Tom de Freston: Deposition, Christ’s College Chapel
Christ’s College, Cambridge celebrated the 500th anniversary (2010) of its consecration this Easte...
The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power 1...
This excellent catalogue, a survey of leading women artists from the late 20th century that examines...
The Thinking Hand: Essential and Embodied Wisdom in Architecture
One of the distinguished Finnish protagonists involved in the restoration project is the author of t...
Show, curated by Sarah Williams, is the fourth in this series of Jerwood Encounters exhibitions,...
Shiro Kuramata and Ettore Sottsass
For the first time works by the visionary Japanese interior designer Shiro Kuramata and his life-lon...
The Life of the Mind: Love, Sorrow and Obsession
As the culmination of a 16 month residency at the New Art Gallery, Walsall, Bob and Roberta Smith, t...
Starred restaurant. Royal Academy of Arts, London
And now, from 19th January 2011, the redesigned 150 cover restaurant, the sixth in Oliver Peyton...
Time travel through human mindset. Hiroshi Sugimoto | ORIGINS OF ART
Running over one year at Marugame Genichiro-Inokuma Museum of Contemporary Art in Japan, Hiroshi Sug...
After 17 years of statehood Israel at last boasts a national museum. When one compares nearby countr...
Understanding the Expansion of Universe. An interview with Ernesto Neto
Internationally acclaimed for creating immersive installations with his ambient sculptures, the Braz...
Frank’s Cafe and Campari Bar, run by Frank Boxer and his “fantastic chef partner Michael Davies...
The Often Serendipitous Nature of Museum Collecting
Founded in 1903 to link fashion with fine and decorative arts, the Brooklyn Museum's costume collect...
The architecture of hope: Maggie’s cancer caring centres
The Maggie’s Centres are a remarkable, altruistic phenomenon, something all too rare in the archit...
The Real Van Gogh: The Artist and His Letters
Van Gogh is almost unique in his fame: not just the epitome of the modern-artist-as-tragic-hero, but...
The Sacred Made Real, National Gallery, London
Spanish art of the mid-17th century achieved a level of naturalism, which in some respects was quite...
Sophie Calle: Talking to Strangers
The linguistic games of Take Care of Yourself, a highlight of the Venice Biennale in 2007 are now th...
The Unilever Series: Miroslaw Balka, ‘How it is’
Miroslaw Balka has created an environment, a work using light-absorbing material across the walls of...
The Not-So-Secret Language of Pins
A skilled diplomat's arsenal might include a surprisingly diverse range of tactics because a success...
They Called Me Mayer July: Painted Memories of a Jewish Childhood in Polan...
'The places I remember exist no more. They are only in my head, and if I die they will disappear wit...
The Enlightenments. Edinburgh International Festival 2009
The 2009 Festival is promoted this year, as taking its inspiration from the 18th century Scottish En...
The Discovery of Spain. British Artists and Collectors: Goya to Picasso
In The Discovery of Spain exhibition, the National Gallery of Scotland (NGS) has put together an aes...
The Beijing National Aquatics Centre
Situated on the western side of the extended axis along the Olympic Green and directly fronting the ...
The Beijing National Stadium - Beijing Olympic Architecture in Retrospect I
The Beijing National Stadium – Beijing Olympic Architecture in Retrospect I – The modern day Oly...
Uch Emchek or 3M-Check: Central Asia's First Art Residency Programme
A man praying, then standing on his head...
Tarkovsky: Russian film-maker – book review
This is a remarkable new compendium on the life and work of the Russian film-maker Andrei Tarkovsky ...
The British Council Collection; Passports
Relatively unknown inside of Britain, the British Council in fact plays an extensive role in nurturi...
Sickert in Venice. Dulwich Picture Gallery, London. 2009
In 1905 Sickert returned triumphantly from Venice ready to take on and lead the new generation of Br...
The House Of Books Has No Windows
Canadian artists Janet Cardiff and George Bures Miller like telling stories. The narrative impetus p...
Utopia: the genius of Emily Kame Kngwarreye
The exhibition 'Utopia: the Genius of Emily Kame Kngwarreye' at the National Museum of Australia in ...
Copyright © 1893–2025 Studio International Foundation.
The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.
 |
 |
 |
|---|
