nouveau Around 1900

The Bröhan-Museum is celebrating its 50th anniversary with this exhibition looking at French and Be...

Andrew Cranston – interview: ‘Trust in things around you being the stu...

As his first public exhibition opens in Wakefield, the brilliant Scottish painter Andrew Cranston ta...

James Lingwood and Michael Morris, former Artangel directors – interview...

Their legacy includes Rachel Whiteread’s cast of a terraced house, Roger Hiorns transformation of ...

Self-Determination: A Global Perspective

Numerous new nations sprang up after the first world war. This titanic exhibition explores the art t...

Don Van Vliet: Standing on One Hand

An exhibition of oil paintings by Don Van Vliet, the artist formerly known as Captain Beefheart, has...

Jaeeun Choi: La Vita Nuova

With projects including plans to drop seed bombs on Korea to studying what happens to paper if you b...

Stepping Softly on the Earth

Twenty artists, mostly non-western and indigenous, consider how dam projects, diamond mining, monocu...

Shezad Dawood: Leviathan

The gothic majesty of Salisbury Cathedral provides a suitable home for Shezad Dawood’s apocalyptic...

Kim Lim: Space, Rhythm & Light

Strong, single-minded and uncompromising, Kim Lim made a significant contribution to 20th-century Br...

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