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Published  30/11/-0001
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Jim Dine – interview: ‘I never stop looking. I never stop examining. I...

Artist Jim Dine talks about his easily recognisable paintings, into which he embeds tools and incorp...

Lucy McKenzie: Prime Suspect

A mid-career survey of the Brussels-based Scottish artist conceals big questions in illusionistic ma...

Kai Althoff Goes With Bernard Leach

Juxtaposing a sprawling selection of Althoff’s works with a tribute to British studio pottery, the...

London’s Arts Labs and the 60s Avant-Garde

From a naked man flinging himself into a giant jelly to a 24-hour piano recital to John Lennon and Y...

Kehinde Wiley: Ship of Fools

Wiley’s first foray into depicts a scene of young black men in the sea, struggling to reach land. ...

Krištof Kintera – interview: ‘Humour helps us to survive’

Unable to install The End of Fun! at Ikon in Birmingham because of Covid-19 travel restrictions, Kin...

John Byrne at 80

This celebratory exhibition of Byrne’s screenprints, along with a companion show of portraits of t...

Jacqueline Poncelet – interview: ‘Uncertainty is all right; it gives u...

A major UK survey exhibition of her work reveals the restless creativity and curiosity of this talen...

Kate Mieczkowska – interview: ‘I have always loved being in front of a...

The artist talks about the development of her art practice and her curatorial debut, Goddess Now...

Li Qing: East of Eden

The Chinese artist Li Qing explores the tensions between east and west through the lens of architect...

Lonnie Holley – interview: ‘I started doing my work with a knife, fork...

Following a traumatic childhood, his art saved him, says Holley. Here he talks about the environment...

Ken Done – interview: ‘We white blokes could learn from collaboration ...

Now 80, Done says you should be fearless as you age and take more risks. Here he talks about why a g...

John Newling: Dear Nature

Newling’s ecological artworks provoke questions about how we can work in harmony with nature and c...

Looking Up: Helaine Blumenfeld at Canary Wharf

The luxury corporate campus of Canary Wharf makes an unusual but strangely prescient setting for scu...

Léon Spilliaert

Ostend’s master draughtsman oscillates between retreat and escape, nocturnal and diurnal, imbuing ...

Lygia Clark: Painting as an Experimental Field 1948-1958

Best-known for her sculptural and interactive later works, a survey of the first decade of the Brazi...

Johanna Unzueta: Tools for Life

Unzueta’s films, drawings and huge felt installations weave together traditional Chilean needlewor...

Janet Laurence – interview: ‘White Australians didn’t have a way of ...

A leading contemporary artist in Australia, Laurence talks about colonialisation and using her art t...

Julijonas Urbonas: Planet of People

In this fascination fusion of art and science, the Lithuanian artist imagines sending visitors into ...

Jake Wood-Evans – interview: ‘I don’t think you can make a successfu...

Taking great baroque altarpieces as his starting point, Jake Wood-Evans marks out his composition, a...

Luca Giordano: The Triumph of the Neapolitan Painting

An often thrilling exhibition at the Petit Palais asserts the mastery of the inescapable Neapolitan ...

John Cornish – interview: ‘It would be unfair just to look back on my ...

The son of the artist Norman Cornish, whose work is synonymous with mining life in the County Durham...

Lynette Yiadom-Boakye: The Hilton Als Series

In this gem of a show a handful of Yiadom-Boakye’s paintings and etchings beckon you into their sp...

Judy Chicago

Escaping from the shadows of The Dinner Party, a career-ranging survey of the pioneering feminist tr...

Leo Villarreal – interview: ‘It was interesting to connect to the univ...

American artist Leo Villareal talks about his first solo show at Pace, London, and his latest public...

Lari Pittman: Declaration of Independence

Marionette pilgrims, magical eggs and aqueous wonder worlds – this retrospective of Pittman’s wo...

Jeremy Deller: Putin’s Happy

Deller documents a nation split apart by Brexit as he strolls in and around Parliament Square filmin...

Leonardo: Experience a Masterpiece

This immersive exhibition, which hopes to persuade viewers to look in depth at Leonardo’s The Virg...

Larissa Sansour – interview: ‘That is often what identity and trauma d...

The Palestinian artist unravels some of the layers of In Vitro, her science-fiction film now showing...

Kudzanai-Violet Hwami - interview: ‘How I identify isn’t what pushes m...

The Zimbabwe-born, London-based artist talks about her new work for her solo show at Gasworks in Lon...

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