The Sculpture of William Turnbull – book review
William Turnbull remains an important survivor of the British generation of sculptors whose early ca...
Ends Middles Beginnings: Edward Cullinan Architects – book review
This practice biography (a more appropriate term than 'monograph' (which is over-used and misunderst...
Nobuyoshi Araki: Araki: Self, Life, Death
More than any other exhibition in recent memory, 'Araki: Self, Life, Death' comes closest to an unme...
All the Fun of the Fair: Frieze Art Fair 2005
It is only in its third year, but Frieze is already one of the largest contemporary art events in th...
China's Artistic Evolution, Then and Now China: Crossroads of Culture Foll...
China's current rush to globalise its economy and, to some extent, its culture, is affecting all asp...
Diane Arbus's first retrospective exhibit in 1972 - several months after her suicide - shocked the p...
Gauguin's Vision – One of the finest paintings in the collection of the National Gallery of Scotla...
Visuality and Biblical Text: Interpreting Velázquez' 'Christ with Martha ...
This beautifully produced and accessible book, a subject of much media interest, showcases what its ...
Using today's most basic, accessible medium - the television - as her canvas, Candice Breitz treats ...
RIBA Stirling Prize 2005 – The award was given to the architects of the new Scottish Parliament, t...
Since the first inception of museums in the late 18th century, we have, until the present day, seen ...
The first major exhibition in Britain of Cecily Brown was shown in Oxford and drew considerable medi...
When the artist, Ian Hamilton Finlay, first came to Stoneypath, in south-west Scotland in 1968, the ...
Francis Bacon: Portraits and Heads
Francis Bacon: Portraits and Heads – The loss of faith in humanity in the late 1940s was such that...
Nordic Dawn: Modernism's Awakening in Finland 1890-1920
This timely exhibition and catalogue can be accessed in Europe until 26 January 2006. It is timely b...
Festival Connections - 179th RSA Annual Exhibition
The Royal Scottish Academy in Edinburgh has a particular advantage over the Royal Academy of Arts in...
Robin Spencer, Paolozzi's biographer and editor of his Writings and Interviews, ha...
Scandinavian Design: Beyond the Myth
'Scandinavian Design: Beyond the Myth' makes two assumptions: first, that there is a myth regarding...
MVRDV KM3: Proposals for Chinese Cities
MVRDV KM3: Proposals for Chinese Cities – if you think that you will be stepping into a familiar e...
The third London exhibition of Australian artist Cressida Campbell coincided with the London bombing...
The first major exhibition of Mexican artist, Frida Kahlo, showing this summer at Tate Modern, has b...
Finland: Modern Architectures in History – book review
The awakening of modernism in the 1880s in Finland, as in other European nations, was first felt thr...
Modes en Miroir: la France et la Hollande au temps des Lumieres
After the recent decision of the Musée Galliera to collaborate with other Eu...
Robert Mallet-Stevens (1886-1945) has, in many ways, been forgotten outside of Paris, and to those w...
Walking around Oxford today, it is remarkable how little the centre of the city has changed in the l...
Big Bang: Creation and Destruction in 20th Century Art
The Pompidou Centre does not usually present its art works thematically. But, as its latest exhibiti...
The Elegance of Silence: Contemporary Art from East Asia
This exhibition of 26 contemporary artists from Japan, Korea, China and Taiwan is an attempt, in the...
My first encounter with Tan Dun was through his multimedia concerto grosso 'The Map' last October in...
Coming Home! Self-Taught Artists, the Bible, and the American South
'Coming Home!' showcases 95 paintings, sculptures, wood carvings and assemblages by...
The World is a Stage: Stories Behind Pictures
As Shakespeare wrote, the world is a stage on which everyone is a player. At Mori Art Museum's curre...
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