Understanding the Expansion of Universe. An interview with Ernesto Neto
Internationally acclaimed for creating immersive installations with his ambient sculptures, the Braz...
In 1984 Robert Mapplethorpe photographed Alice Neel, then in her 85th year. With her eyes closed and...
Djalkiri: We are Standing on their names: Blue Mud Bay, (2009–2010)
Yilpara on Blue Mud Bay is a special place. Djalkiri is a special word. It has several meanings, one...
12th Venice Architecture Biennale
“People meet in Architecture” was the nebulous banner theme for this 12th Venice Biennale of Arc...
Clay or soil is all around us but we hardly take notice. But in the hands of this Indian artist, suc...
Reality Check. Two Performances by Anindita Dutta at Fukuoka Asian Art Mus...
Clay or soil is all around us but we hardly take notice. But in the hands of this Indian artist, suc...
A Letter from Sydney: July 2010
Australians have long been aware of what Geoffrey Blainey called, The Tyranny of Distance. Overseas ...
Though the curators are keen to stress that this is merely a selection, rather than the definitive c...
Frank’s Cafe and Campari Bar, run by Frank Boxer and his “fantastic chef partner Michael Davies...
Another World: Dalí, Magritte, Miró and the Surrealists
In Edinburgh this summer, coinciding with the Fringe Festival at first, and then extending into next...
Don’t Art, Fashion, Music – Chicks on Speed
In Edinburgh this summer, coinciding with the Fringe Festival at first, and then extending into next...
Close Examination: Fakes, Mistakes and Discoveries
A great deal turns upon the evaluation of the authenticity and provenance of an art work. In today...
Picasso: the Mediterranean Years (1945-62)
The enormous success of this late Picasso show, critical and popular, was made all the more poignant...
The Often Serendipitous Nature of Museum Collecting
Founded in 1903 to link fashion with fine and decorative arts, the Brooklyn Museum's costume collect...
“Is Small Beautiful?” 1:1 Architects Build Small Spaces
The idea of the small habitable space has long fascinated architects. As long ago as 1972 Joseph Ryk...
Rude Britannia: British comic art
It is a striking paradox that whereas comedy occupies a central and revered position in our literary...
Colour Country: Art from the Roper River
Colour Country: art from Roper River is showing in its final venue in Darwin, in Australia...
Wolfgang Tillmans: A Photographer at Large
Wolfgang Tillmans as photographer/printmaker is the perfect antidote to the framing of the world, to...
Beauty that is Always Strange. Dead or Alive, Museum of Arts and Design, N...
The proliferation of Japanese-style comics (manga), rapidly expanding international audiences for th...
Joseph Beuys 40th anniversary journey
No journey with Richard Demarco would be complete without reference to Joseph Beuys, an artist whose...
ARCHITECTURE + CERAMICS = SCULPTURE
Nicholas Rena’s monumental, eloquent ceramics are exhibited alongside the painting of Matthew Smit...
Paintings Past and Present from the New English Art Club
The current show traces the evolution of the New English Art Club from its foundation in 1886 to the...
The architecture of hope: Maggie’s cancer caring centres
The Maggie’s Centres are a remarkable, altruistic phenomenon, something all too rare in the archit...
Fra Angelico to Leonardo: Italian Renaissance Drawings
Andrea del Verrocchio’s, Head of a Woman (1470s) advertises the Italian Renaissance Drawing exhibi...
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