Published  30/11/-0001
Share:  
Follow us twitter facebook instagram

David Blackburn: The Sublime Landscape

David Blackburn's exhibition at the Hart Gallery in London coincides with the public...

Matisse Picasso

Matisse Picasso at Tate Modern has just finished, but moves on to Paris and New York...

Kassel Documenta

Kassel Documenta is commonly compared to the Olympic games, but, being an inhabitant...

Daniel Libeskind: Imperial War Museum at Salford, Manchester

Daniel Libeskind's new building, an adjunct to the Imperial War Museum in Lambeth, South London, is ...

Norbert Francis Attard

Next month (September) sees the figure of St Peter suspended face downwards between two Doric pillar...

Masters of Colour: Derain to Kandinsky

Only 30 years ago, Gabrielle and Werner Merzbacher began to form a collection of ear...

Braun AG Headquarters, Melsungen, Germany

In 2002 this famous project stands complete as perhaps the final masterpiece of the ...

Ansel Adams at 100

Ansel Adams' images are as fundamental to the narrative of the American West as the ...

William Eggleston

After the lyrical and mythic Ansel Adams, the photographs of William Eggleston are like a punch in t...

The Banksias: Watercolours

The Banksias: Watercolours, by Celia Rosser at the State Library of Victoria, Melbou...

Mirror, mirror

No single model of self-portraiture can stand for the experiences of women generally...

Skythian baba: A painting counter-revolution

Natalia Goncharova, one of the famous originators of Russian avant-garde, is now the subject of a...

The Blackest Square

The fourth 'Black Square' by Kazimir Malevich belonging to Inkombank, which collapse...

Paul Klee: The Nature of Creation

In vast contrast to Tate Modern’s Warhol exhibition earlier this year, the Picasso...

Brit Art from the Fifties: the reality versus the myth

Just after the war, when France had Picasso and Matisse, Giacometti and Existentiali...

Peter Doig 100 years ago

'100 Years Ago' is the name of Peter Doig's current show, the first in London since his Whitecha...

Return of the Buddha: The Qingzhou Discoveries

In 1996, while levelling the sports field of the Shefan primary school in Qingzhou, ...

Professor Gunther von Hagens’ Korperwelten (Body Worlds): Fascination Be...

Body Worlds exhibits human corpses: skinned, gutted, flayed, peeled, shelled, filleted, opened up ...

Gerhard Richter: Forty years of painting

The enigma of the German painter Gerhard Richter (b.1932) is finally explored through Robert Storr's...

Richard Demarco's Edinburgh

Edinburgh belongs to a special kind of city deserving of the UNESCO designation as a...

Letter from Poland

Depart Edinburgh Airport BA 1435 at 7.40 am arriving Heathrow 09.15 am....

The authentic and the twitch

Increasingly, we now seek to verify what is presented as 'real': we are wary of 'sim...

Letter from Sydney

The year 2000 in Sydney was a hard act to follow. Every cynic - and there were many ...

Will Maclean: Driftworks

Will Maclean’s exhibition, ‘Driftworks’ at Dundee Contemporary Arts (24 November 2001 – 3 Fe...

Letter from Shanghai

Ever since the Treaty of Nangking opened Shanghai to foreign trade in 1842, the city...

Frank Auerbach

Frank Auerbach's career is celebrated at the Royal Academy in all the ways in which this institution...

Frank Auerbach: Paintings and Drawings 1954-2001

The paintings on show at the RA have an effect that it would have been impossible to anticipate; the...

Michael Andrews revisited

If there was ever a clearer purpose and definition of the respective rationale behind the division o...

Letter from Stockholm, September 2001

The newly opened memorial for Raoul Wallenberg (1912-1947) is a significant event in Stockholm...

Patrick Heron: the growing legacy of genius

The work of Patrick Heron is bound up with what is probably the most crucial series of events in...

studio international logo

Copyright © 1893–2021 Studio International Foundation.

The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.

twitter facebook instagram

Studio International is published by:
the Studio International Foundation, PO Box 1545,
New York, NY 10021-0043, USA