Ima-Abasi Okon

Old air-conditioning units, poor-quality ceiling tiles coated with ultrasound gel and gold – the u...

Issy Wood: All The Rage

Wood’s tragicomic paintings explore the apathetic alienation symptomatic of a networked, throwaway...

Gustav Metzger – In King’s Lynn

This show of Metzger’s work, as part of the King’s Lynn Norfolk festival, looks at his years liv...

Hans Ulrich Obrist – interview: ‘This is an unusual Calder show becaus...

A major Alexander Calder exhibition at Centro Botín in Santander reveals about 80 of the great Amer...

Ivon Hitchens: Space Through Colour

This thought-provoking exhibition, the largest on Hitchens since 1989, deftly explores the enigmas o...

Ibrahim El-Salahi – interview: ‘Drawing for me is a kind of meditation...

Using his art as a form of meditation to alleviate chronic back pain, Sudanese artist Ibrahim El-Sal...

Into the Mountain: Simone Kenyon

Immersive art doesn’t usually involve a 5.30am start and a day hiking in the rain, but Into the Mo...

Gerhard Richter: Seascapes

An exhibition of Richter’s seascapes goes on display at Guggenheim Museum Bilbao, proving that, ev...

Irina Nakhova – interview: ‘I want my works to provoke curiosity’

The Russian artist talks about her latest exhibition, Museum on the Edge, at the Zimmerli Art Museum...

Henry Moore Drawings: The Art of Seeing

Although Henry Moore is best known as a sculptor, drawing was critical to his artistic practice. Thi...

How Chicago! Imagists 1960s & 70s

Rosie Cooper and Sarah McCrory’s stunning retrospective pays homage to an artist group at work bey...

Hockney – Van Gogh: The Joy of Nature

For those hoping to see the shared sensibilities and sensitivities of two of the world’s most famo...

Hew Locke – interview: ‘A lot of my work has to do with the burden of ...

Hew Locke discusses monarchy, nationhood, bigotry, boats, Brexit and the seductive silliness of TV...

Ghislaine Leung: Constitution

In Leung’s new installation, it is clear she has a point to make. Just what that point is, though,...

Imre Bak – interview: ‘In today’s language, we need to achieve some ...

The neo-avant-gardist recalls cold war isolation, his enduring commitment to geometric abstraction, ...

Htein Lin – interview: ‘I wanted to show that I could also continue to...

Htein Lin was jailed for challenging the military dictatorship in Myanmar. Here, he talks about his ...

Gabriele Münter: Painting to the Point

Best-known for her colourful, expressionist landscapes and her graphic portraits, as well as for her...

Gustavo Pérez Monzón: ‘Interests, obsessions and people keep appearing...

The Cuban artist discusses his return to production, a fascination with the systems of arcane scienc...

Gordon Matta-Clark: Works 1970-1978

Using films, photo collages and reconstructions, this show brings back to life the pioneering work o...

Gainsborough’s Family Album

The National Portrait Gallery introduces us to Thomas Gainsborough’s colourful family in a beautif...

Henrike Naumann: ‘I really see fascism in the furniture’

Naumann’s careful recreations of 1990s living spaces explore how sudden social and economic change...

Goldsmiths Centre For Contemporary Art

The Turner Prize-winning architectural collective Assemble has transformed an old bathhouse into a c...

Ian Davenport: Colourscapes

The artist discusses works done over the past year, now at Waddington Custot, London, as well as the...

Heidi Bucher

The Swiss artist’s intriguing latex ‘skinnings’ of buildings and objects are shown for the fir...