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Published  30/11/-0001
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Rembrandt - Auerbach: Raw Truth

Titled Raw Truth, the display shows six Auerbachs opposite five Rembrandts. Both artists are central...

Philippe Parreno: Anywhere, Anywhere Out of the World

It is an opportunity most artists would dream of – a carte blanche invitation to transform the mag...

Peter Howson in conversation

Peter Howson grew up in Glasgow in the 1960s and attended Glasgow School of Art from 1975 to 1979. I...

Painting Now: Five Contemporary Artists

Including the works of both a Turner prize winner and a nominee, Painting Now brings together five c...

Permission Granted Tania Bruguera’s Immigrant Movement International

In January 2008, the Cuban artist Tania Bruguera puzzled visitors to the Turbine Hall at Tate Modern...

Patricia Johanson: The World as a Work of Art

The landscape artist and architect Patricia Johanson (b1940) occupies a unique position in her chose...

Paul Klee: Making Visible

Paul Klee: Making Visible at Tate Modern is an outstanding exhibition of 130 works by one of the mas...

Philomene Pirecki: interview

Philomene Pirecki has just been shortlisted for the Max Mara Art Prize for Women. In addition to thi...

Patrick Caulfield

In 1981, British painter Patrick Caulfield said: “I like the idea that things have been done in th...

Peter Doig – No Foreign Lands

Doig was born in Scotland, worked on oil rigs on the Canadian plains, studied in London, taught in D...

Professor Mechal Sobel discusses her research on Bill Traylor

Studio International spoke with Professor Sobel about her interest in Traylor, the influence of Afri...

Revitalising an old art – Interview with Fabricio Lopez

It is hard to imagine that innovation could be brought to the ancient tradition of printing from woo...

Picturing Derry

Bringing together local and international photographers and artists, Picturing Derry covers the year...

Paul Delvaux

Belgian painter Paul Delvaux was profoundly influenced by the Surrealists – by Giorgio de Chirico...

Patrick Caulfield and Gary Hume

Two masters of British art, two mini retrospective exhibitions, but held together in Tate Britain’...

Re-Found: Sara Beazley, Charlotte Hodes, Maria Noel

Re-Found: Sara Beazley, Charlotte Hodes, María Noël presents work that uses a wide range of source...

Patrick Hughes: interview

Hughes' new exhibition at Flowers, Cork Street, includes nine new paintings employing his unique tec...

Pae White: Too Much Night, Again

Inspired by a recent bout of insomnia, using the colours of Black Sabbath’s album cover from Maste...

Rock on Top of Another Rock

Placing one rock on top of another is a seemingly simple gesture, and, as the Swiss artistic duo, Pe...

Roy Lichtenstein Retrospective

Lichtenstein: A Retrospective, Tate Modern. If there is one thing that can be said about the work of...

Portraiture In Focus: Irene Barberis, Anita Taylor and Helen Sturgess

To focus on the portrayal of the human form in the 21st century; specifically the portrait requires ...

Richard Long: Heaven and Water

There is a seeming antithesis between the realities of an invasive ‘Time Team’ archaeological in...

Philip Guston: Late Paintings

Inverleith House in the grounds of the Botanical Gardens in Edinburgh is showing the late works of P...

Photography’s Vivid Past

Seduced by Art: Photography Past and Present, National Gallery, London and Shoot! Existential Photog...

Richard Hamilton: The Late Works

Just what is it that makes Richard Hamilton’s works so different, so appealing? Sadly, the current...

Retelling history through art – an interview with Kimathi Donkor

Kimathi Donkor is an artist with an appetite for historical research. Born in Bournemouth in 1965, D...

Pre-Raphaelites – Victorian Avant-Garde

Tate Britain, London, 12 September 2012–13 January 2013. The Pre-Raphaelite Brotherhood, formed in...

Reading the Head

The sculpted bust conveying a real or assumed likeness of a human subject can be said to have fallen...

Reading the Head. Celia Scott Head to Head Sculptures

The sculpted bust conveying a real or assumed likeness of a human subject can be said to have fallen...

Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture 1950-1...

With its iconic architectural silhouette atop the hills of Los Angeles and its status as one of the ...

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