Naeem Mohaiemen: It is Not Necessary to Understand Everything

Tensta Konsthall is showing Bangladeshi artist Naeem Mohaiemen’s 2011 film, United Red Army, about...

Norman Hyams: ‘I very much believe in losing a painting and finding it’

Norman Hyams talked to Studio International about his painting process before the opening of his fir...

Marsden Hartley’s Maine

Capping a series of pioneering shows at the Met Breuer that, force majeure, will serve as the new wi...

Oliver Beer – interview: ‘We are very fortunate to live in a time when...

Oliver Beer uses sound, film and sculpture to explore the physical properties and emotional value of...

MOA Museum of Art: Grand Reopening Exhibition

The museum reopens its doors after a renovation by artist Hiroshi Sugimoto that combines modern tech...

Mahmoud Bakhshi: ‘I was focusing on the people who died, and on an artis...

Turning the gallery at narrative projects, London, into a 1970s cinema, Bakhshi places his audience ...

Michael Andrews: Earth Air Water

Best known for his party scenes, Michael Andrews’ later landscapes reveal him as a master of persp...

Mai-Thu Perret: ‘I had this urge to portray these female warriors’

The multi-disciplinary artist talks about her continuing fictional narrative The Crystal Frontier, h...

Maria Nepomuceno: ‘I want to create a place where people can be suspende...

Brazilian artist Maria Nepomuceno talks about her fascination with hammocks, her novel way of amalga...

Manifesto (by Julian Rosefeldt with Cate Blanchett)

This superb cinematic production, in which Cate Blanchett brilliantly conjures 13 varying personas, ...

Mette Edvardsen: ‘If forgetting is important, then so is remembering’

The dancer, choreographer and performer talks about memorising books and then retelling them, and ex...

Magnus Plessen: ‘I try to undo or confuse any preconceived ideas while w...

The German artist talks about his latest show at White Cube in London, which includes paintings done...

Maureen Gallace: ‘I wasn’t straining to do anything clever with such a...

For her third solo exhibition at Maureen Paley, London, the New York-based painter shows a group of ...

Olga Chernysheva: Vague Accent

This series of drawings depicting urban life in New York was made while Chernysheva was on a month-l...

Nicolás Herrera: ‘this mural is about life’

Studio International travelled to Cuenca, Ecuador, to talk to Nicolás Herrera about his new work, E...

Michelangelo Pistoletto: ‘The mirror is always part of one unique mirror...

In the startlingly altered states of Blenheim Palace, the multifarious Michelangelo Pistoletto spoke...

Meet the designers doing good this autumn in London

More than 400 events and installations from high-profile designers and rising stars were included in...

Michael Buthe

Combining elements of Christian iconography and ritual with artefacts from North African and orienta...

Nan Goldin: The Ballad of Sexual Dependency

The record, begun in the 1970s, of a 15-year period in Goldin’s life, is grounded in a specific pl...

Mårten Lange: ‘I wanted to make a story about something beyond the reac...

The photographer talks about his lifelong fascination with prehistory and his latest photobook, Chic...

Noble Prospects: Capability Brown and the Yorkshire Landscape

To mark the 300th anniversary of the birth of the great 18th-century landscape gardener, this exhibi...

Michael Joo: ‘I was taken by the fact that there was a space that was in...

The New York-based conceptual artist Michael Joo talks about growing up among scientists, what drew ...

Niki de Saint Phalle: Je Suis Une Vache Suisse

Despite traumatic experiences early on in life, Niki de Saint Phalle’s produced vivacious, playful...

Mariko Mori: ‘The ring is a symbol of oneness, completeness and eternity...

The artist talks about her mission to place site-specific artworks honouring nature on the six habit...