Manifesto (by Julian Rosefeldt with Cate Blanchett)
This superb cinematic production, in which Cate Blanchett brilliantly conjures 13 varying personas, ...
Mette Edvardsen: ‘If forgetting is important, then so is remembering’
The dancer, choreographer and performer talks about memorising books and then retelling them, and ex...
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Magnus Plessen: ‘I try to undo or confuse any preconceived ideas while w...
The German artist talks about his latest show at White Cube in London, which includes paintings done...
Monica Bonvicini: ‘It is not merely a display of sculptures and objects ...
The Italian artist talks about her survey show at Baltic and how bringing together her works in new ...
Maureen Gallace: ‘I wasn’t straining to do anything clever with such a...
For her third solo exhibition at Maureen Paley, London, the New York-based painter shows a group of ...
![Olga Chernysheva. Untitled [A Play…], 2016. Charcoal and collage on paper, 21 1/4 x 33 in (54 x 84 cm). Courtesy Gallery DIEHL, Berlin; Foxy Production, New York; and Pace London. Image © Olga Chernysheva.](/images/articles/c/chernysheva-olga-2016/smallpix/Untitled-A-Play-300.jpg)
Olga Chernysheva: Vague Accent
This series of drawings depicting urban life in New York was made while Chernysheva was on a month-l...
Nicolás Herrera: ‘this mural is about life’
Studio International travelled to Cuenca, Ecuador, to talk to Nicolás Herrera about his new work, E...
Michelangelo Pistoletto: ‘The mirror is always part of one unique mirror...
In the startlingly altered states of Blenheim Palace, the multifarious Michelangelo Pistoletto spoke...
Oscar Murillo: through patches of corn, wheat and mud
Canvases appear abandoned on the floor and wet paint suggest a state of un-finish, but the compositi...
Meet the designers doing good this autumn in London
More than 400 events and installations from high-profile designers and rising stars were included in...
Combining elements of Christian iconography and ritual with artefacts from North African and orienta...
Nan Goldin: The Ballad of Sexual Dependency
The record, begun in the 1970s, of a 15-year period in Goldin’s life, is grounded in a specific pl...
Mårten Lange: ‘I wanted to make a story about something beyond the reac...
The photographer talks about his lifelong fascination with prehistory and his latest photobook, Chic...
Megan Rooney – interview: ‘My mother taught me how to be a maker’
The artist talks about working with clay, birdseed, lipstick and papier-mache and about excess, drau...
Noble Prospects: Capability Brown and the Yorkshire Landscape
To mark the 300th anniversary of the birth of the great 18th-century landscape gardener, this exhibi...
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Michael Joo: ‘I was taken by the fact that there was a space that was in...
The New York-based conceptual artist Michael Joo talks about growing up among scientists, what drew ...
Niki de Saint Phalle: Je Suis Une Vache Suisse
Despite traumatic experiences early on in life, Niki de Saint Phalle’s produced vivacious, playful...
Mariko Mori: ‘The ring is a symbol of oneness, completeness and eternity...
The artist talks about her mission to place site-specific artworks honouring nature on the six habit...
Marie Yates: ‘In my view, everything is textual, and a text is visual’
A woman artist working conceptually with the landscape since the 1970s, Yates’s work has often bee...
A major retrospective showcases the work of multimedia Hungarian artist László Moholy-Nagy, who pi...
Manolo Valdés: ‘I only like apples if they look like Cezanne’s apples...
Like a magpie, taking fragments from works of art that he loves and reinterpreting them in new paint...
Concerned with the fundamental problem of the location of the body, both on canvas and in the world,...
Martine Syms: ‘I am interested in the idea of the gulf between your live...
The Los Angeles-based artist talks about semiotics, funkadelic Afrofuturism, and how to create a 90-...
Michael Benson: ‘Science is about trying to increase that zone of what w...
Benson fuses art and science to conjure spectacular images from raw data collected by Nasa and ESA. ...
Mark Fell: interview, Art Sheffield 2016
Mark Fell’s Structural Solutions to the Question of Being is being exhibited at The Link pub on th...
Martin Clark: interview, Art Sheffield 2016
Martin Clark, the director of Bergen Kunsthall, Norway, has created Art Sheffield 2016: Up, Down, To...
Despite the urban construction materials, the steel bars and concrete slabs, there is a strong sense...
Nico Vascellari: ‘I’m not interested in the rules or breaking them. I ...
The artist talks about how touring in a band influenced his work, despising morality in art, how we ...
Mark Wallinger: ‘Even the ugliest mark, with symmetry, gains some kind o...
After months of psychoanalysis, the Turner Prize-winning artist reveals something of his inner self ...
Michelle Stuart: Theatre of Memory – Photographic Works
For Stuart, each photograph matters in such a way that when we look at one or many of them, we sense...
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