Archive - Results from #210

Published 30/11/-0001

Yinka Shonibare CBE: Suspended States

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Ipek Duben talking to Studio International at the opening of her exhibition, THEY/ONLAR, Fabrica, Brighton, 7 April 2017. Photograph: Martin Kennedy.

Ipek Duben: ‘I’m suggesting, with this project, that we should stop to...

Turkish artist Ipek Duben discusses her work THEY/ONLAR, a multiscreen video installation previously...

Gillian Wearing. Me as Cahun holding a mask of my face by Gillian Wearing, 2012. Courtesy the artist and Tanya Bonakdar Gallery, New York and Maureen Paley, London. Copyright: Gillian Wearing, courtesy Maureen Paley.

Gillian Wearing and Claude Cahun: Behind the Mask, Another Mask

Defying history, this exhibition reveals crucial parallels between the surrealist Cahun and contempo...

Helen Johnson. Bad debt, 2016. Acrylic on canvas, wood, 380 x 320 cm. Image courtesy of the artist.

Helen Johnson: ‘I wanted to resist presenting some sort of unified image...

Australian artist Helen Johnson’s new exhibition at the ICA in London re-examines Britain’s colo...

I Ata Doğruel, Endless Field, Zilberman Gallery Project Space, 19-20 February 2017. Courtesy of Performistanbul.

İ Ata Doğruel: ‘I want to destroy the limits between life and art’

Pushing his physical and mental boundaries to the limit, Doğruel seeks to make performances from hi...

Stephan Bogner, Philipp Schmitt and Jonas Voigt. Raising Robotic Natives, 2016 © Jonas Voigt.

Hello, Robot: Design Between Human and Machine

This exhibition is a provocative, disturbing, poignant and ultimately telling exploration of the imp...

Gluck. Medallion (YouWe) with frame, 1936. Oil on canvas, 30.5 x 35.6 cm. Ömer M. Koç Collection. Image courtesy of The Fine Art Society.

Gluck and Modern British Women

During her lifetime, Hannah Gluckstein (Gluck) refused to show in group exhibitions. The Fine Art So...

Hernan Bas. Preferring the out to the indoor night, 2010. Acrylic, airbrush, household gloss and block print on linen, 152.4 x 182.9 x 5.1 cm (60 x 72 x 2 in). © Hernan Bas. Photograph: Nicola Kuperus. Courtesy the artist and Victoria Miro, London.

House Work

The house and its potential as a home, a prison, a marker in one’s life, is fertile territory and ...

Hedy Ritterman speaking at the exhibition opening for One man in his time, Jewish Museum of Australia 2016-2017.

Hedy Ritterman: ‘My motivation was to confront mortality, identity and l...

Ritterman talks about how her current exhibition, which includes more than 700 of her late husband...

Gerasimos Floratos. TS Post-Up, 2016. Oil and acrylic on canvas, 172.7 x 243.8 cm (68 x 96 in). Photograph: Martin Parsekian. Courtesy: the artist and Pilar Corrias Gallery, London.

Gerasimos Floratos: Big Town

Gerasimos Floratos’s expressive paintings combine shapes and colour from his daily life in New Yor...

Hugo McCloud. behind it all I stood tall, 2016. Aluminum foil, aluminum coating and oil paint on tar paper, 97 7/8 x 79 in (248.6 x 200.7 cm). © Hugo McCloud, courtesy: Sean Kelly, New York.

Hugo McCloud: ‘I respect the beauty in the things that are overlooked’

The emerging artist Hugo McCloud, whose layered abstract paintings concentrate on process and materi...

George Ridgway talking to Studio International at the opening of Bloomberg New Contemporaries 2016, Institute of Contemporary Arts, London, London, November 2016. Photograph: Martin Kennedy.

George Ridgway: interview

George Ridgway graduated last year from the Glasgow School of Art. His work traverses painting and i...

James Ensor. Self-portrait with Flowered Hat, 1883. Oil on canvas, 76.5 x 61.5 cm. Mu.ZEE, Oostende. Photograph: MuZee © www.lukasweb.be - Art in Flanders vzw. Photograph: Hugo Maertens / © DACS 2016.

Intrigue: James Ensor by Luc Tuymans

Ensor’s star has remained dim in the UK. This small exhibition of his works, selected by fellow Be...

Stanley Spencer. Neighbours, 1936. © the artist's estate / Bridgeman Images. Courtesy Stanley Spencer Gallery, Cookham.

In Focus: Stanley Spencer – A Panorama of Life

This bite-size exhibition offers a concise but surprisingly thorough overview of the artist’s life...

