Tate Modern, 21 September through 5 January 2003. The Barnett Newman exhibition has opened and is a ...
Millennium Bridge Gateshead – miles better. Chris Wilkinson and Jim Eyre of Wilkinson Eyre have ma...
Fabric of Vision: Dress and Drapery in Painting
Over the summer (19 June—8 September 2002) the National Gallery, London showed Fabric of Vision: D...
Accountancy as terrorism: 'Christie Malry's Own Double Entry'
Accountancy as terrorism: 'Christie Malry's Own Double Entry' – All over Hollywood, producers and ...
Song of the Earth: European Artists and the Landscape - book review
Mel Gooding, in his introduction to this book, reminds us that the modern world has more in common w...
David Blackburn: The Sublime Landscape
David Blackburn's exhibition at the Hart Gallery in London coincides with the publication of The Sub...
Matisse Picasso at Tate Modern has just finished, but moves on to Paris and New York later this year...
Mel Gooding's new book on Ceri Richards, the first major publication on his work, establishes that R...
Kassel Documenta is commonly compared to the Olympic games, but, being an inhabitant of former Easte...
Daniel Libeskind: Imperial War Museum at Salford, Manchester
Daniel Libeskind's new building, an adjunct to the Imperial War Museum in Lambeth, South London, is ...
Next month (September) sees the figure of St Peter suspended face downwards between two Doric pillar...
Masters of Colour: Derain to Kandinsky
Only 30 years ago, Gabrielle and Werner Merzbacher began to form a collection of early 20th century ...
Braun AG Headquarters, Melsungen, Germany
Braun AG Headquarters, Melsungen, Germany – In 2002 this famous project stands complete as perhaps...
Ansel Adams' images are as fundamental to the narrative of the American West as the films of John Fo...
After the lyrical and mythic Ansel Adams, the photographs of William Eggleston are like a punch in t...
Braun AG Headquarters, Melsungen, Germany – Masterwork Revisited
Braun AG Headquarters, Melsungen, Germany. Masterwork Revisited: James Stirling, Michael Wilford & P...
Callum Innes wins Jerwood Prize
It has been announced that Callum Innes, a devout minimalist painter whose monochromatic statements ...
The Banksias: Watercolours, by Celia Rosser at the State Library of Victoria, Melbourne (5 April-30 ...
No single model of self-portraiture can stand for the experiences of women generally, or fully expre...
Skythian baba: A painting counter-revolution
Natalia Goncharova, one of the famous originators of Russian avant-garde, is now the subject of a la...
Kazimir Malevich – The Blackest Square
The fourth 'Black Square' by Kazimir Malevich belonging to Inkombank, which collapsed during the fin...
Paul Klee: The Nature of Creation
In vast contrast to Tate Modern’s Warhol exhibition earlier this year, the Picasso Matisse which i...
The Boyds; Australian Gothic: a life of Albert Tucker; Sidney Nolan – bo...
Art is a central force in Aboriginal culture and a critical political tool. Through an understan...
Brit Art from the Fifties: the reality versus the myth
Just after the war, when France had Picasso and Matisse, Giacometti and Existentialism, and Britain ...
'100 Years Ago' is the name of Peter Doig's current show, the first in London since his Whitechapel ...
A pelican in the wilderness – book review
A short review does not do justice to this splendid publication by novelist Isabel Colegate, publish...
Return of the Buddha: The Qingzhou Discoveries
In 1996, while levelling the sports field of the Shefan primary school in Qingzhou, ...
Body Worlds: Fascination Beneath the Surface
Body Worlds exhibits human corpses: skinned, gutted, flayed, peeled, shelled, filleted, opened up ...
Gerhard Richter: Forty years of painting
The enigma of the German painter Gerhard Richter (b.1932) is finally explored through Robert Storr's...
Edinburgh belongs to a special kind of city deserving of the UNESCO designation as a...
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