Remains and Remnants. Anselm Kiefer: The Fertile Crescent
In conversation with Tim Marlow, director of exhibitions at the White Cube, Anselm Kiefer mentions t...
Rosalind Nashashibi at the ICA
This exhibition sees a return to the ICA for Nashashibi, the first female artist to win their Beck...
Patrick Tjungurrayi and Warlimpirrnga Tjapaltjarri
The showing of two senior Aboriginal artists in Melbourne this month is one of many opportunities to...
The Raphael to Renoir exhibition at the National Galleries of Scotland (NGS) allows a rare glimpse i...
Radical Nature: Art and Architecture for a Changing Planet 1969-2009
It is appropriate therefore that the earliest works in this exhibition date from that time, tracking...
In the artist’s most comprehensive survey to date, Roni Horn fuses image and text to enable contem...
Rodchenko and Popova: defining constructivism
This superbly researched and hung exhibition is nonetheless somewhat long overdue insofar as it reco...
Rewinding personalities: Van Dyck at Tate Britain
The short journey from the British Museum down to Tate Britain is currently a rewarding trip. The Br...
Review: Andrea Palladio: His Life and Legacy
It is significant that this exhibition at the Royal Academy in London originated in Vicenza (Palazzo...
Richard Serra’s 2008 Exhibition at Gagosian gallery, which closed just before Christmas, showed th...
Harper Road is an unremarkable south London street, flanked by the blocks of large post-war housing ...
In an exhibition at the Haunch of Venison, Rafael Lozano-Hemmer explores the way the viewer is able ...
_b-300.jpg)
Robin Rhode. Who Saw Who and Through the Gate
Robin Rhode is charting new ground as a talented, mixed-race South African artist, who pushes the bo...
Phyllis Lambert and the Canadian Centre for Architecture
Phyllis Lambert is now in her 81st year and her long life is particularly associated with two buildi...
Richard Demarco, Edinburgh International Festival, 2008
It may be a product of age or lack of funding and proper premises but, whatever the reason, Richard ...
Richard Hamilton: 'Protest pictures'
Inverleith House is located at the centre of the Royal Botanic Gardens in Edinburgh. At one time it ...
One of the important architectural icons of the 1970s is, by popular consent, now due to be demolish...
Psycho Buildings at the Hayward Gallery
The Hayward Gallery, London, under director Ralph Rugoff, has organised another trailblazing exhibit...
Photographing Nepal from the Inside Out
On 14 March 2008, the Rubin Museum of Art, a venue dedicated to Himalayan arts and culture, opened t...
A mid-career retrospective at Tate Britain is enough to cement the reputation of any artist, or else...
Papunya painting: out of the desert
Art is a central force in Aboriginal culture and a critical political tool. Through an understanding...
Poussin and Nature: Arcadian Visions
Landscape painting remains, in the 21st-century, a continuing subject of fascination for art enthusi...
Richard England: Architect as Artist
Dennis Sharp has produced this well-prepared monograph to coincide (approximately) with England's 70...
Revisiting Juan Soriano in Philadelphia
Mexican artist Juan Soriano is an intriguing figure among the personalities animating the history of...
The recent death of Ron Kitaj has not been the subject of the attention that an artist of such talen...
Two exhibitions in Edinburgh this summer enable the public to view different aspects of work by Pabl...
Richard Long: Walking and Marking
The National Gallery of Modern Art (NGMA) in Edinburgh, in time for the Edinburgh Festival 2007, is ...
Panic Attack! Art in the Punk Years
In Britain, punk rock coincided with serious economic recession, mass unemployment, the tail end of ...
The Royal Scottish Academy (RSA) in Edinburgh has got in before the Royal Academy in London with its...
Copyright © 1893–2025 Studio International Foundation.
The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.
 |
 |
 |
|---|