György Jovánovics talking to Studio International at The Mayor Gallery, London, 5 October 2016. Photograph: Martin Kennedy.

György Jovánovics: ‘A relief shows a dynamic promise, which is more th...

The Hungarian neo-avant-garde relief artist unravels his enduring interest in the abstract possibili...

Helaine Blumenfeld. Seascape, 1983. Travertine, variable heights, maximum 54 cm, length 75 cm approximately.

Helaine Blumenfeld: ‘Beauty has no real meaning any more’

The sculptor talks about her ideas of beauty and pain, and how she learned to express these through ...

Left and centre: Gisueppe Penone, Five works from Indistinti confine, 2012-13. Marble, bronze, dimensions variable. Right: Giuseppe Penone, Dafne, 2015. Bronze, 287 x 116 x 100 cm. Courtesy of Marian Goodman Gallery.

Giuseppe Penone: Fui, Sarò, Non Sono

Although he may not initially seem to possess the radicalism of his arte povera contemporaries, the ...

Andrew Gillespie, AKA, 2016. Collage, 86 x 61.5 cm.

Image Music Text: Andrew Gillespie, Andrew Lacon, Joanne Masding

Nathaniel Pitt explains that he looked to the processes of artists, instead of the subjects of their...

Installation view of Marlene Dumas's works in Reading Prison. Photograph: © James Lingwood. Courtesy of Artangel.

Inside: Artists and Writers in Reading Prison

Since it was founded in 1985, cultural organisation Artangel has made a name for itself staging exhi...

Portrait of Guan Xiao, courtesy of the artist.

Guan Xiao: ‘I am learning about humour. It is a precious quality’

The artist talks about how the digital revolution has influenced her work, the roles of text and hum...

Matt Donovan & Hallie Siegel. and so it goes, 2016. Relief print, 195.6 x 43.2 cm (77 x 17 in), (quadriptych). Photograph: Patricia Farrelly.

History Machines by Donovan & Siegel

Toronto-based artist couple Matt Donavan and Hallie Siegel explore the history of changes in communi...

Georgia O’Keeffe

Tainted by the myth of erotic undertones, O’Keeffe’s work is shown by this long overdue retrospe...

Geoffrey Rigden. The Man Who Built The Pyramids, 2002–04. Acrylic on canvas, 75 x 90 cm. Photograph: © APT Gallery.

Geoffrey Rigden 1943-2016

Much here is from his house or studio, with a number of paintings stretched up for the first time si...

Georgiana Houghton. The Portrait of the Lord Jesus Christ, December 8th 1862. Watercolour on paper, 58 x 49 cm. Victorian Spiritualists' Union, Melbourne, Australia.

Georgiana Houghton: Spirit Drawings

She was an abstract painter out of time, a visionary and a maverick, but Georgiana Houghton was also...

Harland Miller. Back On The Worry Beads, 2016, Oil on canvas, 276 x 183 cm. Courtesy the artist and Blain Southern. Photograph: Peter Mallet.

Harland Miller: ‘Brevity is no strength of mine’

The writer and artist discusses Berlin, Bowie and alter egos, his show with Blain Southern, and why ...

Guillermo Kuitca

In this bold collection of paintings, the Argentinian artist demonstrates his “cubistoid” style,...

György Kovásznai. Large Yellow Composition (detail), 1982. Oil on canvas, 150 x 300 cm. Photograph: Kovásznai Research Workshop.

György Kovásznai: A Cold War Artist. Animation. Painting. Freedom

The first UK retrospective of the work of the Hungarian artist, film-maker and animator displayed hi...

Georg Baselitz. A poor future (Eine schlechte Zukunft), 2015. Oil on canvas, 118 1/8 x 114 3/16 in (300 x 290 cm). © Georg Baselitz. Photograph © Jochen Littkemann. Courtesy White Cube.

Georg Baselitz: Wir fahren aus (We’re off)

This major exhibition, the artists first major solo show at White Cube, includes new large-scale pai...

Gillian Wearing. © Gillian Wearing, courtesy Maureen Paley.

Gillian Wearing: ‘I don’t have any typical practice. Every project is ...

The artist talks about the ideas behind her latest film project, A Room With Your Views, which bring...

Glasgow International 2016

The biennial festival returns for its seventh edition with more than 220 contemporary artists from a...

Giovanni Cariani, Portrait of a Young Woman . Oil on panel, 52.5 x 42.8 cm. Museum of Fine Arts, Budapest. Photograph © Museum of Fine Arts, Budapest.

In the Age of Giorgione

This exhibition endeavours to pin down a phantom of art history, a man whose paintings are so elusiv...

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