Archive - Results from #210

Published 30/11/-0001

Karolina Albricht, Basil Beattie and Lizzie Munn – interviews: ‘What abstract painting means to me’

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Howard Hodgkin. Mrs Acton in Delhi, 1967–71. Oil on canvas, 122 x 148 cm. © Howard Hodgkin. Courtesy the artist and Gagosian.

Howard Hodgkin: Painting India

Radiating the heat and light of India, and expressing the artist’s love for the South Asian countr...

Henri Scars Struck: ‘It was interesting for me to have a physical space ...

Henri Scars Struck, the French music composer known for his meditative sonic experiences, discusses ...

Isaac Julien. Pas de Deux No. 2 (Looking for Langston Vintage Series), 1989/2016. Kodak Premier print, Diasec mounted on aluminium, 180 x 260 cm (70 7/8 x 102 3/8 in). Courtesy the artist and Victoria Miro, London. © Isaac Julien.

Isaac Julien: ‘I dream a world’ Looking for Langston

A new exhibition focusing on the Isaac Julien’s hugely significant 1989 film delves into what made...

Gregory Crewdson. Mother and Daughter, 2014. Digital pigment prints, 37 ½ × 50 in (95.25 × 127 cm). © Gregory Crewdson. Courtesy Gagosian Gallery.

Gregory Crewdson: ‘I wanted the photographs to feel like a suburban wind...

American photographer Gregory Crewdson talks about loneliness and connection in his work and, in par...

Grayson Perry. Death of a Working Hero, 2016. Tapestry. Courtesy the artist, Paragon Press and Victoria Miro, London, Photograph Stephen White © Grayson Perry.

Grayson Perry: The Most Popular Art Exhibition Ever!

This exhibition delivers everything you would expect from the colourful Grayson Perry, but it is als...

Star Wars, Episode IV: A New Hope (US 1977). Film still. Courtesy the Roger Grant Archive.

Into the Unknown: A Journey through Science Fiction

As we see from the Barbican’s science fiction exhibition, the genre has consistently looked to the...

Under the wave off Kanagawa (The Great Wave) from Thirty-six views of Mt Fuji. Colour woodblock, 1831. Acquisition supported by the Art Fund. © The Trustees of the British Museum.

Hokusai: Beyond the Great Wave

This exhibition brings to life the story of the Japanese artist Hokusai’s later, and arguably grea...

Geta Brătescu. Doamna Oliver în costum de călătorie (Lady Oliver in her travelling costume), 1980–2012. Black and white photograph. Courtesy Galerie Barbara Weiss, Berlin.

Geta Brătescu: The Studio – A Tireless, Ongoing Space

Camden Arts Centre’s exhibition provides an overview of Geta Brătescu’s artistic career and inc...

Chris Hondros. Photograph of Joseph Duo (2003), the commander of a band of child soldiers in the army of the then Liberian president, Charles Taylor. Courtesy Sunshine Sachs/Getty Images.

Greg Campbell: ‘I’d like people to get to know my friend a little thro...

Greg Campbell talks about his film Hondros, which premiered at the year’s Tribeca Film Festival, a...

Georgia Horgan. All Whores are Jacobites, installation view, 2017. Photograph: Ollie Hammick.

Georgia Horgan: ‘Confident, working women were a threat to the social or...

Georgia Horgan talks about her recent exhibition, All Whores are Jacobites, and how she became intri...

Giacometti

Alberto Giacometti’s scrawny figures pulse with kinetic energy. This new retrospective at Tate Mod...

Tony Heywood and Alison Condie. Head Land in situ at Jerwood Gallery, Hastings, 2017. Photograph: Emily Spicer.

Heywood and Condie: Head Land

Tony Heywood and Alison Condie’s ode to Hastings attempts to combine psychedelic sculpture with pl...

Ipek Duben talking to Studio International at the opening of her exhibition, THEY/ONLAR, Fabrica, Brighton, 7 April 2017. Photograph: Martin Kennedy.

Ipek Duben: ‘I’m suggesting, with this project, that we should stop to...

Turkish artist Ipek Duben discusses her work THEY/ONLAR, a multiscreen video installation previously...

Gillian Wearing. Me as Cahun holding a mask of my face by Gillian Wearing, 2012. Courtesy the artist and Tanya Bonakdar Gallery, New York and Maureen Paley, London. Copyright: Gillian Wearing, courtesy Maureen Paley.

Gillian Wearing and Claude Cahun: Behind the Mask, Another Mask

Defying history, this exhibition reveals crucial parallels between the surrealist Cahun and contempo...

Helen Johnson. Bad debt, 2016. Acrylic on canvas, wood, 380 x 320 cm. Image courtesy of the artist.

Helen Johnson: ‘I wanted to resist presenting some sort of unified image...

Australian artist Helen Johnson’s new exhibition at the ICA in London re-examines Britain’s colo...

