Claudia Wieser: ’I know there is the danger of beauty in my work, or a d...
Ahead of the opening of her current show at the Marianne Boesky Gallery in New York, Berlin-based ar...
Evelyn Hankins: ‘Mark Bradford’s project directly challenges the idea ...
Hankins, senior curator at the Hirshhorn museum, explains how a collaboration with Mark Bradford led...
Andy Holden: ‘A lot of my work is a fidelity to what feels right more th...
Andy Holden talks about his relationship with his father, the ornithologist Peter Holden, nature ver...
Zhang Enli: ‘I pay attention to the subtle things that you might usually...
The artist known for focusing on the poetic aspects of daily life talks about new approaches to pain...
Yto Barrada: ‘The whole thing is a dance between a mad poet, children an...
Yto Barrada discusses her new exhibition at the Barbican Centre, which draws on a calamitous earthqu...
Lydia Ourahmane – interview: ‘Working with this personal history is so...
Lydia Ourahmane talks about her exhibition at the Chisenhale Gallery, allegiance, betrayal, drawing ...
Maija Luutonen: ‘I’m not a big fan of monuments’
Maija Luutonen is the inaugural recipient of the Kiasma Commission by Kordelin, a project to promote...
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Michael Armitage: ‘Can an art space function in the same way as a chapel...
The artist weaves multiple narratives to evoke the complexity of East African society. Here, he talk...
Encountering the Buddha and the Kandell Tibetan Buddhist Shrine Room – a...
The curator talks about Encountering the Buddha: Art and Practice Across Asia, the current exhibitio...
Sophie Herxheimer: ‘I’m after precision in poetry … I’m after exac...
Poet, writer and image-maker Sophie Herxheimer talks about the ideas and inspiration that inform her...
Jason Brooks: ‘In a world that wants to eradicate detail by airbrushing ...
Ahead of his exhibition at Marlborough, London, Jason Brooks showed Studio International around his ...
Tabita Rezaire: ‘Reclamation allowed me to glow into my blackness, woman...
The artist talks about ‘decolonial healing’, her response to cyber-racism and the distorted repr...
Edmund Clark: ‘The intervention, the control, the censorship is part of ...
Edmund Clark discusses his recent residency at the UK’s only wholly therapeutic prison, HMP Grendo...
Bharti Kher: ‘In the way a kitchen has many different things cooking at ...
Kher talks about the difficulty of being identified as an ‘Indian’ artist, being a procrastinato...
Peter Hill: ‘I have a love for the solitude of lighthouses at one extrem...
The artist talks about his creation of a fictional museum, his current lecture tour, Fake News + Sup...
Latif Al Ani: ‘I was documenting for the sake of archiving. I never thou...
The Iraqi photographer considers his photographic preservation of a long-vanished Iraq, his preoccup...
Ania Dabrowska: ‘By the retelling of archival stories we have the power ...
Ania Dabrowska (b1973) is a Polish-born artist now living in London. She works with photography, mov...
Köken Ergun: ‘In Turkey, the image of the soldier has been victimised b...
The Turkish film-maker talks about his 2005 video I, Soldier, and its relevance to the political sit...
Shirazeh Houshiary: ‘We can’t fix our identity or our borders, the onl...
Houshiary talks about evolution, Einstein and shamans, and how her work involves thinking in other d...
John Stezaker: ‘I was trying to create a sort of photographic cubism’
The British artist discusses a series of 1970s collages that launched his career, and which have bee...
Nnenna Okore: ‘My work seeks to highlight Earth’s vulnerability and fr...
Okore’s sculptures are poetic odes to the natural world. But beneath the delicate beauty there lie...
William Kentridge: ‘One needs sometimes to show the power of the irratio...
William Kentridge talks about his recent performance of Kurt Schwitters’ sound poem Ursonate, dada...
Veronica Ryan: ‘I’m interested in the semantics of perception’
The artist talks about her continuing connection with the sculptures of Barbara Hepworth, and how he...
Arthur Watson: ‘Central to the organisation of the show was that work wo...
The president of the Royal Scottish Academy discusses Ages of Wonder: Scotland’s Art 1540 to Now, ...
Neha Choksi: ‘Transformations necessitate lost pasts and renewals of fut...
Through her latest work, a multichannel video installation entitled Faith in friction that features ...
Zoë Buckman: ‘One role of feminism is to address and reframe how we con...
The London-born, New York-based artist known for incorporating highly personal motifs, such as embro...
Antony Gormley: ‘Looking back at the paths you have taken is a really im...
The artist talks about collaborating on a major new book about his career, the evolution of his work...
Pamela Schilderman: ‘I really wanted people to think about what it is th...
What makes a portrait? What defines a person’s identity? These are questions at the core of Schild...
Maria Alyokhina: ‘The government media calls us enemies of the people ...
Political activist and Pussy Riot member Maria Alyokhina talks to Studio International at the Saatch...
Stan Douglas: ‘A re-enactment is an event that becomes processed in memo...
Photographer and film artist Stan Douglas talks about his new works, which extend his interest in hi...
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