Carolina Caycedo was born in the UK in 1978 to Colombian parents and now lives and works in Los Angeles. She has spent the last two decades researching and documenting environmental abuses, through public engagement projects, ranging far and wide in her research and interventions, including in Bogotá, Toronto, Madrid and São Paulo.
She had her first solo UK show at the Baltic Centre for Contemporary Art, Gateshead (2022-2023), and appeared in the group show Back to Earth at the Serpentine Gallery in 2023. In Gateshead and London, she showed elements of her constellation of works Be Dammed (2012-ongoing), about the devastating consequences on environments and communities of huge infrastructural dam-building projects.
Carolina Caycedo, installation view, Artes Mundi 10, Chapter, Cardiff. Photo: Martin Kennedy.
For Artes Mundi, Caycedo presents a new work from this series in a lightbox above the entrance of Chapter, Cardiff, as well as a major installation of works at Oriel Davies in Newtown. These include a new video piece, Fuel to Fire (2023), which draws viewers into a Colombian ritual intended to restore the balance of life cycles and equilibrium between species.
Carolina Caycedo, My Female Lineage of Environmental Struggle (2018 to present), installation view, Artes Mundi 10, Oriel Davies Gallery, Newtown.
Also on show are: Fuel to Fire: Mineral Intensive (2022-ongoing), a series of huge pencil drawings depicting extractive practices and their impact on the land, and My Female Lineage of Environmental Struggle (2018 to present), a textile that offers more than 100 portraits of female environmentalists, including indigenous activists and the UK women who camped outside a US nuclear missile base at Greenham Common through the 1980s. These are displayed alongside protest banners from local women, calling themselves Women for Life on Earth, which were also carried to Greenham Common.
Carolina Caycedo, installation view, Artes Mundi 10, Oriel Davies Gallery, Newtown. Photo: Martin Kennedy.
Her photographs and printed works are often reproduced on a huge scale and installed dynamically, from the ceiling and across the floor, to disrupt the classical European landscape tradition of tidy, framed display.
Caycedo’s work is in many collections, including the Guggenheim, New York, Los Angeles County Museum of Art, California, and the Muzeum Sztuki, Lodz, Poland.
Carolina Caycedo: Artes Mundi 10
Oriel Davies Gallery, Newtown
and Chapter, Cardiffhapter, Cardiff
20 October 2023 – 25 February 2024
Interviews by VERONICA SIMPSON
Filmed by MARTIN KENNEDY
Carolina Caycedo, installation view, Artes Mundi 10, Oriel Davies Gallery, Newtown. Photo: Martin Kennedy.
Click on the pictures below to enlarge
Slavs and Tatars: The Contest of the Fruits
Rapping fruit, legendary birds and nail art feature in the UK debut of the Berlin-based collective S...
Liverpool Biennial 2025: Bedrock
From Sheila Hicks’s gemstone-like sculptures to Elizabeth Price’s video essay on modernist Catho...
Mikhail Karikis – interview: ‘What is the soundscape of the forthcomin...
Mikhail Karikis explains the ideas behind his new sound and video installation calling for action ag...
Art & the Book* and Spineless Wonders: The Power of Print Unbound**
Two concurrent exhibitions bring special collections into broader spaces of circulation, highlightin...
Focusing on the skills of wallpaper design and embroidery, this exhibition tells the story of the ...
Daphne Wright: Deep-Rooted Things
This show is a celebration of the domestic, and the poignant sculpture of Wright’s two sons, now o...
Anna Boghiguian: The Sunken Boat: A Glimpse into Past Histories
The venerable Egyptian Canadian installation artist Anna Boghiguian brings shipwrecks, shells and th...
Abstract Erotic: Louise Bourgeois, Eva Hesse, Alice Adams
A groundbreaking New York show from 1966 is brought back to life with the work of three women whose ...
Jeremy Deller – interview: ‘I’m not looking for the next thing. I...
How did he go from asking a brass band to play acid house to filming former miners re-enacting a sem...
Encounters: Giacometti x Huma Bhabha
The first of three exhibitions to position historic sculptures by Alberto Giacometti with new works ...
The Parisian scenes that Edward Burra is known for are joyful and sardonic, but his work depicting t...
The 36th Ljubljana Biennale of Graphic Arts: The Oracle
Surprising, thrilling, enchanting – under the artistic direction of Chus Martínez, the works in t...
It’s Terrible the Things I Have to Do to Be Me: On Femininity and Fame ...
In a series of essays about pairs of famous women, the cultural critic Philippa Snow explores the co...
Paul Thek: Seized by Joy. Paintings 1965-1988
A rare London show of elusive queer pioneer Paul Thek captures a quieter side of his unpredictable p...
This elegantly composed exhibition celebrates 25 years’ of awards to female artists by Anonymous W...
The first of its kind, this vast show is a stunning tour of the realism movement of the 1920s and 30...
Maggi Hambling: ‘The sea is sort of inside me now … [and] it’s as if...
Maggi Hambling’s new and highly personal installation, Time, in memory of her longtime partner, To...
Caspar Heinemann takes us on a deep, dark emotional dive with his nihilistic installation that refer...
Complex, multilayered paintings and sculptures reek of the dark histories of slavery and colonialism...
Shown in the context of the historic paintings of Dulwich Picture Gallery, Rachel Jones’s new pain...
William Mackrell – interview: ‘I have an interest in dissecting the my...
William Mackrell's work has included lighting 1,000 candles and getting two horses to pull a car. No...
Marina Tabassum – interview: ‘Architecture is my life and my lifestyle...
The award-winning Bangladeshi architect behind this year’s Serpentine Pavilion on why she has shun...
A cabinet of curiosities – inside the new V&A East Storehouse
Diller Scofidio + Renfro has turned the 2012 Olympics broadcasting centre into a sparkling repositor...
Plásmata 3: We’ve met before, haven’t we?
This nocturnal exhibition organised by the Onassis Foundation’s cultural platform transforms a pub...
Ruth Asawa: Retrospective / Wayne Thiebaud: Art Comes from Art / Walt Disn...
Three well-attended museum exhibitions in San Francisco flag a subtle shift from the current drumbea...
This dazzling exhibition on the centenary of John Singer Sargent’s death celebrates his versatile ...
Through film, sound and dance, Emma Critchley’s continuing investigative project takes audiences o...
Rijksakademie Open Studios: Nora Aurrekoetxea, AYO and Eniwaye Oluwaseyi
At the Rijksakademie’s annual Open Studios event during Amsterdam Art Week, we spoke to three arti...
AYO – interview: Rijksakademie Open Studios
AYO reflects on her upbringing and ancestry in Uganda from her current position as a resident of the...
Eniwaye Oluwaseyi – interview: Rijksakademie Open Studios
Eniwaye Oluwaseyi paints figures, including himself, friends and members of his family, within compo...