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Published  30/11/-0001
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Facing the Modern: The Portrait in Vienna 1900

Covering the period during the Austro-Hungarian Empire, 1867 to 1918, Facing the Modern charts the p...

Marisa Merz and Adrián Villar Rojas

In the Serpentine Sackler Gallery, the installation Today We Reboot The Planet offers the first UK e...

Tomorrow: Elmgreen & Dragset at the V&A

Come in. Make yourself at home. Contemporary artists Michael Elmgreen and Ingar Dragset have transfo...

Chris Burden: Extreme Measures

Chris Burden, we learn from the flood of promotional material accompanying this fine show, his first...

Interview with Dorothea Rockburne

How easy is it to imagine drawing that makes itself, and why should drawing make itself to begin wit...

Astronomy Photographer of the Year 2013

This is the fifth Astronomy Photographer of the Year exhibition. When Unesco held its International ...

The Russian Avant-Garde: Siberia and The East

Kandinsky was spot on. The 130 Russian works of art displayed in the elegant rooms of the Palazzo St...

Li Songsong: We Have Betrayed the Revolution

Li Songsong’s paintings are imposing, strong and abstract, yet they are also images of group portr...

Ana Mendieta: Traces

Despite leaving behind an archive of over 1,000 slides and 60 films, as well as myriad drawings and ...

Australia

Australia at the Royal Academy is the largest and possibly most important exhibition of Australian a...

Ian Hamilton Finlay: Poet, Artist, Revolutionary

The retrospective of Ian Hamilton Finlay (1925-2006) at the Glasgow Gallery of Modern Art is housed ...

A picture of ArtRio 2013: An invitation to think about Art Fairs

The third ArtRio, which took place earlier this month, spanned five massive warehouses in Rio de Jan...

Happy to scuff your floors for you, Murillo

In Murillo’s “resourceful” SLG exhibition, just one single patched black canvas hangs ragged o...

Black Performance as Visual Art

Black performance needs no introduction. However, this is usually true with theatre, music and dance...

Jill Spalding talks to American sculptor Alice Aycock

Though best known for her elaborate constructions in wood and metal, Alice Aycock is collected as wi...

A Painter of Sorrows

The pictures of Russian painter Marc Chagall (1887-1985) have the simple charm of folk and fairy tal...

Patrick Caulfield

In 1981, British painter Patrick Caulfield said: “I like the idea that things have been done in th...

Janet Cardiff’s Sound Sculpture

The Forty Part Motet, a sound installation by Canadian artist Janet Cardiff, is not so much a sight ...

Transmitted Live: Nam June Paik Resounds

Master of the television screen, South Korean born artist Nam June Paik (1932-2006) is represented i...

Calligraffiti: 1984/2013 – the art happening that launched the New York ...

A vibrant collaboration between Jeffrey Deitch, who curated the show, and Leila Heller, the longtime...

Moving Beyond – Painting in China 2013

Of the many aspects that the exceptional Moving Beyond – Painting in China 2013 exhibition explore...

The Birth of Cinema … and Beyond: An Exhibition of Painting and Video

Before the invention of cinema in the 19th century, visual art was one of the primary means for stor...

Cameron Abridged

The exhibition of Julia Margaret Cameron’s portraits and allegorical scenes currently on view at t...

How to be Contemporary? An interview with curator Charles Esche

The Scotsman Charles Esche, director of the Van Abbemuseum, a modern and contemporary museum in Eind...

Imran Qureshi at the MET

The Pakistani artist Imran Qureshi, who was voted Artist of the Year in 2013 by the Deutsche Bank Gl...

The Universal Addressability of Dumb Things

The exhibition’s title, The Universal Addressability of Dumb Things, comes from a concept in compu...

Witches and Wicked Bodies

“The witch is dead. Which old witch? The wicked witch! Ding Dong! The wicked witch is dead!” Fro...

George Gittoes

George Gittoes has worked in many war zones over the past 40 years, including Rwanda, Bosnia, Somali...

American Modern – A Canon Revived

The recently opened American Modern: Hopper to O’Keeffe in the Museum of Modern Art is arranged in...

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