Archive - Results from #360

Published 30/11/-0001

Alex Ely – interview: ‘Ultimately the success of any building is how well it’s used and how well it’s stewarded’

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Meschac Gaba: Exchange Market

This exhibition of new work by Meschac Gaba marks his first solo show in the US. Exchange is central...

Tania Antoshina. Gagarin-Superman, Study for relief. 2010. Courtesy of Maxim Boxer, Russian Cosmism: Modern & Contemporary Art, 29 May-3 June 2014.

Maxim Boxer: interview

Opening to coincide with the first Russian Art Week during the UK-Russia Year of Culture, Russian Co...

Odilon Redon

The French painter Odilon Redon (1840-1916) was a visionary artist in many senses of the term. He wa...

Mathieu Pernot. Jonathan, Avignon, 2001. The Shouters series, 2001-04. Chromogenic lambda print mounted on dibond, 100 x 80 cm. Edition of 7. Centre Pompidou, Paris. Musée National d’Art Moderne/ Centre de Création Industrielle © Mathieu Pernot.

Mathieu Pernot – The Crossing

The most disturbing thing about Mathieu Pernot’s powerful, compassionate and subversive The Crossi...

Meg Hitchcock: interview

Meg Hitchcock, a Brooklyn-based artist, celebrates the human need to reach outside ourselves, throug...

Michael Rush, founding director of the Eli and Edythe Broad Art Museum at Michigan State University. Photograph courtesy MSU.

Michael Rush: interview

Lilly Wei talks to the director of Eli and Edythe Broad Art Museum at Michigan State University. Des...

Maribor students, members of Triglav Academic Club (Slava Klavora is second from the left), Zagreb, 7 December 1939
Archive document used in Newsreel 55, by Nika Autor, Marko Bratina, Ciril Oberstar and Jurij Meden, 2013. Property of National Liberation Museum, Maribor.

Nika Autor: Newsreel – The News Is Ours

Autor’s use of multimedia art is both connective and immersive. She delves down through the histor...

Michael Spens: obituary

The architect, writer, and former publisher/editor of Studio International, Michael Patrick Spens of...

Matthew Barney and Jonathan Bepler. River of Fundament, 2014. Production Still. Photograph: Hugo Glendinning. © Matthew Barney. Courtesy Gladstone Gallery, New York and Brussels.

Matthew Barney: River of Fundament

Matthew Barney (b1967), best known for his CremasterCycle (1994-2002), comprising five films, with a...

Paul Strand. Georgia O’Keeffe, 1918. Photograph, platinum print. National Portrait Gallery, Smithsonian Institution, Washington, DC. Copyright © Aperture Foundation, Inc., Paul Strand Archive. Photograph: Art Resource, NY.

Modern Nature: Georgia O’Keeffe and Lake George

Georgia O’Keeffe (1887-1986) is one of America’s thumbtack artists, those whose posters are pinn...

Eric Van Hove. Laraki V12, 2013. Photograph: Harriet Thorpe.

Marrakech Biennale: fifth edition – Where are we now?

The fifth Marrakech Biennale takes place in locations across the city. Founded by Vanessa Branson in...

Michael Craig-Martin

Michael Craig-Martin has three exhibitions opening this month, one at Chatsworth House in Derbyshire...

Martin Creed with the newly refurbished Royal Festival Hall Organ, 2014. Photograph © Alastair Muir.

Martin Creed: interview

Martin Creed (b1968) became the Marmite subject of much art-world discussion when he won the Turner ...

Michael Snow. Times, 1979. Colour photograph, wood frame, 77 x 74 in. (195.6 x 188 cm).

Michael Snow: Photo-Centric

Michael Snow’s Times (1979) is a simple exercise in reproduction: a large photograph of one of the...

JMW Turner. Foot of St. Gothard, c.1842. Watercolour on paper. City Art Gallery, Leeds. The Bridgeman Art Library.

Making Painting: Helen Frankenthaler and JMW Turner

The first exhibition of 2014 at Turner Contemporary brings big canvases, bright colours and a return...

Boris Mikhailov. Untitled. Yesterday’s Sandwich (Superimposition series), 1968 – 1975. Chromogenic print, 59 x 39 ¼ inches (150 x 100 cm), edition of 4/5.

