I am Ashurbanipal: King of the World, King of Assyria

I am Ashurbanipal tells the story of an educated Assyrian king with a brutal streak...

Henrike Naumann: ‘I really see fascism in the furniture’

Naumann’s careful recreations of 1990s living spaces explore how sudden social and economic change...

Goldsmiths Centre For Contemporary Art

The Turner Prize-winning architectural collective Assemble has transformed an old bathhouse into a c...

Ian Davenport: Colourscapes

The artist discusses works done over the past year, now at Waddington Custot, London, as well as the...

Glenstone extension opens: Power and control yield irrepressible beauty

Mitchell and Emily Rales’s $125m extension of Glenstone – due to open on 4 October – makes it ...

In Pursuit of Elusive Horizons

This tightly focused group exhibition explores the human impact on our environment...

Gustav Klimt: Artist of the Century and Egon Schiele: The Jubilee Show

The Leopold Museum in Vienna celebrates the work of two of its greatest painters, Gustav Klimt and E...

Intersection: International Art and Culture

In celebration of its 25th anniversary, the Arthur M Sackler Museum of Art and Archaeology at Peking...

Giacometti

This thoughtful and revealing survey of an artist the Guggenheim exhibited in 1955 with Giacometti...

Helen Beard: interview

Helen Beard’s striking and marvellously simplified, flat colour images, take you by surprise in a ...

Harriet Middleton-Baker: ‘I enjoy the potential for opera to be seriousl...

The artist talks about unpicking the story of William Hogarth’s A Harlot’s Progress and using he...

Glasgow International Festival 2018

The largest festival for contemporary visual art in Scotland, the eighth Glasgow International, unde...

Helen and Kate Storey: Neurogenesis – From Neuron Birth to All That We A...

An interdisciplinary and collaborative exhibition that fuses art, fashion and cell imaging to share ...

Ingela Ihrman: We Thrive

The Swedish artist’s works and her theatrical pieces – which include a giant hogweed, a giant ot...

Giorgio Griffa: A Continuous Becoming

With references to the Fibonacci sequence and the golden ratio, Griffa’s paintings are works to pu...

Glenn Brown: Come to Dust

In a hulking presentation at Gagosian, the painter laureate of putrefaction continues to moulder old...

Gianfranco Baruchello: Incidents of Lesser Account

Raven Row reopened with a major survey of Gianfranco Baruchello, a rambunctious and polymathic maste...

Impressionists in London, French Artists in Exile (1870-1904)

This exhibition lacks coherence and has little to say about the influence British artists had on the...

Grace Weir: ‘I often think through the camera’

In Irish film artist Grace Weir’s latest exhibition, Unfolded, past and present, the real and repr...

Ilya and Emilia Kabakov: Not Everyone Will Be Taken Into the Future

This first large-scale British retrospective of work by the US-based Russian installation artists Il...

It’s How Well You Bounce

In the grounds of the UK’s first hospital to treat people with mental illness, lie a fascinating m...

Gerfried Stocker: ‘The first time I went to Ars Electronica Festival was...

Gerfried Stocker talks about going from being a media artist influenced by Ars Electronica to becomi...

Godwin Bradbeer: ‘the work must have both physical presence and an enigm...

Bradbeer talks about his technique, why he works on a large scale and what drawing means to him – ...

Hannah Quinlan and Rosie Hastings: ‘Our work poses questions that bridge...

The collaborative duo talk about their film UK Gay Bar Directory, which is showing at the Walker Art...