search
Published  30/11/-0001
Share:  

Brave old world: Absalon

For Thomas More, ideal living arrangements were those that promoted the opening up of private life a...

ANALOG: Trends in Sound and Picture

The questions raised here are questions explored in the exhibition entitled Analog: Trends in Sound ...

An essay on sculpture. Studio International, 1969, Volume 177, No 907: 12-...

The emergence of a kind of sculpture in the last few years that is distinguished from previous sculp...

Cream Rising to the Top. 100 Dresses by The Costume Institute/The Metropol...

In his preface to this collaboration between the Met and Yale University Press, Met Costume Institut...

Book review: Unconcealed: The International Network of Conceptual Artists ...

In January 1967 Sol LeWitt, then an artist just starting to make his presence felt in Europe, wrote ...

Artists’ Laboratory 02: Stephen Farthing RA – interview

The Artists' Laboratory 02: Stephen Farthing RA is the second in the programme of exhibitions at the...

Beneath The Surface: Toby Ross-Southall and Giorgio Bruni

Toby Ross-Southall and Giorgio Bruni...

Are You A Lolita? Japan Fashion Now

From avant-garde bag ladies and Asian Ivy-Leaguers to folksy Forest Girls and fashion-eating Lolitas...

Claude Monet

Having attended the Monet exhibition at the Grand Palais on a regular morning like any other paying ...

Barbara Kruger Site Specific Installation

Caught in the back and forth flow of the gaze. “… the AGO has commissioned renowned American art...

Alice Neel: Painted Truths

In 1984 Robert Mapplethorpe photographed Alice Neel, then in her 85th year. With her eyes closed and...

A Letter from Sydney: July 2010

Australians have long been aware of what Geoffrey Blainey called, The Tyranny of Distance. Overseas ...

Another World: Dalí, Magritte, Miró and the Surrealists

In Edinburgh this summer, coinciding with the Fringe Festival at first, and then extending into next...

Close Examination: Fakes, Mistakes and Discoveries

A great deal turns upon the evaluation of the authenticity and provenance of an art work. In today...

Colour Country: Art from the Roper River

Colour Country: art from Roper River is showing in its final venue in Darwin, in Australia...

Beauty that is Always Strange. Dead or Alive, Museum of Arts and Design, N...

The proliferation of Japanese-style comics (manga), rapidly expanding international audiences for th...

ARCHITECTURE + CERAMICS = SCULPTURE

Nicholas Rena’s monumental, eloquent ceramics are exhibited alongside the painting of Matthew Smit...

Anticipating Avatar?

This timely exhibition reminds us how prodigiously his work then developed, and deals with his sculp...

A little Madness in the spring. Emily Dickinson's Garden: The Poetry of F...

In any season, a visit to the New York Botanical Garden (NYBG) provides ample glimpses of nature...

Brad Pitt’s Initiative. Making It Right: New Houses at New Orleans’ Lo...

Brad Pitt’s Make it Right housing neighbourhood reconstruction initiative for New Orleans is not t...

Book review: A Year in Architecture

This is an exceptional publication unique as such in the architectural lists and part of a series of...

Book review: George Barbier: The Birth of Art Deco

An apt setting for the first major exhibit covering Art Deco designer George Barbier's full range of...

Book review: Playing with Pictures: The Art of Victorian Photocollage. By ...

Published to accompany a travelling exhibit originating at the Art Institute of Chicago in fall 2009...

Book review: Brunelleschi, Lacan, Le Corbusier

Subtitled Architecture, Space and the Construction of Subjectivity, this book is an important new ad...

CRASH (Homage to JG Ballard)

One aim of CRASH...

CRASH (Homage to JG Ballard)

One aim of CRASH ...

Chris Ofili at Tate Britain

Chris Ofili’s mid-career retrospective at Tate Britain is a crowd pleaser, and this is no bad thin...

Book review: Architecture in Times of Need. Make it Right. Rebuilding New ...

This volume represents a unique documentation of an aid venture led by actor/philanthropist Brad Pit...

studio international logo

Copyright © 1893–2025 Studio International Foundation.

The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.

twitter facebook instagram

Studio International is published by:
the Studio International Foundation, PO Box 1545,
New York, NY 10021-0043, USA