The Pompidou's Munch retrospective entitled L'œil moderne stares defiantly at the Norwegian's life ...
The Steins Collect. Matisse, Picasso and the Parisian Avant-Garde
When Leo Stein settled in Paris in late 1902 it was with the same romantic intention, as so many bef...
The Mystery of Appearance: Conversations Between Ten British Post-War Pain...
Contemporary online art journal with reviews, analysis and comment...
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Pipilotti Rist – Eyeball Massage
Once upon a time there was a girl called Elisabeth Charlotte Rist who was born in the Alps of Switze...
Giorgio Vasari: Dessins du Louvre
This winter, in celebration of the five hundredth centenary of Giorgio Vasari's birth, the Louvre op...
Can Architects Draw? Architects Sketchbooks
This extensive compendium reaches for a definition of this fundamental process and mental tool avail...
The Pot of Gold at the Other Side of the Atlantic. Cecil Beaton: The New Y...
Museum of the City of New York, 25 October 2011...
Leonardo da Vinci: Painter at the Court of Milan
According to the famously unreliable Giorgio Vasari, when Leonardo...
Painting Canada: Tom Thomson and the Group of Seven
This winter, The Dulwich Picture Gallery takes us on a tour of the seductive world of Canada...
Sculpture studios are particularly fascinating places: factory-like yet traditional in terms of mate...
Iconic images of war and martyrdom present very different sides of the same coin...
Andrew Antoniou: Theatre of Chance and Enchantment
Andrew Antoniou's recent exhibition at Australian Galleries, Sydney shows his enduring fascination w...
Bermondsey Street these days exudes a growing calm satisfaction: a local Tate, its own “village fe...
Rachel Howard is not an artist to shy away from heavy subject matter; sin, suicide, madness, the fra...
The enigma of Gerhard Richter is not here resolved by Tate Modern’s new exhibition. Yet the exhibi...
A life-size crocheted brown bear (crochetdermy = due to it resembling taxidermy), a cross-stitched w...
The Spirit of Tariki Visits New York
Fibre is any material that helps to form a connection. It has wide applications in science and indus...
A Futuristic Architectural Movement from the Past Speaks to the Present
At a critical moment in urban architectural history, the Mori Art Museum in Tokyo considers the dist...
John Martin: Apocalypse, at Tate Britain is the largest display of his work in public since 1822. In...
Post Office or Postmodern? Postmodernism: Style and Subversion, 1970-1990
'The design for the extension to the National Gallery, London, when finally won in competition by Ro...
From Neon to New Order. Postmodernism: Style and Subversion, 1970-1990
'Some of the best postmodernists are modernists on a holiday from orthodoxy' claimed Charles Jencks,...
Studio International spoke to Bercea about the medium of painting and its relationship to history, t...
In this exhibition Rothko’s work is experienced counter-intuitively. The instructions Rothko gave ...
Kitaj: Portraits and Reflections
Kitaj: Portraits and Reflections is the first major solo exhibition in the UK of the American artist...
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