British artist Oliver Beer (b1985) first trained as a musician at the Academy of Contemporary Music before studying fine art, graduating from Ruskin School of Art, University of Oxford, in 2009, so it’s no surprise that music and sound underpin his explorations of the world around us. One of the main strands of his work involves creating sound pieces from the unique physical properties of specific vessels and buildings; his site-specific compositions have been performed at the Pompidou Centre and the Palais de Tokyo, Paris, as well as in a monastery outside of Rome and in an ancient Turkish bathhouse (Call to Sound, 2015).
This year sees the opening of two major UK solo shows, one currently on at the Ikon Gallery, Birmingham, and another opening next month at the Thaddaeus Ropac Gallery, London. The first represents the fruition of a relationship with Ikon and its director Jonathan Watkins that goes back to 2008, when Watkins bought one of Beer’s graduate pieces (now permanently installed in the foyer). The most comprehensive exhibition to date, it incorporates film and sculpture, and includes a new work commissioned by the gallery, called Reanimation (I Wan’na be Like You, 2017), which is a recreation of a scene from Walt Disney’s The Jungle Book, but with each of the original 2,500 frames for the sequence broken down, sent out to 2,500 Birmingham schoolchildren, from early years to the age of 13, to copy, and then reassembled for the show. In this way, the work is a fleeting but distinctive journey through a generation of young individuals, and a celebration of the collaborative spirit of the original animation.
Beer has shown internationally, including at the Biennale de Lyon and Villa Arson, Nice, at MOMA PS1 and the Watermill Center, New York. He was awarded the Daiwa Art Prize in 2015, resulting in two solo shows in Tokyo.
Interview by VERONICA SIMPSON
Filmed by MARTIN KENNEDY
Callum Hüseyin – interview: ‘Music has the power to shock people in a way that statistics might not’
Taking as inspiration the stories of scientists, donors and patients and creating a breathtakingly beautiful – and, as yet, unfinished – piece of music, Hüseyin is collaborating with the Institute of Cancer Research and the Royal Philharmonic Orchestra to fundraise for a new building. His work will be completed only once the building is finished
Vic McEwan: ‘I played a paddle-steamer to an audience of 1,000 and used a hospital bed as a cello’
The artist Vic McEwan talks about his project on the swan hoppers of the Murrumbidgee river in Australia, and working with Alder Hey children’s hospital in Liverpool to consider the negative effects of high sound levels in wards. He hopes, he says, to engage the human experience and develop contemporary art forms