Archive - Results from #360

Published 30/11/-0001

À Table: Serpentine Pavilion 2023 by Lina Ghotmeh

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Mira Schendel. Portrait of the artist in London, 1966. Photograph © Clay Perry, England & Co Gallery.

Mira Schendel: “You shall see the difference now that I am back again”

Schendel (1919-88) settled in Brazil in 1949, a Jewish refugee from fascist Italy, becoming known as...

Isa Genzken. Untitled, 2012. © Isa Genzken Courtesy Hauser & Wirth, London and Galerie Buchholz, Berlin/Cologne.

Mad, Bad and Sad: Women and the Mind Doctors

Mad Bad and Sad: A History of Women and the Mind Doctors From 1800 to the Present, the Freud Museum ...

Nostalgic for the Future

We are at the Lisson Gallery, London, to see the group exhibition Nostalgic for the Future, shown ea...

René Magritte. La clairvoyance (Clairvoyance), 1936. Oil on canvas, 21 1/4 x 25 9/16″ (54 x 65 cm). Mr. and Mrs. Wilbur Ross. © Charly Herscovici - ADAGP – ARS, 2013.

Magritte's Lonely Art

There are few things I find more disturbing than René Magritte’s paintings. Somber, eerie and mel...

Tania Bruguera at the Museum of Modern Art in Rio de Janeiro. The Cuban installation and performance artist was a keynote speaker at the International Committee for Museums and Collections of Modern Art Conference (CIMAM) held in Brazil, August 2013.

Our voice as protagonist – a meeting with Tania Bruguera

The chatter of a roomful of museum workers turned to silence the minute Tania Bruguera walked into t...

Chen Rong. Nine Dragons (detail), 1244. Photograph © 2013 Museum of Fine Arts, Boston.

Masterpieces of Chinese Painting: 700-1900

The trouble with the Victoria and Albert Museum’s exhibition Chinese Masterpieces: 700-1900 is tha...

Mark Bradford. Biting the Book, 2013. Mixed media on canvas, 102 5/16 x 144 11/16 in (259.8 x 367.5 cm). © Mark Bradford. Photograph: Ben Westoby. Courtesy White Cube.

Mark Bradford: Through Darkest America by Truck and Tank

Very rarely does a show of new work by a contemporary artist deliver on its promise more fully than ...

Nick Relph. (What Are) The Means of Coming Back?, 2013. C-type print, framed, 122 x 76 cm. Commissioned by Chisenhale Gallery. Courtesy of the artist and Herald St, London. Photograph: Andy Keate.

Nick Relph: Tomorrow There Is No Recording

This solo exhibition marks a departure from Nick Relph’s 10-year collaboration with Oliver Payne....

Marisa Merz.  Installation view 1, Serpentine Gallery, London  (28 September - 10 November 2013)  © 2013 Luke Hayes.

Marisa Merz and Adrián Villar Rojas

In the Serpentine Sackler Gallery, the installation Today We Reboot The Planet offers the first UK e...

Guan Jingjing. Remnant mountain 13-04, 2013. Tempera on canvas, 80 x 80 cm.

Moving Beyond – Painting in China 2013

Of the many aspects that the exceptional Moving Beyond – Painting in China 2013 exhibition explore...

Man Ray

A major retrospective of Man Ray at the Scottish National Portrait Gallery in Edinburgh: a highlight...

Katharina Fritsch. Hahn/Cock, 2013. Fourth Plinth, Trafalgar Square, London. © Studio International.

Mayor Boris Johnson unveils large blue Hahn/Cock

Mayor of London Boris Johnson unveils Hahn/Cock by German artist Katharina Fritsch, the latest sculp...

Marino Auriti. Il Enciclopedico Palazzo del Mondo (The Encyclopaedic Palace of the World). At 11 feet high, the model’s 1:200 scale would translate to half a mile high. Photograph: Dorothy Feaver.

Outside In: 55th Venice Biennale

In the alleyways of Venice, street vendors are touting a new product – a globule of goo, which whe...

Nicholas Rena: The Harmony of the Year

Monumental vessels by Nicholas Rena refer to the respective liturgical and domestic roles played by ...

Michael Landy as St Jerome, 2012. © Michael Landy, courtesy of the Thomas Dane Gallery, London / Photograph: The National Gallery, London.

Michael Landy: Saints Alive

“Before we go any further, can I just make sure that you actually know who I am and that you know ...

