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Published  30/11/-0001
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Pat Steir

This dramatic selection of the American artist’s painting from 1990-2011 marks her first London sh...

Ronan & Erwan Bouroullec: Rêveries Urbaines

Dreaming of new ways to connect humans to cities, the Paris-based brothers have sidestepped architec...

Peter Wächtler: ‘It’s a strange mixture of respect, and total disresp...

The Berlin and Brussels-based artist discusses the benefits of repetition, grappling with tradition,...

Piotr Lakomy: Room Temperature

For his latest instalment at the south London gallery The Sunday Painter, the Polish artist poses qu...

Paul Feiler

Examples of the signature works that occupied Feiler from the 1970s are on show at the Jessica Carli...

Picasso Portraits

Picasso’s life and art were shaped by friends, family and lovers, and as this exhibition demonstra...

Peter Liversidge: ‘My work is solely about engagement’

The artist talks about the significance of his “proposals”, and discusses his recent project at ...

Rashid Johnson: Fly Away

This is Johnson at his best. Mirrors, branded wood, black soap, shea butter, cut-up photography – ...

Robert Mapplethorpe: Objects

An enlightening and enriching insight into the juvenilia of the controversial photographer, showing ...

Peter Cain

This retrospective exhibition displays Cain’s huge, forensic paintings of cars, strangely truncate...

Paul Carter: ‘There’s an invitation that only takes you so far’

Entering the gallery, visitors enter a new world – a liminal space, with an empty lift, piss-stain...

Regine Bartsch: ‘I’m drawn to these places where many people have live...

In her studio in southern Ireland, the German-born artist spoke about her recent exhibition and resi...

Raqib Shaw: ‘I really don’t give a fuck about the so-called contempora...

In his converted home and studio in east London, surrounded by dogs, myriad staff, an exquisitely ke...

Paula Modersohn-Becker: An Intensely Artistic Eye

Following the artist’s progress from a small German artists’ community to the bright lights of P...

Performance, Audience, Mirror

Celebrating moving image from the 1960s to the present day, this exhibition explores experimentation...

Pierre Lassonde Pavilion

The new pavilion for the Musée National des Beaux-Arts du Québec is a glorious building that nearl...

Peter Howson: A Survey of Prints

This retrospective of prints produced over four decades by Scottish artist Peter Howson, one-time me...

Ragnar Kjartansson

The Icelandic artist’s first UK survey exhibition serves up a palimpsest of delights that gives co...

Philip Hunter: ‘I’ve developed an approach to painting that emulates t...

The Australian artists talks about the influence of Sidney Nolan, his most recent body of works, Geo...

Rana Begum: 'I love using readymade materials in the work'

Studio International visited Rana Begum in her studio in north-east London to talk to her about her ...

Painters’ Paintings: from Freud to Van Dyck

The National Gallery sheds light on the personalities of some of the biggest names in painting, not ...

Robert Irwin: All the Rules Will Change

This exhibition looks at work the artist produced from 1958 to 1970, a time when he reconsidered the...

Ryan Sullivan: ~ / –

For his second exhibition at Sadie Coles, the young American artist eschews canvas and paper, drawin...

Random International: ‘There is a real collective power in this group of...

Hannes Koch of Random International talks about the collective’s latest project, producing a kinet...

Philip Pearlstein: ‘I decided I didn’t want to express other artists...

The American artist has pursued an independent path for more than 60 years. Here, he talks about his...

Richard Sides: Invisible World

The artist’s latest exhibition confirms hisconfidence and ability to transform space and boundarie...

Picasso: The Great War, Experimentation and Change

The exhibition succeeds in introducing the complicated story of Picasso’s simultaneous exploration...

Russia and the Arts: The Age of Tolstoy and Tchaikovsky

This exhibition introduces visitors to the talents and turmoil of the Russian arts scene from 1867 t...

Peter Fischli David Weiss: How to Work Better

The Swiss duo play with viewers’ habits and expectations, but they demand to be taken seriously at...

Painting the Modern Garden: Monet to Matisse

The walls of this exhibition tremble with the vibrant blooms of summer days. Gardens have inspired a...

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