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Published  30/11/-0001
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Studies in Form. Roberto Capucci: Art into Fashion

For those who did not have an opportunity to view the spring/summer 2011 retrospective of Italian fa...

On Top of Two Empires – Xu Longsen

Xu Longsen: On Top of Two Empires, opened at the Museum of Roman Civilization in Rome on the summer ...

Georg Baselitz: Between Eagles and Pioneers

In 1963, the conservative German newspaper, Die Welt, was one amongst several to vehemently object t...

Alvar Aalto Library In Vyborg: Saving A Modern Masterpiece

The finale to the long-running course of action to save this historic modernist masterpiece did not ...

Anish Kapoor: Leviathan

Under the name of the biblical beast Leviathan, Anish Kapoor has devised a giant inflated structure ...

An Entirely Fresh View of Contemporary French Art

Willem de Kooning observed that although Marcel Duchamp had links to the Cubists, Surrealists, Dadai...

The Dark Side of Love. Alexander McQueen: Savage Beauty

For English fashion designer Alexander McQueen (1969...

Joan Miró: The Ladder of Escape

Long awaited, the first large-scale Miró exhibition in Britain for 50 years does not disappoint; it...

Yang Lian in conversation

Yang Lian, a poet of international stature, and a friend of Ai...

James Frazer Stirling

The undoubted architectural event of 2011 has been this selection of key items from the Stirling Arc...

Rooms With A View: The Open Window in the 19th Century

The Metropolitan Museum of Art, New York, 5 April...

PINTA, The Latin American Art Fair

Following last year’s success, the second Latin American Art Fair, PINTA opens on Monday 6th June ...

The Shape of Things to Come: New Sculpture

Saatchi Gallery’s current exhibition, The Shape of Things to Come: New Sculpture. Showcasing works...

Drummond House, Meigle, Perthshire

The vernacular tradition of rural Britain has preoccupied the majority of builders, clients, archite...

Ellen Bell: Camera Obscura and Other Stories

Ellen Bell’s work has all too often been side-lined as craft rather than art, and, indeed, the pai...

Enrique Martinez Celaya: The Cliff

The exhibition takes its name from one of its key works, The Giant Cliff (2010), and truth to tell i...

Anita Glesta, New York “Navigating Memory, the Universe and Nothing”

Born and raised in New York from a Russian/Polish Jewish family, Glesta sees herself as wholly a New...

Gosia Wlodarczak

Polish born artist Gosia Wlodarczak completed a 12-day performative drawing in March this year for t...

The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power 1...

This excellent catalogue, a survey of leading women artists from the late 20th century that examines...

Drawing Fashion: A Century of Fashion Illustration

Drawing Fashion: A Century of Fashion Illustration honours the art dealer Joëlle Chariau’s unique...

A Symphony of Colours and Shapes: Color Moves: Art and Fashion by Sonia De...

Color Moves: Art & Fashion by Sonia Delaunay gathers more than 300 examples of garments and textiles...

I Know Something About Love

I Know Something About Love, curated by Ziba Ardalan for Parasol Unit, comprises works by four inter...

LAVA: Home of the Future

Home of the Future, one of the prominent and current projects by Laboratory for Visionary Architectu...

John Hoyland, Mysteries

In John Hoyland...

Egon Schiele: Self-Portraits and Portraits

The short life of Egon Shiele (1890–1918) has fascinated historians, critics and artists for many ...

Mary Kelly: Projects, 1973

There is a lot more to Mary Kelly’s work than just dirty nappies. Nevertheless, no retrospective w...

Anish Kapoor: Flashback

Kapoor, who represented Britain at the Venice Biennale in 1990, won the Turner Prize in 1991, and wa...

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