Lumiere London 2018

Featuring works by 50 artists and digital / lighting studios and producers, this feast of light and ...

John Piper

A lopsided retrospective reveals an artist who thrived best when he was commissioned or working in c...

Latif Al Ani: ‘I was documenting for the sake of archiving. I never thou...

The Iraqi photographer considers his photographic preservation of a long-vanished Iraq, his preoccup...

Louvre Abu Dhabi, designed by Jean Nouvel

Jean Nouvel has conceived a masterful new structure for the Louvre Abu Dhabi, at once utterly modern...

John Stezaker: ‘I was trying to create a sort of photographic cubism’

The British artist discusses a series of 1970s collages that launched his career, and which have bee...

Jeanne Mammen: The Observer. Retrospective (1910-75)

Mammen wanted to be “a pair of eyes, walking through the world unseen, only to be able to see othe...

Louisa Fairclough: A Song Cycle for the Ruins of a Psychiatric Unit

At the Danielle Arnaud gallery in London, Louisa Fairclough’s exhibition A Song Cycle for the Ruin...

Light in motion: Balla, Dorazio, Zappettini

The latest in Mazzoleni’s series of exhibitions devoted to 20th-century Italian art enacts a vivid...

Juno Calypso: ‘Male critics don’t think women are funny, they don’t ...

London-based photographer Juno Calypso talks about femininity and disappointment in a man’s world...

Kelly Richardson: The Weather Makers

The barren, dystopian landscapes of Kelly Richardson’s audiovisual installations are hypnotically ...

Julie Montgarrett: ‘I have always gravitated to the seductive character ...

Australian artist Julie Montgarrett uses her work to explore the continent’s problematic colonial ...

Jasper Johns: ‘Something Resembling Truth’

The first comprehensive exhibition of Jasper Johns to be held in the UK in the past 40 years looks b...

Jenny Holzer: Softer

In her current exhibition at Blenheim Palace, Holzer responds to the building’s military history w...

Jake and Dinos Chapman: The Disasters of Everyday Life

Among the casts of suicide vests, it is the Chapman brothers’ reworked etchings of Goya that hold ...

Katriona Beales: ‘It’s not the internet that is malevolent, but the wa...

Following the opening of Are We All Addicts Now? at London’s Furtherfield, Katriona Beales, the ex...

John Hoyland: Stain Paintings 1964–1966

This, the first New York exhibition of John Hoyland’s work in 25 years, brings together seven of h...

Lucas Arruda: ‘The only reason to call my works landscapes is cultural’

On the occasion of his first London exhibition, at David Zwirner, Lucas Arruda discusses his almost ...

José Pedro Croft: Uncertain Measure – Venice Biennale 2017

For his Portugal Venice Biennale commission, artist José Pedro Croft has made a series of six glass...

Jonathan Wright: Fleet on Foot

Local artist Jonathan Wright delved deep into local narratives to devise his tribute to the local fi...

Klimt and Antiquity: Erotic Encounters

Bringing together works by Gustav Klimt with pottery, sculptures and texts from late classical antiq...

Julian Lethbridge: Inside Out

The 13 new paintings by Julian Lethbridge, now on show in Berlin, are works of virtuosity and dedica...

Lluís Lleó: ‘It was important to me that the sandstone came from Spain...

Lluís Lleó talks about how, for his recent installation on Park Avenue, New York, he was inspired ...

Laura Youngson Coll: ‘The real catharsis was in the making process, beca...

Expanding on her fascination with the world of nature and natural sciences, Laura Youngson Coll has ...

Jesse Jones: Tremble Tremble – Venice Biennale 2017

Gender inequality was one of many human rights issues that artists wrestled with at the 57th Venice ...