Feminine Power: The Divine to the Demonic
From goddesses and saints to demons, spirits and witches, from ancient to modern, this phenomenal ex...
Found Cities, Lost Objects: Women in the City
Lubaina Himid curates this sprawling and powerful group show exploring cities as seen and experience...
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An audiovisual exhibition that joins the dots between contemporary art, electronic music and technol...
Eduardo Kac – interview: ‘There is nothing on paper. All the works are...
Known for naming the domain of ‘bio-art’ and for his creation of a ‘green glowing bunny’, Ed...
Ettore Spalletti: Works on paper, editions and books
A treasure trove of an exhibition surveys the late Italian master Ettore Spalletti’s exploration o...
Deutsche Börse Photography Foundation Prize 2022
Among a high-impact shortlist for this year’s prize, Anastasia Samoylova’s photographs of an apo...
He was one of the most influential Italian abstract artists of his time, and the raw energy of Vedov...
David Diao: Berlin Chair in Pieces
Diao presents us with 13 new sumptuous paintings, all of which were inspired by the deconstructed pa...
With her playful but disturbing critique of exploitative working practices, Danielle Dean takes the ...
Every Ocean Hughes: One Big Bag
A young death doula sets out the tools of her ‘mobile corpse kit’, as she explains how she looks...
The raw power of the works in this show, in which we see Francis Bacon’s fascination with animals ...
The fascinating Italian modernist Fausto Melotti discovers his humanity through theatre...
Flesh Arranges Itself Differently
Drawing from two remarkable collections of contemporary art and medical and scientific discovery, th...
Donna Huddleston – video interview: ‘I was thinking of all the works b...
Donna Huddleston talks about her beguiling new works on paper, for which she draws on her background...
The Amsterdam-based duo combine art and technology in installations that work with light and movemen...
Expansive, exuberant and looking as fresh as if they had just been made, the five works on show here...
Inspired by St Ives painters such as Ben Nicholson and Alfred Wallis, Danny Fox paints his home town...
Dürer’s Journeys: Travels of a Renaissance Artist
Albrecht Dürer was a great traveller, visiting the Alps, Italy and the Low Countries. This exhibiti...
Emeka Ogboh – interview: ‘I want listeners to be transported to Lagos....
As his latest show, at the Gropius Bau in Berlin, explores his Igbo heritage, Emeka Ogboh explains w...
Cousin’s paintings are named after childhood games, but the contorted life-sized figures and faces...
Doron Langberg – interview: ‘There's this rush of empathy and emotion...
As his first London gallery show opens, Doron Langberg, the Brooklyn-based artist, talks intimacy, i...
A snappy group show offers a snapshot of Hungarian art today, as filtered through the influence of t...
Folkestone Triennial 2021: The Plot
This is the town’s fifth triennial, an ambitious and remarkable event, but has the money ploughed ...
![Eduardo Chillida with Lo profundo es el aire, Estela IX [How Pround is the Air; Stele IX], 1989. Granite. Photo: Jordi Belver. © Zabalaga Leku. San Sebastián, VEGAP (2021). Courtesy of the Estate of Eduardo Chillida and Hauser & Wirth.](/images/articles/c/026-chillida-eduardo-2021/smallpix/10-300.jpg)
The Basque sculptor’s geometry-defying, spatially expansive works fit snugly into the barns and gr...
Ellen Gallagher: Ecstatic Draught of Fishes
Gallagher takes the viewer down into her watery world, where mythology, history and nature collide, ...
Exhibition Cuttings, curated by Mathieu Copeland
Copeland challenges the usual perceptions of what an exhibition should be. Here he explores the idea...
Enough Is Definitely Enough – book review
As this captivating book shows, when Andrew Bracey asked 62 contemporary artists for their interpret...
A packed retrospective of the surrealist fellow-traveller spirals off in all sort of directions, off...
El Anatsui: Art and Life – book review
Susan Mullin is both an expert on and a friend to the Ghanaian sculptor El Anatsui. This second edit...
Epilogue: Michael West’s Monochrome Climax
West’s willingness to take risks and reject stylistic uniformity shines through in this exhibition...
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