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Published  30/11/-0001
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Van Gogh/Artaud: The Man Suicided by Society

The Musée d’Orsay exhibition, curated by Isabelle Cahn, links fragments of Artaud’s impassioned...

Wilhelmina Barns-Graham: In Perspective – The Late Works

Wilhelmina Barns-Graham (1912-2004) was a key figure in the abstract movement in Britain yet it was ...

Veronese: Magnificence in Renaissance Venice

This latest exhibition at the National Gallery, beautifully displayed and sympathetically realised, ...

Whitney Biennial 2014

Most early reviews of the Whitney Biennial have been vehemently critical, often only citing the sect...

Welcome to Iraq

The South London Gallery presents a restaging of the group exhibition Welcome to Iraq, originally sh...

Viennese Season: Actionism

Suggestive, affective, nauseating. How to respond but with a wince, looking quickly away, perhaps a ...

Vikings: Life and Legend

Vikings: Life and Legend opened at the British Museum to mixed reviews. In the newly finished Sainsb...

Xu Bing: interview

Xu Bing, the internationally acclaimed Chinese conceptual artist who works in a variety of disciplin...

William Kentridge: Fortuna

William Kentridge: Fortuna is the most comprehensive monograph on the South African artist to date. ...

When Culture Met Industry

The fifth edition of the Bi-City Biennale of Urbanism/Architecture (UABB), Urban Borders, opened on ...

Wael Shawky: Myths and Legend

Wael Shawky at the Serpentine presents the premier of the artist’s latest film Al Araba Al Madfuna...

Wang Keping

Ben Brown Fine Arts presents us with the first solo exhibition of Wang Keping in the UK. Considering...

Witches and Wicked Bodies

“The witch is dead. Which old witch? The wicked witch! Ding Dong! The wicked witch is dead!” Fro...

Visions of the Universe

“Here we all are,” tweeted Marek Kukula, public astronomer at The Royal Observatory Greenwich an...

With Great Force, Swiftly and Surely

During her life, Swedish mystic Hilma af Klint (1862–1944) believed the abstract art she made as p...

Wilma Tabacco: Gilt Edge

Wilma Tabacco was born in the province of L’Aquila, Italy and has lived in Australia since childho...

Van Gogh To Kandinsky: Symbolist Landscape In Europe 1880–1910

This exhibition is well conceived in principle and excellently hung; landscape here, is the clear un...

V&A Dundee: Blueprint on a tidal surge

The Victoria and Albert Museum...

Wathahine

In this exhibition of monochrome images Canadian Photographer Nance Ackerman turns the clich...

Women To Watch 2010

Rose Wylie (b1934), was this year’s UK finalist in Women to Watch, 2010, a biennial exhibition fea...

Wolfgang Tillmans: A Photographer at Large

Wolfgang Tillmans as photographer/printmaker is the perfect antidote to the framing of the world, to...

Whitechapel rising: the new opening

The Whitechapel Gallery in East London was founded in 1901 and was designed by the architect Charles...

Victor Majzner, Painting the Torah, 2008

Victor Majzner (b.1945) published a limited edition book (750 copies), Painting the Torah (2008), to...

Will Alsop: Sharp Center

Sharp Center, Ontario College of Art & Design, Toronto, Canada. Opened 25 September 2003...

V&A at Dundee: Making it Happen

The mood was upbeat for the conference to explore the feasibility of building a V&A in the Scottish ...

Xiangshan Campus, China Academy of Art, Hangzhou, China

Established in 1928, the China Academy of Art is the first comprehensive art academy in China commit...

William Kelly - Artist as Peacemaker

American-born Australian artist and human rights advocate, William Kelly first visited Australia on ...

Warhol: A celebration of life ... and death

From February 2007 through to September 2008 there have been over a dozen dedicated Warhol exhibitio...

Vienna summer

Vienna is a wonderful city at almost any time, but at present it is particularly inviting. In additi...

Wrestling with the Angel in the Modern Age

For most of human history, art works were centred on the beliefs of a group and clearly expressed th...

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