Royal Academy Summer Exhibition 2014
Studio International visited this year’s Royal Academy Summer Exhibition before the party began, a...
This exhibition of works by Richard Long from 1995 to 2014 documents the artist’s journeys through...
Paul Coldwell’s exhibition at the Freud Museum, London explores our relationship to objects and th...
From Polaroids taken in the early 1970s to portraits taken up until Robert Mapplethorpe’s death in...
Pangaea: New Art From Africa and Latin America
This exhibition is named after that vast supercontinent that once contained all land on Earth before...
Robert Adams: The Place We Live
Robert Adams’ enigmatic graceful exhibition at Jeu de Paume suggests there are untold subtleties a...
Renaissance Impressions: Chiaroscuro Woodcuts from the Collections of Geor...
Renaissance Impressions is a comprehensive survey of some remarkable pieces of printmaking from the ...
Patrick Scott: Image Space Light
Unsurprisingly coming from an architecture graduate, Scott’s work often revolved around order. Eve...
Where the word “lust” in the title implies sinful, furtive enjoyment of the destroyed, Ruin Lust...
Raw Vision – 25 Years of Art Brut
We all have private mythologies extracted from our experiences and interests. The extent to which th...
The Alison Jacques Gallery presents the third solo exhibition of Ryan Mosley’s paintings. Through ...
The retrospective of one of the founding artists of Pop Art, Richard Hamilton (1922-2011), inhabits ...
Published in Artforum in 1967, Robert Smithson’s A Tour of the Monuments of Passaic, New Jersey is...
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Rachel Howard is committed to the material properties of paint and the manner in which they can be m...
To mark the start of its 20th year, the Arts Catalyst, an organisation that puts a cultural spin on ...
Project Space: Inverted House – Tina Gverović and Siniša Ilić
Given that we are psychologically programmed to see patterns in randomness, it is little surprise th...
Painting for Stimulation: Guan Jingjing
In his catalogue essay, Painting to Stimulate the Mind: The Painted Art of Guan Jingjing, curator Xi...
Rembrandt - Auerbach: Raw Truth
Titled Raw Truth, the display shows six Auerbachs opposite five Rembrandts. Both artists are central...
Philippe Parreno: Anywhere, Anywhere Out of the World
It is an opportunity most artists would dream of – a carte blanche invitation to transform the mag...
Peter Howson grew up in Glasgow in the 1960s and attended Glasgow School of Art from 1975 to 1979. I...
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Painting Now: Five Contemporary Artists
Including the works of both a Turner prize winner and a nominee, Painting Now brings together five c...
Permission Granted Tania Bruguera’s Immigrant Movement International
In January 2008, the Cuban artist Tania Bruguera puzzled visitors to the Turbine Hall at Tate Modern...
Patricia Johanson: The World as a Work of Art
The landscape artist and architect Patricia Johanson (b1940) occupies a unique position in her chose...
Paul Klee: Making Visible at Tate Modern is an outstanding exhibition of 130 works by one of the mas...
Philomene Pirecki has just been shortlisted for the Max Mara Art Prize for Women. In addition to thi...
In 1981, British painter Patrick Caulfield said: “I like the idea that things have been done in th...
Doig was born in Scotland, worked on oil rigs on the Canadian plains, studied in London, taught in D...
Professor Mechal Sobel discusses her research on Bill Traylor
Studio International spoke with Professor Sobel about her interest in Traylor, the influence of Afri...
![Fabricio Lopez. Oco [Hollow], 2013. Woodcut, 175 x 135 cm. © Fabricio Lopez. Photograph: Everton Ballardin.](/images/articles/l/lopez-fabricio-2013/smallpix/lopez-12xilocorgrande-300.jpg)
Revitalising an old art – Interview with Fabricio Lopez
It is hard to imagine that innovation could be brought to the ancient tradition of printing from woo...
Bringing together local and international photographers and artists, Picturing Derry covers the year...
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