Rui Macedo, who was born in the Portuguese city of Évora in 1975, started working as a painter at t...
The work of rootoftwo also responds to anxiety, but by measuring social media and people’s respons...
Pablo Bronstein, whose Sketches for Regency Living graced the walls of the ICA in London this summer...
Ready or Not: 2014 New Jersey Arts Annual: Fine Art
In its Arts Annual: Fine Art, Newark Museum was true to its roots. A wide array of theses, media an...
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Rossetti’s Obsession: Images of Jane Morris
This small but enchanting exhibition of paintings, drawings and photographs of the pre-Raphaelite be...
Primrose: Early Colour Photography in Russia
From austere family portraits of the 1860s to Rodchenko’s Stalinist propaganda posters and the sub...
Rashid Johnson talks about his show Magic Numbers at the George Economou Collection in Athens, his u...
Studio International visited the painter Rose Wylie in her studio in Kent, to see the new paintings ...
The 14 portraits by the American photographer Peter Hujar (1934-87) currently on show at Maureen Pal...
Radical Geometry: Modern Art of South America from the Patricia Phelps de ...
Radical Geometry: Modern Art of South America from the Patricia Phelps de Cisneros Collection brings...
The Human Factor: The Figure in Contemporary Sculpture. Curator of the exhibition, Hayward Gallery...
Pierre-Nicolas Bounakoff, Jean-Marie Gallais, Ida Tursic and Wilfried Mill...
Halftone: Through the Grid is a group show, curated by Pierre-Nicolas Bounakoff and Jean-Marie Galla...
Richard Jackson: New Paintings
Richard Jackson (born 1939) has been a pre-eminent figure on the American art scene since the 70s an...
Royal Academy Summer Exhibition 2014
Studio International visited this year’s Royal Academy Summer Exhibition before the party began, a...
This exhibition of works by Richard Long from 1995 to 2014 documents the artist’s journeys through...
Paul Coldwell’s exhibition at the Freud Museum, London explores our relationship to objects and th...
From Polaroids taken in the early 1970s to portraits taken up until Robert Mapplethorpe’s death in...
Pangaea: New Art From Africa and Latin America
This exhibition is named after that vast supercontinent that once contained all land on Earth before...
Robert Adams: The Place We Live
Robert Adams’ enigmatic graceful exhibition at Jeu de Paume suggests there are untold subtleties a...
Renaissance Impressions: Chiaroscuro Woodcuts from the Collections of Geor...
Renaissance Impressions is a comprehensive survey of some remarkable pieces of printmaking from the ...
Patrick Scott: Image Space Light
Unsurprisingly coming from an architecture graduate, Scott’s work often revolved around order. Eve...
Where the word “lust” in the title implies sinful, furtive enjoyment of the destroyed, Ruin Lust...
Raw Vision – 25 Years of Art Brut
We all have private mythologies extracted from our experiences and interests. The extent to which th...
The Alison Jacques Gallery presents the third solo exhibition of Ryan Mosley’s paintings. Through ...
The retrospective of one of the founding artists of Pop Art, Richard Hamilton (1922-2011), inhabits ...
Published in Artforum in 1967, Robert Smithson’s A Tour of the Monuments of Passaic, New Jersey is...
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Rachel Howard is committed to the material properties of paint and the manner in which they can be m...
To mark the start of its 20th year, the Arts Catalyst, an organisation that puts a cultural spin on ...
Project Space: Inverted House – Tina Gverović and Siniša Ilić
Given that we are psychologically programmed to see patterns in randomness, it is little surprise th...
Painting for Stimulation: Guan Jingjing
In his catalogue essay, Painting to Stimulate the Mind: The Painted Art of Guan Jingjing, curator Xi...
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