PINTA, The Latin American Art Fair
Following last year’s success, the second Latin American Art Fair, PINTA opens on Monday 6th June ...
Romantic Moderns: English Writers, Artists And The Imagination From Virginia Woolf To John Piper By...
Picasso: Guitars 1912-1914 at Museum of Modern Art, New York 13 February–6 June 2011...
Picturing Paradox. The Sound of One Hand: Paintings and Calligraphy by Zen...
Zen is an exacting practice, typically requiring years spent seeking a state that, ultimately, is re...
The death of poet Peter Porter in London in April this year prompted the superlative accolades he de...
Professor Richard Gregory, 1923
Professor Richard Gregory, who died on 17 May, was without doubt the foremost scientist of his gener...
Reality Check. Two Performances by Anindita Dutta at Fukuoka Asian Art Mus...
Clay or soil is all around us but we hardly take notice. But in the hands of this Indian artist, suc...
Picasso: the Mediterranean Years (1945-62)
The enormous success of this late Picasso show, critical and popular, was made all the more poignant...
Rude Britannia: British comic art
It is a striking paradox that whereas comedy occupies a central and revered position in our literary...
Paintings Past and Present from the New English Art Club
The current show traces the evolution of the New English Art Club from its foundation in 1886 to the...
Rubens, Van Dyck and Flemish Art
This important exhibition in Stockholm was only made possible in its present superlative achievement...
Richard England recently visited Petra. Here he eulogizes on the unique harmonious relationship betw...
Pierre Soulages did not begin with giant monochromes, but with smaller works, in which the play of i...
Paul Sandby: Picturing Britain. National Gallery of Scotland, 2009
Paul Sandby (1731–1809) occupies a prominent position in British art of the 18th century in the pr...
Pop Life: Art in a Material World, Tate Modern, London 2009
‘What make[s] you rich, we have been taught by a decade of casino capitalism, is precisely the opp...
Remains and Remnants. Anselm Kiefer: The Fertile Crescent
In conversation with Tim Marlow, director of exhibitions at the White Cube, Anselm Kiefer mentions t...
Rosalind Nashashibi at the ICA
This exhibition sees a return to the ICA for Nashashibi, the first female artist to win their Beck...
Patrick Tjungurrayi and Warlimpirrnga Tjapaltjarri
The showing of two senior Aboriginal artists in Melbourne this month is one of many opportunities to...
The Raphael to Renoir exhibition at the National Galleries of Scotland (NGS) allows a rare glimpse i...
Radical Nature: Art and Architecture for a Changing Planet 1969-2009
It is appropriate therefore that the earliest works in this exhibition date from that time, tracking...
In the artist’s most comprehensive survey to date, Roni Horn fuses image and text to enable contem...
Rodchenko and Popova: defining constructivism
This superbly researched and hung exhibition is nonetheless somewhat long overdue insofar as it reco...
Rewinding personalities: Van Dyck at Tate Britain
The short journey from the British Museum down to Tate Britain is currently a rewarding trip. The Br...
Review: Andrea Palladio: His Life and Legacy
It is significant that this exhibition at the Royal Academy in London originated in Vicenza (Palazzo...
Richard Serra’s 2008 Exhibition at Gagosian gallery, which closed just before Christmas, showed th...
Harper Road is an unremarkable south London street, flanked by the blocks of large post-war housing ...
In an exhibition at the Haunch of Venison, Rafael Lozano-Hemmer explores the way the viewer is able ...
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