search
Published  30/11/-0001
Share:  

Pre-Raphaelite and other Masters: the Andrew Lloyd Webber Collection

Andrew Lloyd Webber's collection of Pre-Raphaelite paintings is probably the most distinguished in p...

James Rosenquist

James Rosenquist at 70? It is hard to believe that he has already reached such an age. In New York r...

Araya Rasdjarmrearnsook

Tensta Art Gallery is situated in one of the most segregated suburbs of Stockholm. The gallery is re...

Frank Gehry - Maggie's Centre, Dundee

On the western, landscaped edge of Dundee city, overlooking the Tay Estuary, Frank Gehry's very late...

Craigie Aitchison

Craigie Aitchison – Two important exhibitions overlapped recently in England: the first was in Ken...

Paula Rego: Jane Eyre and Other Stories

Reaction to the Iraqi War in the West has been strangely muted among artists. In England, Paula Rego...

Winifred Nicholson in Scotland

The first exhibition to fully survey the work of Winifred Nicholson was staged by the Tate Gallery i...

Book review: The Raft of the Medusa: G

Albert Alhadeff. Munich, Berlin, London, New York: Prestel Publishing 2002. ...

Book review: Figuring it out

In The Shape of Time (1962), George Kubler showed that our knowledge of the distant ...

Bridget Riley at Tate Britain

Tate Britain's important exhibition of Bridget Riley's painting ends later this month. This is a ful...

Monet: The Seine and the sea, 1878-1883

Of the best exhibitions at the Edinburgh International Festival this year, Monet is at once the most...

Picasso's designs for Diaghilev's Les Ballets Russes

The Edinburgh Festival is not always as strong in the visual arts as it is in the range of excellent...

Daniel Libeskind: Felix Nussbaum Museum in Osnabrück

Daniel Libeskind won the competition to build the Felix Nussbaum Museum in Osnabrück, Germany...

Marc Chagall: Ceramic Masterpieces

Marc Chagall (1887-1985) was a storyteller with a magical dimension. His popularity ...

Max Beckmann book reviews

To accompany the exhibition Max Beckmann, a collaboration between the Centre Pompidou, Paris, Tate M...

Ando's progress

A recipient of numerous awards, including the prestigious Pritzker Prize in 1995 and the American In...

Book review: Where's My Space Age? The Rise and Fall of Futuristic Design

This beautifully designed book charts the influence of the space craze on Western cu...

The Museum of the Mind: Art and Memory in World Cultures

As part of the British Museum's 250th anniversary, The Museum of the Mind', explores how the creatio...

Adventures in Art: Frida Kahlo

Frida Kahlo: The Artist in the Blue House (published 2003) is the most recent title in Prestel's lis...

Essential Art Deco

This compact and beautifully illustrated book concentrates on the essential aspects ...

Frank Stella

Two new exhibitions of new work by Frank Stella recently opened in London and New York....

Mario Testino: Portraits

Last year the National Portrait Gallery in London put together an exhibition of over 100 works by ph...

50th Venice Biennale

The 100th anniversary this year of the Venice Biennale will probably not be its last. But then it’...

Outsider Art comes Full Circle – 'John the Painter'

'Outsider Artists' are not only untrained, but have also avoided 'social conditioning and cultural i...

John Piper in the 1930s - Abstraction on the Beach

Dulwich Picture Gallery marks the centenary of John Piper's birth with a major exhibition devoted to...

Designer of the Year

I was in Memphis, Tennessee earlier this year to lecture on Charles Rennie Mackintosh and found myse...

Masterpieces from Dresden

The superb exhibition now filling four rooms of the Sackler Wing at the Royal Academy, London, is ap...

Titian

'Titian' is the first in a series of three exhibitions of Renaissance art to be held at the National...

Letter from Memphis

I was in Memphis, Tennessee earlier this year to lecture on Charles Rennie Mackintosh and found myse...

Guy Bourdin at the V&A. Fashion photography as art

In the 1970s, fashion seemed to be at its lowest ebb. The 60s, when London was the style capital of ...

studio international logo

Copyright © 1893–2024 Studio International Foundation.

The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.

twitter facebook instagram

Studio International is published by:
the Studio International Foundation, PO Box 1545,
New York, NY 10021-0043, USA