Mohri studied media art with sound art (which she prefers to call “music without musicians”), at the University of Tokyo, and has collaborated with leading Japanese avant-garde musicians Otomo Yoshihide and Ryuichi Sakamoto. Through “sensing hidden energy, usually ignored”, Mohri’s work brings together image, sound and narrative, and asks “how nature and un-nature could have a relationship?”
Mohri talked to Studio International before the opening of her exhibition Moré Moré [Leaky] and explained some of her inspirations and processes.
Yuko Mohri: Moré Moré [Leaky]
White Rainbow, London
9 February – 11 March 2017
Interview by MK PALOMAR
Filmed by MARTIN KENNEDY
This exhibition, the first full-scale retrospective of Rauschenberg’s work since his death in 2008, takes us on a tour of a singly irrepressible spirit whose work knew no boundaries
Shigeo Anzaï: Index I
This solo show explores the archives of photographer Shigeo Anzaï, looking at his role in documenting artists making and installing works in exhibitions in Japan between 1970 and 1976, starting with the 10th Tokyo Biennale
Sam Belinfante: ‘For galleries, sound is still a terrifying prospect’
Sam Belinfante talks about the role of listening in the visual arts and the challenges he faced in curating this engaging and impressive show, which features some of the key figures in aural art today
Sapporo International Art Festival 2014
The first Sapporo International Art Festival is taking place in Sapporo city, which is on Hokkaido, Japan’s second largest and northernmost island. The festival’s guest director, musician Ryuichi Sakamoto, chose as its theme City and Nature, hoping that art will become a medium by which the audience can learn about the history and topographical nature of Sapporo, and enable visitors to examine how cities can coexist with nature.