Donna Huanca: ‘Memory is perhaps the most permanent architecture’

The Chicago-born artist discusses shedding skin, the idea of permanence, and being involved in Manif...

Daubigny, Monet, Van Gogh: Impressions of Landscape

A trail-blazing artist, largely lost from sight, is brought back into the limelight in this excellen...

Elpida Hadzi-Vasileva: ‘I am driven by making the impossible possible’

The artist, who makes beautiful works of art using waste products from the meat industry talks about...

Dialogue with Trees: Five Stories of Rebirth and Renewal

To celebrate its 90th birthday, the Tokyo Metropolitan Art Museum is staging an exhibition of works ...

Douglas Kotwall: ‘We want to incubate young, contemporary Chinese artist...

Kotwall, a senior member of the K11 Art Foundation, talks about the ethos and goals of the organisat...

Forest of Expression: Art as a Communal Act

Eight projects explore how art and expressing ideas and emotions can help those on the fringes of so...

Daniel Sinsel

A pulse of eroticism runs through this collection of Sinsel’s new work, as he teases the distincti...

Dana Schutz: ‘I think of the viewer as the painter’

The artist talks about deciding to become a painter when she was 14, how Alice Neel and the Velvet U...

Francesca Pasquali: ‘I have a contemporary view of art, so I want to dra...

The Bolognese artist uses everyday materials and plastics to replicate natural folds and textures in...

David Hockney RA: 82 Portraits and 1 Still Life

The brightly coloured faces lining the walls of this exhibition show a human fascination with people...

Dóra Maurer: ‘My work has been based on change, shifting, traces, tempo...

As a new exhibition surveys her 50-years career, the Hungarian artist talks about colour, maths and ...

Ella Kruglyanskaya

Colourful, cartoonesque depictions of curvaceous, sassy women people the Latvian artist’s painting...

Fox Talbot: Dawn of the Photograph

This exhibition tells the story of the birth of photography, exploring the vision of the Victorian i...

Elizabeth Price: ‘I’m interested in music and the voice because it bri...

Studio International visited the artist in her studio in south-east London to talk to her about her ...

Ettore Spalletti: Every dawn, is first / Ogni alba, è la prima

His voice is singular, his pieces united in simplicity: painted columnar forms that point to classic...

David Claerbout: ‘I sculpt in duration’

The artist talks about duration, place and history in his practice, and how he sees his way of worki...

From the Collection: 1960-1969

From a shiny Jaguar E-Type, explosions of colour and a trip through a more muted palette, MoMA has s...

François Morellet: ‘Art is frivolous even when it takes itself seriousl...

Two exhibitions by François Morellet, at London’s Mayor Gallery and Annely Juda Fine Art, mark th...

Das Institut

Creative duo Kerstin Brätsch and Adele Röder’s transformative installation at the Serpentine Sac...

Eighth Asia Pacific Triennial of Contemporary Art (APT8)

Emphasising postcolonial themes of displacement, migration and return, privilege and exploitation, A...

Francesca Woodman: On Being An Angel

Influenced by surrealism and the Gothic revival, as well as speaking to the contemporary 1970s femin...

Emilia Kabakov: ‘The idea behind this work is that reality can never bee...

Emilia Kabakov, who collaborates with her husband, Russian conceptual artist Ilya Kabakov, talks abo...

Eva Langret: ‘As more and more exhibitions are produced in Africa, by Af...

Eva Langret, head of exhibitions for London’s Tiwani Contemporary gallery, discusses the current s...

Elisabeth Frink: The Presence of Sculpture

Focusing, for the first time, on the challenges of making work, on the one hand privately and, on th...