Nika Autor: Newsreel – The News Is Ours
Autor’s use of multimedia art is both connective and immersive. She delves down through the histor...
The architect, writer, and former publisher/editor of Studio International, Michael Patrick Spens of...
Matthew Barney: River of Fundament
Matthew Barney (b1967), best known for his CremasterCycle (1994-2002), comprising five films, with a...
Modern Nature: Georgia O’Keeffe and Lake George
Georgia O’Keeffe (1887-1986) is one of America’s thumbtack artists, those whose posters are pinn...
Marrakech Biennale: fifth edition – Where are we now?
The fifth Marrakech Biennale takes place in locations across the city. Founded by Vanessa Branson in...
_day-300.jpg)
Michael Craig-Martin has three exhibitions opening this month, one at Chatsworth House in Derbyshire...
Martin Creed (b1968) became the Marmite subject of much art-world discussion when he won the Turner ...
Michael Snow’s Times (1979) is a simple exercise in reproduction: a large photograph of one of the...
Making Painting: Helen Frankenthaler and JMW Turner
The first exhibition of 2014 at Turner Contemporary brings big canvases, bright colours and a return...
Mikhailov’s Russia: From Eden to Hell
Boris Mikhailov is perhaps the most prominent photographer to emerge from the former Soviet Union in...
Matisse: The Essence of Line, Selected Prints: 1900-1950
The draughtsmanship of Henri Matisse is celebrated by Marlborough Fine Art’s Matisse: The Essence ...
Mira Schendel: “You shall see the difference now that I am back again”
Schendel (1919-88) settled in Brazil in 1949, a Jewish refugee from fascist Italy, becoming known as...
Mad, Bad and Sad: Women and the Mind Doctors
Mad Bad and Sad: A History of Women and the Mind Doctors From 1800 to the Present, the Freud Museum ...
We are at the Lisson Gallery, London, to see the group exhibition Nostalgic for the Future, shown ea...
There are few things I find more disturbing than René Magritte’s paintings. Somber, eerie and mel...
Our voice as protagonist – a meeting with Tania Bruguera
The chatter of a roomful of museum workers turned to silence the minute Tania Bruguera walked into t...
Masterpieces of Chinese Painting: 700-1900
The trouble with the Victoria and Albert Museum’s exhibition Chinese Masterpieces: 700-1900 is tha...
-300.jpg)
Mark Bradford: Through Darkest America by Truck and Tank
Very rarely does a show of new work by a contemporary artist deliver on its promise more fully than ...
Nick Relph: Tomorrow There Is No Recording
This solo exhibition marks a departure from Nick Relph’s 10-year collaboration with Oliver Payne....
Marisa Merz and Adrián Villar Rojas
In the Serpentine Sackler Gallery, the installation Today We Reboot The Planet offers the first UK e...
Moving Beyond – Painting in China 2013
Of the many aspects that the exceptional Moving Beyond – Painting in China 2013 exhibition explore...
A major retrospective of Man Ray at the Scottish National Portrait Gallery in Edinburgh: a highlight...
Mayor Boris Johnson unveils large blue Hahn/Cock
Mayor of London Boris Johnson unveils Hahn/Cock by German artist Katharina Fritsch, the latest sculp...
Outside In: 55th Venice Biennale
In the alleyways of Venice, street vendors are touting a new product – a globule of goo, which whe...
Nicholas Rena: The Harmony of the Year
Monumental vessels by Nicholas Rena refer to the respective liturgical and domestic roles played by ...
“Before we go any further, can I just make sure that you actually know who I am and that you know ...
New Order at Saatchi Gallery; Pae White at SLG; Rock on… at Serpentine G...
New Order: British Art Today at the Saatchi Gallery; Pae White at SLG; Rock on Top of Another Rock a...
Long associated with its support for emerging artists and early recognition of talents to watch out ...
Mat Collishaw: THIS IS NOT AN EXIT
Mat Collishaw is well known for his photographic work and his experimental work in a range of media....
Painting’s relationship with the written word is at best fraught with complication. Over determina...
Copyright © 1893–2025 Studio International Foundation.
The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.
 |
 |
 |
|---|