We visited Hewish’s studio and talked to him about the different processes he employs, and the thinking behind his creative practice.
Interview and film by MK Palomar
Eduardo Kac – interview: ‘There is nothing on paper. All the works are experienced dynamically, with the glowing quality of functional displays’
Edvard Munch: Masterpieces from Bergen
Pedro Cabrita Reis – interview: ‘Through all these years, I’ve always done what I wanted. I intend to stay like that’
A Life in Art: Lucy Wertheim - Patron, Collector, Gallerist
Lucia Pietroiusti – interview: ‘Art can do a million things, from accelerating innovation to enriching public understanding’
Frank Brangwyn: The Skinners’ Hall Murals
Stalin’s Architect: Power and Survival in Moscow – book review
Niamh O’Malley: Gather – Venice Biennale 2022
Anthony Scala and George Renshaw – interview: ‘The piece surprised both of us. I designed it to do a certain thing, but it did something completely different’
Abbas Akhavan – interview: ‘I like the propelled intensity towards accomplishing something’
Found Cities, Lost Objects: Women in the City
Alfredo Jaar
Sigurður Guðjónsson: Perpetual Motion – Venice Biennale 2022
Radio Ballads
Amie Siegel – interview: ‘There’s a lot of information underneath the information’
Karen Kilimnik: Early Drawings 1976-1998
Assemble + Schools of Tomorrow: The Place We Imagine
Langlands & Bell: Ideas of Utopia, Near Heaven, and Absent Artists
Whitstable Biennale
Jacquiline Creswell – interview: ‘When I first sited art in Salisbury Cathedral, I was accused of turning it into a theme park’
Celia Paul: Memory and Desire
Biennale of Sydney 2022: Rīvus
William Corwin – interview: ‘Marguerite Louppe experimented with ways to produce her own vision of the world’
Rachael Louise Bailey – interview: ‘It’s good to work with something that stirs you’
Raphael
Angela Su: Arise: Hong Kong in Venice – Venice Biennale 2022
Future Shock
Otl Aicher: Design. Type. Thinking. – book review
Reframed: The Woman in the Window
Alberta Whittle: Deep Dive (Pause) Uncoiling Memory – Venice Biennale 2022
Ann Gallagher – interview: ‘Hélio Oiticica’s work was outstanding in terms of its radicality’
Persones Persons: Biennale Gherdëina 8
Pilvi Takala: Close Watch – Venice Biennale 2022
AA Bronson – interview: ‘Suddenly, we were artists’
Henry Moore: The Sixties
Goran Trbuljak – interview: ‘It is a kind of painting – a painting that was created by refraining from painting’
Feminine Power: The Divine to the Demonic
Gaudí
The Queens’ Jubilee! and Let Me Hold You
Mahesh Baliga – interview: ‘Collected sorrow becomes my work. My work is autobiographical’
Jonathas de Andrade: With the Heart Coming Out of the Mouth – Venice Biennale 2022
Albert Edelfelt and Akseli Gallen-Kallela
52 Artists: A Feminist Milestone
Beatrice Merz – interview: ‘The purpose of the project is to contribute to the traditions of Sicily and southern Italy’
Who Are You: Australian Portraiture
Sheila Hicks: Off Grid
Cornelia Parker
Venice Biennale 2022 Roundup
Abdulrazaq Awofeso: Out of Frame
Ettore Spalletti: Works on paper, editions and books
Click on the pictures below to enlarge
Regine Bartsch: ‘I’m drawn to these places where many people have lived before’ In her studio in southern Ireland, the German-born artist spoke about her recent exhibition and residency at David Parr House in Cambridge, Buddhism and the childhood experiences in Finland and Syria that continue to influence her practice
C4RD, the Centre for Recent Drawing Artist Andrew Hewish founded C4RD, the Centre for Recent Drawing, ‘on the smell of an oil rag’ in a studio in Bethnal Green in east London in 2004. A member of the museum association of the UK and a UK charity, C4RD was founded as an artist project to encourage independent and non-commercial production, by providing space for a broad variety of drawing practices in public exhibitions, residencies – both inhouse and online – and talks and publications.
Gordon Shrigley: ‘Will Peck and I had lots of conversations about what the form of a residency is’ Will Peck, a recent graduate, and Gordon Shrigley, artist, (Gordon has various strings to his bow and asked me to describe him solely as ‘an artist’) talk about their collaborative residency at C4RD
Andrew Hewish: ‘To introduce drawing as a category automatically produces interesting ways of thinking’ Artist Andrew Hewish founded C4RD, the Centre for Recent Drawing, ‘on the smell of an oil rag’ in a studio in Bethnal Green in east London in 2004
Maggi Hambling: ‘Some paintings you’ve just got to cut up. There’s enough bad art in the world’ Maggi Hambling talks about the sea, life, death and love in her work, how, despite being nearly 70, she’s still learning about painting, and why sometimes a painting has to be killed off