Jim Dine – interview: ‘I never stop looking. I never stop examining. I...
Artist Jim Dine talks about his easily recognisable paintings, into which he embeds tools and incorp...
A mid-career survey of the Brussels-based Scottish artist conceals big questions in illusionistic ma...
Kai Althoff Goes With Bernard Leach
Juxtaposing a sprawling selection of Althoff’s works with a tribute to British studio pottery, the...
London’s Arts Labs and the 60s Avant-Garde
From a naked man flinging himself into a giant jelly to a 24-hour piano recital to John Lennon and Y...
Wiley’s first foray into depicts a scene of young black men in the sea, struggling to reach land. ...
Krištof Kintera – interview: ‘Humour helps us to survive’
Unable to install The End of Fun! at Ikon in Birmingham because of Covid-19 travel restrictions, Kin...
This celebratory exhibition of Byrne’s screenprints, along with a companion show of portraits of t...
Jacqueline Poncelet – interview: ‘Uncertainty is all right; it gives u...
A major UK survey exhibition of her work reveals the restless creativity and curiosity of this talen...
Kate Mieczkowska – interview: ‘I have always loved being in front of a...
The artist talks about the development of her art practice and her curatorial debut, Goddess Now...
The Chinese artist Li Qing explores the tensions between east and west through the lens of architect...
Lonnie Holley – interview: ‘I started doing my work with a knife, fork...
Following a traumatic childhood, his art saved him, says Holley. Here he talks about the environment...
Ken Done – interview: ‘We white blokes could learn from collaboration ...
Now 80, Done says you should be fearless as you age and take more risks. Here he talks about why a g...
Newling’s ecological artworks provoke questions about how we can work in harmony with nature and c...
Looking Up: Helaine Blumenfeld at Canary Wharf
The luxury corporate campus of Canary Wharf makes an unusual but strangely prescient setting for scu...
Ostend’s master draughtsman oscillates between retreat and escape, nocturnal and diurnal, imbuing ...
Lygia Clark: Painting as an Experimental Field 1948-1958
Best-known for her sculptural and interactive later works, a survey of the first decade of the Brazi...
Johanna Unzueta: Tools for Life
Unzueta’s films, drawings and huge felt installations weave together traditional Chilean needlewor...
Janet Laurence – interview: ‘White Australians didn’t have a way of ...
A leading contemporary artist in Australia, Laurence talks about colonialisation and using her art t...
Julijonas Urbonas: Planet of People
In this fascination fusion of art and science, the Lithuanian artist imagines sending visitors into ...
Jake Wood-Evans – interview: ‘I don’t think you can make a successfu...
Taking great baroque altarpieces as his starting point, Jake Wood-Evans marks out his composition, a...
Luca Giordano: The Triumph of the Neapolitan Painting
An often thrilling exhibition at the Petit Palais asserts the mastery of the inescapable Neapolitan ...
John Cornish – interview: ‘It would be unfair just to look back on my ...
The son of the artist Norman Cornish, whose work is synonymous with mining life in the County Durham...
Lynette Yiadom-Boakye: The Hilton Als Series
In this gem of a show a handful of Yiadom-Boakye’s paintings and etchings beckon you into their sp...
Escaping from the shadows of The Dinner Party, a career-ranging survey of the pioneering feminist tr...
Leo Villarreal – interview: ‘It was interesting to connect to the univ...
American artist Leo Villareal talks about his first solo show at Pace, London, and his latest public...
Lari Pittman: Declaration of Independence
Marionette pilgrims, magical eggs and aqueous wonder worlds – this retrospective of Pittman’s wo...
Deller documents a nation split apart by Brexit as he strolls in and around Parliament Square filmin...
Leonardo: Experience a Masterpiece
This immersive exhibition, which hopes to persuade viewers to look in depth at Leonardo’s The Virg...
Larissa Sansour – interview: ‘That is often what identity and trauma d...
The Palestinian artist unravels some of the layers of In Vitro, her science-fiction film now showing...
Kudzanai-Violet Hwami - interview: ‘How I identify isn’t what pushes m...
The Zimbabwe-born, London-based artist talks about her new work for her solo show at Gasworks in Lon...