In the Hill of Dreams, which includes encaustic paintings, monotypes, lithographs, etchings, woodcut...
Book review, Painting Now, Suzanne Hudson Painting Now Painting Now is a survey of contemporar...
Marisa Williamson: ‘I want to make history alive in people’s worlds’
The performance artist talks about leaving Los Angeles to start a course at the Whitney Museum in Ne...
Goya: The Witches and Old Women Album
Nightmarish visions and demonic passions fill the pages of Goya’s late drawings. But as this exhib...
The Sultan’s World: The Ottoman Orient in Renaissance Art
East meets west in this dazzling show, which focuses on the attraction the Ottoman empire held for w...
The thousands who braved the snow for this year’s Armory found no big surprises. Rather, there wer...
Marc Chagall: A Retrospective (1908-1985)
The long career of a colourful chameleon, Russian-born artist Marc Chagall, is shown off in more tha...
Birds of Metal in Flight: An Evening of Poetry with 5 + 5
In celebration of the year-long exhibition Phoenix: Xu Bing at the Cathedral, a night of poetry by s...
Andrea Mason: ‘If I had to be categorised really simply ... I am an arti...
Artist and writer Andrea Mason talked to us from her studio in Camberwell, south London about Litera...
2015 Triennial: Surround Audience
Surround Audience includes some strong works, but the New Museum’s Triennial 2015 bombards you wit...
Moonstrips: Eduardo Paolozzi and the printed collage 1965-72
Sir Eduardo Paolozzi is considered to be one of the forerunners of British pop art. An exhibition of...
The Guggenheim’s retrospective of On Kawara brings to the fore the great richness of the artist’...
Ilana Halperin: ‘Drawing is a trace fossil of a moment, an idea, proof o...
The artist, whose work is bound up with geological phenomena, explains the excitement of holding a m...
Good Figures: An exhibition of the female form depicted by 30 contemporary...
Thirty contemporary female artists, ranging in age from 24 to 82, celebrate the enduring appeal of t...
Sheila Hicks – interview: I’ve enjoyed a whole career of being an outs...
The American-born artist Sheila Hicks invited us to join her on her brightly coloured pigmented bale...
Marlene Dumas: The Image as Burden
Challenging and provocative, this vast retrospective at Tate Modern charts Marlene Dumas’s long ca...
Sargent: Portraits of Artists and Friends
This latest exhibition at the National Portrait Gallery is an illuminating tour de force that opens ...
Helen Flockhart: ‘Art doesn’t have to be large to be powerful’
The Scottish painter on her time at Glasgow School of Art in the 80s, being influenced by convention...
Kehinde Wiley: ‘I think ideas are just as important as the material prac...
African-American artist Kehinde Wiley talks about the practice of painting as a conceptual tool to e...
Thomas Hart Benton’s ‘America Today’ Rediscovered
The Metropolitan Museum of Art in New York is celebrating the acquisition and installation of Thomas...
Drawing as the catalyst for contemporary printmaking in the UK
We look at how printmaking has influenced the work of Arthur Watson, Paul Coldwell, Christopher Le B...
Known for her explosive works, crossing the line between science and art, Cornelia Parker spoke to u...
Luc Tuymans’s latest exhibition at the David Zwirner Gallery in London is the result of a diverse ...
This double offering explores the concept of identity through portraits in two opposing media and ag...
The work of the Vietnamese-born Danish artist Danh Vō explores colonialism and nationalism through ...
Motoi Yamamoto: Return to the Origin
In Japan, salt is used to exorcise the bad spirits that are said to haunt the dead. With his install...
Lynda Benglis: ‘I think artists create their own rules’
Here, the artist who was once dubbed the “heir to Pollock” and shocked the art world in 1974 by ...
Morehshin Allahyari: ‘Suddenly, I had the opportunity of making art with...
The Iranian-born artist, who moved to the US in 2007, talks about important concepts in her work, in...
Sonia Delaunay: Les Couleurs de l’Abstraction
A key figure of early 20th-century Parisian avant garde, Sonia Delaunay has often been cast in a sup...
Janet Biggs: ‘This project traces my very specific memories of my family...
The video and installation artist talks about her latest exhibition, in which she worked with neuros...
Copyright © 1893–2025 Studio International Foundation.
The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.
 |
 |
 |
|---|