Published  30/11/-0001
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Conceptual drawing: recent work by Bernhard Sachs, Mike Parr, Greg Creek a...

In a global context drawing exists irrespective of cultural identity. It is a basic human instinct t...

Hitting a Wall, Finding a Shape: An interview with Gary Hill

Using a curious Internet nickname that plays with a literary reference used in his work, pioneering ...

Gary Hill: Poetics Beyond the Third Dimension

If a word is worth 0.001 pictures, as stated at the entrance of American artist Gary Hill...

A New Look for a New World. Art Deco Complete: The Definitive Guide to the...

After turning the final page in Art Nouveau and Art Deco authority Alastair Duncan's weighty guide t...

GSK Contemporary, Earth: Art of a changing world

The Royal Academy in London, joining with sponsors GlaxoSmithKline, opened this new exhibition on 3 ...

Eva Hesse: Studiowork. Camden Arts Centre, London 2009

Currently showing at the Camden Arts Centre are a number of experimental objects or works-in-progres...

Pop Life: Art in a Material World, Tate Modern, London 2009

Tate Modern, London
1 October 2009–17 January 2010

by SAM ROSE...

Book review: Dangerous Women: The Perils of Muses and Femmes Fatales

Dangerous Women: The Perils of Muses and Femmes Fatales by Laure Adler and...

The Sacred Made Real, National Gallery, London

Spanish art of the mid-17th century achieved a level of naturalism, which in some respects was quite...

New Contemporaries 2009

A global recession and faltering art market did not make 2009 a great year to wriggle free of the ar...

Sophie Calle: Talking to Strangers

The linguistic games of Take Care of Yourself, a highlight of the Venice Biennale in 2007 are now th...

Lucy Stein: Creemie Myopic Fables/Group Show: Purpling

In her third exhibition at Gimpel Fils, Lucy Stein...

The Unilever Series: Miroslaw Balka, ‘How it is’

Miroslaw Balka has created an environment, a work using light-absorbing material across the walls of...

Book review: Art and Text; Poor. Old. Tired. Horse

The tradition whereby literary works are recited rather than read in silence can be traced to the ba...

Aida Tomescu: Paintings and Drawings

If anything, painting is life. It is one of the very few pure things in life. It has an existence in...

Remains and Remnants. Anselm Kiefer: The Fertile Crescent

In conversation with Tim Marlow, director of exhibitions at the White Cube, Anselm Kiefer mentions t...

Book review: MJ Long, Artists' Studios

This book is something of a rarity today. It comes as a survey of the design of 14...

Grayson Perry: The Walthamstow Tapestry

After more than 20 years making pots Grayson Perry admits to no longer being the na...

Making Art in Paradise. Serizawa: Master of Japanese Textile Design

Designated in 1956 as a 'Living National Treasure' by the Japanese government, textile artist Seriza...

The Not-So-Secret Language of Pins

A skilled diplomat's arsenal might include a surprisingly diverse range of tactics because a success...

Eduardo Paolozzi: The Jet Age Compendium

It seems to be the close season for Paolozziana at the moment, notwithstanding the presence in Tate ...

Book review: An Outline of European Architecture by Nikolaus Pevsner

In this new and updated edition, the current publishers have produced a well-timed development of th...

Book review: Trevor Dannatt: Works and Words

Trevor Dannatt, RA, FRIBA (b. London 1920) has been a prominent architect in Britain for most of the...

American Idyll – Jenny Watson

Jenny Watson has been showing with Galerie Transit in Brussels for over 12 years and they are showin...

They Called Me Mayer July: Painted Memories of a Jewish Childhood in Polan...

'The places I remember exist no more. They are only in my head, and if I die they will disappear wit...

Rosalind Nashashibi at the ICA

This exhibition sees a return to the ICA for Nashashibi, the first female artist to win their Beck...

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