Cathedral of St John the Divine, New York City
25 February 2015
The 10 poets who took part were Bei Dao, Ouyang Jianghe, Xi Chuan, Zhai Yongming, Zhou Zan, Charles Bernstein, Mei-Mei Berssenbrugge, Pierre Joris, Marilyn Nelson and Afaa Michael Weaver. Each poet read one or more poems dedicated to Xu Bing’s Phoenixes.
The Evening concluded with closing remarks by Xu Bing and was followed by a book signing and a reception.
This event was Sponsored by Columbia University, the Cathedral of St. John the Divine and Xu Bing Studio.
• Phoenix: Xu Bing at the Cathedral closes on 15 March 2015. To find out more about the exhibition, read Studio’s interview with Xu Bing.
Filmed by Miguel Benavides.
Charles Richardson: ‘There must be some sort of desire in me to hold onto something’
The artist talks about his current show at Exeter Phoenix, collaborating with local artists, the importance of music in his work, and whether the physical informs the virtual, or the other way around
Xu Bing: interview
Xu Bing, the internationally acclaimed Chinese conceptual artist who works in a variety of disciplines and materials, in particular printmaking, ink painting, calligraphy, text and installation, and has also worked with silk worms and pigs, has just completed a major project in New York, the installation of his magnificent Phoenix.
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In the mid-1980s and 90s, as China distanced itself from the policies of Mao Zedong, and his successors became more willing to engage with the outside world, Chinese contemporary art began to appear with increasing frequency in important international exhibitions.
An Exhibition to See: Landscape/Landscript: Nature as Language in the Art of Xu Bing
The Chinese artist, Xu Bing (b. 1955), is internationally acclaimed for his ability to challenge people to think about, or more precisely to re-think, their assumptions about language, culture, the natural world, and at a very basic level, the fundamental nature of human perception through his creative endeavours.
Purely Elemental: Wood Craft as Fine Art
The history of turned wood objects is long and varied, changing from functional craft to art to hobby and back again. During the past few decades, a growing number of artists have embraced the medium as one in which they can explore a variety of interests, from the more obvious possibilities of form and function to wood art as a method of communication, celebration of nature and emotional expression.