New Order: British Art Today, Pae White: Too Much Night, Again, Rock on Top of Another Rock

New Order at Saatchi Gallery; Pae White at SLG; Rock on… at Serpentine G...

New Order: British Art Today at the Saatchi Gallery; Pae White at SLG; Rock on Top of Another Rock a...

New Order: British Art Today

Long associated with its support for emerging artists and early recognition of talents to watch out ...

Mat Collishaw. Elysium, 2012. Oil on canvas, 230 x 230 cm / (90⅝ x 90⅝ in). © the artist. Image Courtesy of the Artist and Blain|Southern. Photograph: Matthew Hollow, 2012.

Mat Collishaw: THIS IS NOT AN EXIT

Mat Collishaw is well known for his photographic work and his experimental work in a range of media....

Edouard Manet. Berthe Morisot with a Bouquet of Violets, 1872. Oil on canvas, 55.5 x 40.5 cm. Musee d Orsay, Paris. Acquis avec la participation du Fonds du Patrimoine, de la Fondation Meyer, de Chine Times Group et d un mecenat coordonne par le quotidien Nikkei, 1998. Photograph copyright RMN (Musee d'Orsay)/Herve Lewandowski.

Manet: Portraying Life

Painting’s relationship with the written word is at best fraught with complication. Over determina...

Titian. Diana and Callisto, 1556-59. Oil on canvas. Bought jointly by the National Gallery and National Galleries of Scotland with contributions from the National Lottery through the Heritage Lottery Fund, the Art Fund, The Monument Trust and through private appeal and bequests, 2012. Photograph © The National Gallery, London/The National Galleries of Scotland.

Metamorphosis: Titian 2012

Human history, and by extension the history of art, is a history of transfiguration, of translation,...

Edvard Munch. Anxiety, 1896. Hand-coloured woodcut. Courtesy the Gundersen Collection, Oslo. © Munch Museum, Oslo. Scottish National Gallery of Modern Art.

Munch: The Problem With Women

This timely showing of 60 various graphics in all, some six of which are from the Gallery's own coll...

Henri Matisse. <em>Nu bleu II</em>, 1952. Gouache, cut and pasted on white paper mounted on canvas, 116.2

Matisse: Pairs and Series

Matisse takes the spotlight this spring at the Pompidou, and the swathes of attendees are this time ...

Morgan O’Hara. Gallery view at the Centre for Recent Drawing, London.

Morgan O’Hara: Live Transmissions from the English National Ballet

Clearly if you draw or are interested in the state of contemporary drawing then C4RD is an important...

Sonia Boyce. From Tarzan to Rambo: English Born 'Native' Considers her Relationship to the Constructed/Self Image and her Roots in Reconstruction, 1987. Photograph and mixed media.

Migrations: Journeys into British Art. Interview with Sonia Boyce

Sonia Boyce is included in this space; her work From Tarzan to Rambo: English Born “Native” Cons...

Michael Dean. <em>Analogue series (head)</em>, 2012. Concrete. <em>Untitled</em>, 2012 supports the structure of the face. Replenished perfect bound book, diminishing page count. Courtesy of the artist, Herald St, London and Supportico Lopez, Berlin.

Michael Dean: Government and Phyllida Barlow: Bad Copies

Michael Dean’s current exhibition, Government, at the Henry Moore Institute is the artist’s firs...

Melville Street Studio, Perth. <em>Looking towards Melville Street.</em> © Fergus Purdie Architect.

New Studio Collaboration In Perth, Scotland

Arthur Watson is a well-established artist of international repute and Secretary of the Royal Scotti...

Mary Heilmann. <em>Visions, Waves and Roads,</em> 2012. Installation view. © Mary Heilmann. Courtesy the artist and Hauser & Wirth. Photographs: Alex Delfanne

Mary Heilmann: Visions, Waves, and Roads

Aside from a spate of regurgitated press releases, art critical attention to The Indiscipline of Pai...

Celine Fitoussi's wall-to-wall soap installation in the suite bathroom.

One Giant Leap

The Hyatt Regency London...

Jacopo Robusti, called Tintoretto. <em>Susanna and the Elders</em>, c1555-6. Oil on canvas, 57½ x 76¼ in. Kunsthistorisches Museum, Vienna.

Masters of Venice: Renaissance Painters of Passion and Power from the Kuns...

Aside from the sheer magnificence and technical bravura of the paintings themselves, one of the most...

Marius Bercea

Studio International spoke to Bercea about the medium of painting and its relationship to history, t...

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