The Pot of Gold at the Other Side of the Atlantic. Cecil Beaton: The New Y...
Museum of the City of New York, 25 October 2011...
Leonardo da Vinci: Painter at the Court of Milan
According to the famously unreliable Giorgio Vasari, when Leonardo...
Painting Canada: Tom Thomson and the Group of Seven
This winter, The Dulwich Picture Gallery takes us on a tour of the seductive world of Canada...
Sculpture studios are particularly fascinating places: factory-like yet traditional in terms of mate...
Iconic images of war and martyrdom present very different sides of the same coin...
Andrew Antoniou: Theatre of Chance and Enchantment
Andrew Antoniou's recent exhibition at Australian Galleries, Sydney shows his enduring fascination w...
Bermondsey Street these days exudes a growing calm satisfaction: a local Tate, its own “village fe...
Rachel Howard is not an artist to shy away from heavy subject matter; sin, suicide, madness, the fra...
The enigma of Gerhard Richter is not here resolved by Tate Modern’s new exhibition. Yet the exhibi...
A life-size crocheted brown bear (crochetdermy = due to it resembling taxidermy), a cross-stitched w...
The Spirit of Tariki Visits New York
Fibre is any material that helps to form a connection. It has wide applications in science and indus...
A Futuristic Architectural Movement from the Past Speaks to the Present
At a critical moment in urban architectural history, the Mori Art Museum in Tokyo considers the dist...
John Martin: Apocalypse, at Tate Britain is the largest display of his work in public since 1822. In...
Post Office or Postmodern? Postmodernism: Style and Subversion, 1970-1990
'The design for the extension to the National Gallery, London, when finally won in competition by Ro...
From Neon to New Order. Postmodernism: Style and Subversion, 1970-1990
'Some of the best postmodernists are modernists on a holiday from orthodoxy' claimed Charles Jencks,...
Studio International spoke to Bercea about the medium of painting and its relationship to history, t...
In this exhibition Rothko’s work is experienced counter-intuitively. The instructions Rothko gave ...
Kitaj: Portraits and Reflections
Kitaj: Portraits and Reflections is the first major solo exhibition in the UK of the American artist...
Every Day is a Good Day. The Visual Art of John Cage
In 1952 David Tudor performed a piece by John Cage that existed in the absence of musical notation. ...
Rugby Art Gallery and Museum’s The 43 Uses of Drawing, curated by the practitioners’ researchers...
Abstraction and Atonality: Wassily Kandinsky, Franti
František Kupka (1871–1957) is generally recognised to be the best-known Czech artist from the 20...
Fantastical notions and their strange connections
At first glance the works of Paul Etienne Lincoln might be late 18th-century diagrams of eccentric i...
Rudolf Steiner and Contemporary Art and Thinking without limits: Inspired ...
Think about a 20th century without Rudolf Steiner...
Michelangelo Pistoletto: The Mirror of Judgment
Michelangelo Pistoletto was a key figure in the development of conceptual art and a founder of the i...
Radical Bloomsbury: The Art Of Duncan Grant and Vanessa Bell, 1905
Radical Bloomsbury at the Brighton Museum and Art gallery seeks to re-evaluate the work of Duncan Gr...
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