Arthur M. Sackler Gallery celebrates 25th Anniversary
The Arthur M. Sackler Gallery, an independent museum on the Washington DC Mall under the Smithsonian...
Antipodean Springtime: Letter from Australia
Janet McKenzie spends a wonderful and art-packed three weeks in Australia....
An American In Paris: Edward Hopper Retrospective
This major exhibition at the Grand Palais is a timely successor to that mounted by Tate Modern in 20...
Convergent Worlds has been curated to mark the 20th anniversary of the Drill Hall Gallery. Situated ...
Aesthetic and intellectual clarity defines the painting of Alan Robb, who lives in Newport-on-Tay in...
A Delicate Game of Cat-and-Mouse
Interviews with Artists 1966-2012 by Michael Peppiatt. Yale University Press, 2012. The experience o...
In the Forward to the current Barbican exhibition catalogue Bauhaus: Art as Life, an obligatory cred...
A Redefining Moment in the History of Native American Art
Changing Hands: Art Without Reservation 3, Contemporary Native North American Art from the Northeast...
A festival for our time: dOCUMENTA 13
Faces press against the glass wall of a rotunda in one of the world’s oldest museums: the Neo-Clas...
This summer, Anri Sala is the focus of the Pompidou’s efforts to celebrate the work of current Fre...
Between Embodiment and Identity
Beginning with a large glass display case, diagrams and drawings of body parts alongside plastic rep...
A Fitting Coda to a Culture-Bridging Career. An interview with Joe Earle o...
In September 2007, Joe Earle joined Japan Society in New York as vice-president and director of the ...
-b-300.jpg)
When a black mark is placed on a white paper, both paper and pigment immediately become transformed....
Studio International is published by the Studio International Foundation, PO Box 1545, New York, NY ...
Carlos Amorales: La Lange des Morts
In the Parisian springtime, an exhibition about death, and its symbolic representation, seems at fir...
Alvar Aalto and the Sustainable Nordic House
45 years ago, Alvar Aalto was commissioned by the Nordic Council of Ministers to design the Nordic H...
A Walk Down One Fashion Magazine
Fashion appears to be a momentary phenomenon. With a click of the shutter, the moment is gone and th...
Paul Cézanne was a man of contradictions. As an artist he took an unconventional approach to drawin...
Celebrating Life at The Chelsea Hotel with Painter David Remfry
British-born painter David Remfry is one of the last holdouts at the legendary Chelsea Hotel in Manh...
Building The Revolution: Soviet Art and Architecture 1915-1935
The arrival point at the Royal Academy Courtyard off Piccadilly, first glimpsed through the Classica...
Can Architects Draw? Architects Sketchbooks
This extensive compendium reaches for a definition of this fundamental process and mental tool avail...
Sculpture studios are particularly fascinating places: factory-like yet traditional in terms of mate...
Andrew Antoniou: Theatre of Chance and Enchantment
Andrew Antoniou's recent exhibition at Australian Galleries, Sydney shows his enduring fascination w...
Bermondsey Street these days exudes a growing calm satisfaction: a local Tate, its own “village fe...
A Futuristic Architectural Movement from the Past Speaks to the Present
At a critical moment in urban architectural history, the Mori Art Museum in Tokyo considers the dist...
Copyright © 1893–2025 Studio International Foundation.
The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.
 |
 |
 |
|---|
