Eileen Hogan: ‘I find out what really matters to me through working from...
The artist talks about being taught to draw in two very different ways by Euan Uglow and Frank Auerb...
Dineo Seshee Bopape: slow -co- ruption
For the artist’s first UK solo exhibition, she combines experimental video works and sculptural in...
Derek Michael Besant: ‘A stitching together of each person’s voice all...
The artist talks about his project, which involved 50 strangers from Scotland’s capital city sendi...
Facing History: Contemporary Portraiture
This show looks at how contemporary artists are influenced by the past as they seek to represent the...
Echigo Tsumari Art Triennale 2015
Japan’s contemporary art festival, the Echigo-Tsumari Art Triennale, despite being held in a regio...
Eloise Hawser: ‘This machine is all about contact and resistance’
The artist explains the complex mechanisms of a cinema organ and its colour-changer to Studio Intern...
Emma Cousin: ‘Humour is the most important thing’
Studio International visited Transition Gallery in east London to speak to Cousin about painting, in...
Fighting History, an exhibition examining 250 years of history painting, has received a torrent of a...
Eileen Cooper: ‘Artists are real sponges. We take things and absorb them...
The artist talks about having a retrospective at the Royal Academy at the same time as showing in it...
Buzz bubbled to the surface at Frieze New York’s fourth outing, where there were discoveries and d...
Fiona Tan explores domestic environments through video and installation across two parallel exhibiti...
This show, while not shedding new light on Francis Bacon himself, does paint a picture of a very res...
Defining Beauty: The Body in Ancient Greek Art
The ancient Greeks are held up as the epitome of reason and measured beauty. But, as the British Mus...
Frances Walker: ‘For me, art is all about being able to communicate with...
The Scottish painter Frances Walker, now in her 80s, talks about her time as an art teacher, her fas...
Diana Thater: ‘When someone walks in, they are part of the work. They’...
US new media artist Diana Thater explains what drew her to the subject of her latest work, the monke...
Daniel Zolli: ‘Competition was in the air these sculptors breathed. It c...
As the Museum of Biblical Art hosts this momentous exhibition of renaissance masterpieces, co-curato...
Five Issues of Studio International at Raven Row
Studio international visited Raven Row in East London to talk to writer and curator Jo Melvin about ...
Florian and Michael Quistrebert: Visions of Void
This beautifully drafted exhibition by the Quistrebert brothers is focused, enthralling and atmosphe...
David Best: ‘My favourite material is people’
Known for the temples he builds for the Burning Man event in Nevada, David Best has this year brough...
Drawing as the catalyst for contemporary printmaking in the UK
We look at how printmaking has influenced the work of Arthur Watson, Paul Coldwell, Christopher Le B...
This double offering explores the concept of identity through portraits in two opposing media and ag...
The work of the Vietnamese-born Danish artist Danh Vō explores colonialism and nationalism through ...
This exhibition of Swiss artist David Weiss looks at the years before he and Peter Fischli became a ...
Fernanda Chieco: ‘I go searching for stories’
The Brazilian artist talks about art residency programmes, and how one led her to look at haunted ho...
David Birkin, Mouths at the Invisible Event
David Birkin makes socially and politically motivated art that is thought-provoking and challenging....
Frederick Wiseman: ‘National Gallery shows more about the ambivalence, d...
The American film-maker Frederick Wiseman talks about his latest documentary, a portrait of the Nati...
David Altmejd: ‘I believe in the power that art has to generate meaning...
Canadian artist David Altmejd, known for his fantastical sculptures and installations, discusses his...
Dan Coombs: ‘Art is grounded in reaching for the real’
The artist talks about how he hoped his recent exhibition, Suspicion, would answer his 20-year quest...
Franklin Sirmans: ‘You should be able to smell, hear and taste New Orlea...
Franklin Sirmans, artistic director of the New Orleans biennial Prospect.3: Notes for Now, on the bo...
Faig Ahmed: ‘Collision of old and new is one of the concepts in my works...
The Azerbaijani artist Faig Ahmed talks about his exhibition Fluid Forms, how he reinterprets the pr...
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