I Ata Doğruel, Endless Field, Zilberman Gallery Project Space, 19-20 February 2017. Courtesy of Performistanbul.

İ Ata Doğruel: ‘I want to destroy the limits between life and art’

Pushing his physical and mental boundaries to the limit, Doğruel seeks to make performances from hi...

Stephan Bogner, Philipp Schmitt and Jonas Voigt. Raising Robotic Natives, 2016 © Jonas Voigt.

Hello, Robot: Design Between Human and Machine

This exhibition is a provocative, disturbing, poignant and ultimately telling exploration of the imp...

Gluck. Medallion (YouWe) with frame, 1936. Oil on canvas, 30.5 x 35.6 cm. Ömer M. Koç Collection. Image courtesy of The Fine Art Society.

Gluck and Modern British Women

During her lifetime, Hannah Gluckstein (Gluck) refused to show in group exhibitions. The Fine Art So...

Hernan Bas. Preferring the out to the indoor night, 2010. Acrylic, airbrush, household gloss and block print on linen, 152.4 x 182.9 x 5.1 cm (60 x 72 x 2 in). © Hernan Bas. Photograph: Nicola Kuperus. Courtesy the artist and Victoria Miro, London.

House Work

The house and its potential as a home, a prison, a marker in one’s life, is fertile territory and ...

Hedy Ritterman speaking at the exhibition opening for One man in his time, Jewish Museum of Australia 2016-2017.

Hedy Ritterman: ‘My motivation was to confront mortality, identity and l...

Ritterman talks about how her current exhibition, which includes more than 700 of her late husband...

Gerasimos Floratos. TS Post-Up, 2016. Oil and acrylic on canvas, 172.7 x 243.8 cm (68 x 96 in). Photograph: Martin Parsekian. Courtesy: the artist and Pilar Corrias Gallery, London.

Gerasimos Floratos: Big Town

Gerasimos Floratos’s expressive paintings combine shapes and colour from his daily life in New Yor...

Hugo McCloud. behind it all I stood tall, 2016. Aluminum foil, aluminum coating and oil paint on tar paper, 97 7/8 x 79 in (248.6 x 200.7 cm). © Hugo McCloud, courtesy: Sean Kelly, New York.

Hugo McCloud: ‘I respect the beauty in the things that are overlooked’

The emerging artist Hugo McCloud, whose layered abstract paintings concentrate on process and materi...

George Ridgway talking to Studio International at the opening of Bloomberg New Contemporaries 2016, Institute of Contemporary Arts, London, London, November 2016. Photograph: Martin Kennedy.

George Ridgway: interview

George Ridgway graduated last year from the Glasgow School of Art. His work traverses painting and i...

James Ensor. Self-portrait with Flowered Hat, 1883. Oil on canvas, 76.5 x 61.5 cm. Mu.ZEE, Oostende. Photograph: MuZee © www.lukasweb.be - Art in Flanders vzw. Photograph: Hugo Maertens / © DACS 2016.

Intrigue: James Ensor by Luc Tuymans

Ensor’s star has remained dim in the UK. This small exhibition of his works, selected by fellow Be...

Stanley Spencer. Neighbours, 1936. © the artist's estate / Bridgeman Images. Courtesy Stanley Spencer Gallery, Cookham.

In Focus: Stanley Spencer – A Panorama of Life

This bite-size exhibition offers a concise but surprisingly thorough overview of the artist’s life...

György Jovánovics talking to Studio International at The Mayor Gallery, London, 5 October 2016. Photograph: Martin Kennedy.

György Jovánovics: ‘A relief shows a dynamic promise, which is more th...

The Hungarian neo-avant-garde relief artist unravels his enduring interest in the abstract possibili...

Helaine Blumenfeld. Seascape, 1983. Travertine, variable heights, maximum 54 cm, length 75 cm approximately.

Helaine Blumenfeld: ‘Beauty has no real meaning any more’

The sculptor talks about her ideas of beauty and pain, and how she learned to express these through ...

Left and centre: Gisueppe Penone, Five works from Indistinti confine, 2012-13. Marble, bronze, dimensions variable. Right: Giuseppe Penone, Dafne, 2015. Bronze, 287 x 116 x 100 cm. Courtesy of Marian Goodman Gallery.

Giuseppe Penone: Fui, Sarò, Non Sono

Although he may not initially seem to possess the radicalism of his arte povera contemporaries, the ...

Andrew Gillespie, AKA, 2016. Collage, 86 x 61.5 cm.

Image Music Text: Andrew Gillespie, Andrew Lacon, Joanne Masding

Nathaniel Pitt explains that he looked to the processes of artists, instead of the subjects of their...

Installation view of Marlene Dumas's works in Reading Prison. Photograph: © James Lingwood. Courtesy of Artangel.

Inside: Artists and Writers in Reading Prison

Since it was founded in 1985, cultural organisation Artangel has made a name for itself staging exhi...

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