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Published  30/11/-0001
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Spencer Finch: The Opposite of Blindness

In his third solo exhibition at the Lisson Gallery, Finch attempts to take visitors beyond the limit...

Lucy Jones: ‘My work is not slick and I struggle to resolve my paintings...

The artist talks about her recent return to making portraits of others, and explains what she sees a...

Carambolages

Paris is, as ever, a cauldron of art, but one breakout exhibition, expertly curated to challenge the...

Michael Dean: Sic Glyphs

Despite the urban construction materials, the steel bars and concrete slabs, there is a strong sense...

Todd Oldham: ‘I wasn’t very fashionable, so it was to our advantage th...

The New York-based designer talks about designing $10,000 dresses, his aversion to using animal mate...

Arnaldo Pomodoro: 'Sculpture is the appropriation of one’s own space wit...

As Italian sculptor Arnaldo Pomodoro has his first London exhibition for more than 50 years, he talk...

Philip Pearlstein: ‘I decided I didn’t want to express other artists...

The American artist has pursued an independent path for more than 60 years. Here, he talks about his...

Bernard Jacobson: ‘I want to bring people back to art’

The art dealer talks about his current exhibition, Bonheur de Vivre, which he considers ‘a precis ...

Comix Creatrix: 100 women making comics

This is a groundbreaking exhibition of female comics artists, from Hogarth’s contemporary Mary Dar...

Richard Sides: Invisible World

The artist’s latest exhibition confirms hisconfidence and ability to transform space and boundarie...

Terry Setch: ‘I regarded the beach as a playground – somewhere you can...

The artist explains his practice, recalling memories of the beach at Penarth and his desire to exten...

Picasso: The Great War, Experimentation and Change

The exhibition succeeds in introducing the complicated story of Picasso’s simultaneous exploration...

Kelly Chorpening: ‘The whole relationship between image and object or bu...

Studio International visited Horatio Junior gallery in southeast London to talk to the American arti...

Three Generations: Passing on the Eyton drive

As they prepare for their first exhibition showing together as a family, Anthony Eyton RA and his sc...

Russia and the Arts: The Age of Tolstoy and Tchaikovsky

This exhibition introduces visitors to the talents and turmoil of the Russian arts scene from 1867 t...

In the Age of Giorgione

This exhibition endeavours to pin down a phantom of art history, a man whose paintings are so elusiv...

Heidi Kilpeläinen: ‘In a way, I suppose I’m making my reading of the ...

The London-based Finnish artist talks about her multidisciplinary practice and her recent residencie...

Secret Surface: Where Meaning Materialises

Prepare for a sensory bombardment in this sprawling exhibition, which examines the concept of surfac...

The Met Breuer

As the brutalist bunker that used to house the Whitney opens its doors as the Met Breuer, has the wa...

Stephen Shore: Retrospective

At 17, Shore was already photographing Andy Warhol and his collaborators. This comprehensive exhibit...

Becky Beasley: Lake Erie from the Northwest

The British artist’s new solo exhibition reflects her unwavering interest in physical and non-phys...

Nico Vascellari: ‘I’m not interested in the rules or breaking them. I ...

The artist talks about how touring in a band influenced his work, despising morality in art, how we ...

Mark Wallinger: ‘Even the ugliest mark, with symmetry, gains some kind o...

After months of psychoanalysis, the Turner Prize-winning artist reveals something of his inner self ...

Michelle Stuart: Theatre of Memory – Photographic Works

For Stuart, each photograph matters in such a way that when we look at one or many of them, we sense...

Takashi Murakami’s Superflat Collection – from Shōhaku and Rosanjin t...

Artist Takashi Murakami has built up a vast collection centred around contemporary art, but also inc...

Barry Flanagan Animal, Vegetable, Mineral

Marking the 50th anniversary of Flanagan’s first solo show, this exhibition affords visitors a gli...

Colin Self – interview: ‘I want to be devoid of the art world and padd...

On the occasion of his exhibition at London’s Mayor Gallery, Colin Self, the most singular of Brit...

Verónica Losantos: Screen Memories

To recreate memories of a father she hasn’t seen since she was a 12-year-old child, the artist tur...

Das Institut

Creative duo Kerstin Brätsch and Adele Röder’s transformative installation at the Serpentine Sac...

Peter Fischli David Weiss: How to Work Better

The Swiss duo play with viewers’ habits and expectations, but they demand to be taken seriously at...

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