Mikhailov’s Russia: From Eden to Hell

Boris Mikhailov is perhaps the most prominent photographer to emerge from the former Soviet Union in...

Henri Matisse. Fanny de Face, 1914. Etching on chine applique, 6 1/4 x 2 3/8 in. © DACS.

Matisse: The Essence of Line, Selected Prints: 1900-1950

The draughtsmanship of Henri Matisse is celebrated by Marlborough Fine Art’s Matisse: The Essence ...

Mira Schendel. Portrait of the artist in London, 1966. Photograph © Clay Perry, England & Co Gallery.

Mira Schendel: “You shall see the difference now that I am back again”

Schendel (1919-88) settled in Brazil in 1949, a Jewish refugee from fascist Italy, becoming known as...

Isa Genzken. Untitled, 2012. © Isa Genzken Courtesy Hauser & Wirth, London and Galerie Buchholz, Berlin/Cologne.

Mad, Bad and Sad: Women and the Mind Doctors

Mad Bad and Sad: A History of Women and the Mind Doctors From 1800 to the Present, the Freud Museum ...

Nostalgic for the Future

We are at the Lisson Gallery, London, to see the group exhibition Nostalgic for the Future, shown ea...

René Magritte. La clairvoyance (Clairvoyance), 1936. Oil on canvas, 21 1/4 x 25 9/16″ (54 x 65 cm). Mr. and Mrs. Wilbur Ross. © Charly Herscovici - ADAGP – ARS, 2013.

Magritte's Lonely Art

There are few things I find more disturbing than René Magritte’s paintings. Somber, eerie and mel...

Tania Bruguera at the Museum of Modern Art in Rio de Janeiro. The Cuban installation and performance artist was a keynote speaker at the International Committee for Museums and Collections of Modern Art Conference (CIMAM) held in Brazil, August 2013.

Our voice as protagonist – a meeting with Tania Bruguera

The chatter of a roomful of museum workers turned to silence the minute Tania Bruguera walked into t...

Chen Rong. Nine Dragons (detail), 1244. Photograph © 2013 Museum of Fine Arts, Boston.

Masterpieces of Chinese Painting: 700-1900

The trouble with the Victoria and Albert Museum’s exhibition Chinese Masterpieces: 700-1900 is tha...

Mark Bradford. Biting the Book, 2013. Mixed media on canvas, 102 5/16 x 144 11/16 in (259.8 x 367.5 cm). © Mark Bradford. Photograph: Ben Westoby. Courtesy White Cube.

Mark Bradford: Through Darkest America by Truck and Tank

Very rarely does a show of new work by a contemporary artist deliver on its promise more fully than ...

Nick Relph. (What Are) The Means of Coming Back?, 2013. C-type print, framed, 122 x 76 cm. Commissioned by Chisenhale Gallery. Courtesy of the artist and Herald St, London. Photograph: Andy Keate.

Nick Relph: Tomorrow There Is No Recording

This solo exhibition marks a departure from Nick Relph’s 10-year collaboration with Oliver Payne....

Marisa Merz.  Installation view 1, Serpentine Gallery, London  (28 September - 10 November 2013)  © 2013 Luke Hayes.

Marisa Merz and Adrián Villar Rojas

In the Serpentine Sackler Gallery, the installation Today We Reboot The Planet offers the first UK e...

Guan Jingjing. Remnant mountain 13-04, 2013. Tempera on canvas, 80 x 80 cm.

Moving Beyond – Painting in China 2013

Of the many aspects that the exceptional Moving Beyond – Painting in China 2013 exhibition explore...

Man Ray

A major retrospective of Man Ray at the Scottish National Portrait Gallery in Edinburgh: a highlight...

Katharina Fritsch. Hahn/Cock, 2013. Fourth Plinth, Trafalgar Square, London. © Studio International.

Mayor Boris Johnson unveils large blue Hahn/Cock

Mayor of London Boris Johnson unveils Hahn/Cock by German artist Katharina Fritsch, the latest sculp...

Marino Auriti. Il Enciclopedico Palazzo del Mondo (The Encyclopaedic Palace of the World). At 11 feet high, the model’s 1:200 scale would translate to half a mile high. Photograph: Dorothy Feaver.

Outside In: 55th Venice Biennale

In the alleyways of Venice, street vendors are touting a new product – a globule of goo, which whe...

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