Meg Hitchcock, a Brooklyn-based artist, celebrates the human need to reach outside ourselves, throug...
Alibis: Sigmar Polke 1963-2010
Changeable, impure, destructive, contrary – it is hard to read these adjectives as a list of compl...
The painter Kaoruko is a slight, softly spoken Japanese woman who walks with inaudible steps and has...
Tauba Auerbach and David Robilliard
The opening of two small solo shows by mixed-media artist Tauba Auerbach and poet-painter David Robi...
Seth Cluett: The Persistence of Traces
Seth Cluett: The Persistence of Traces includes stand-alone pieces, projection, sound and drawing, a...
Fondation Beyeler presents Daros Latinamerica Collection
The Fondation Beyeler, the most visited art museum in Switzerland, with in excess of 330,000 people ...
Deutsche Börse Photography Prize 2014
The showcase of the four photographers shortlisted for this year’s Deutsche Börse photography pri...
Diverse Maniere: Piranesi, Fantasy and Excess
Sir John Soane’s Museum was conceived as a place of inspiration, learning and provocation for “a...
Van Gogh/Artaud: The Man Suicided by Society
The Musée d’Orsay exhibition, curated by Isabelle Cahn, links fragments of Artaud’s impassioned...
Training to be an artist: art centres, residencies, collectives and subsid...
How many ways are there to train as an artist? Contrary to what you may think, perhaps not that many...
Alice Hope likes working with small things, lots of them. They can be – and often are – tiny met...
Wilhelmina Barns-Graham: In Perspective – The Late Works
Wilhelmina Barns-Graham (1912-2004) was a key figure in the abstract movement in Britain yet it was ...
From Polaroids taken in the early 1970s to portraits taken up until Robert Mapplethorpe’s death in...
From Gucci to Gaultier: London hosts two major fashion exhibitions
This month sees the opening in London of two major fashion exhibitions: The Glamour of Italian Fashi...
Cézanne and the Modern: Masterpieces of European Art from the Pearlman Co...
In 1958, the first public exhibition of the Pearlman Collection went on display at the Baltimore Mus...
Lilly Wei talks to the director of Eli and Edythe Broad Art Museum at Michigan State University. Des...
Pangaea: New Art From Africa and Latin America
This exhibition is named after that vast supercontinent that once contained all land on Earth before...
Nika Autor: Newsreel – The News Is Ours
Autor’s use of multimedia art is both connective and immersive. She delves down through the histor...
The architect, writer, and former publisher/editor of Studio International, Michael Patrick Spens of...
Zhang Enli, interview, Hauser & Wirth, London. We came to see Zhang’s current exhibition at Hauser...
Ida Kerkovius: “Meine Welt ist die Farbe” (“My world is colour”)
Listed alongside Gabriele Münter (1877-1962), Käthe Kollwitz (1867-1945), Marianne von Werefkin (1...
Matthew Barney: River of Fundament
Matthew Barney (b1967), best known for his CremasterCycle (1994-2002), comprising five films, with a...
Alex Katz’s paintings are recognisable from their bold, flat and often colourful depictions of fig...
Modern Nature: Georgia O’Keeffe and Lake George
Georgia O’Keeffe (1887-1986) is one of America’s thumbtack artists, those whose posters are pinn...
Alfredo Jaar was born in Santiago, Chile, in 1956. He attended the Chilean-North American Institute ...
Sarah Raphael (1960-2001) was described as one of Britain’s finest figurative painters when she di...
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Tim Rollins and KOS’s Angel Abreu and Rick Savinon: interview
In 1981, when he was 26, Tim Rollins was asked to develop a curriculum for an intermediate school in...
Robert Adams: The Place We Live
Robert Adams’ enigmatic graceful exhibition at Jeu de Paume suggests there are untold subtleties a...
Veronese: Magnificence in Renaissance Venice
This latest exhibition at the National Gallery, beautifully displayed and sympathetically realised, ...
Esme Toler and Olì Bonzanigo: interview
Esme Toler and Olì Bonzanigo are the creators of 13th Hour (2014), a sculpture on the roof of L’B...
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