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Published  30/11/-0001
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Frieder Nake, interview

Frieder Nake’s work is from 1965, a pioneering example of computer art in which the image is wholl...

Edward Bawden

The Dulwich Picture Gallery examines the vibrant world of Edward Bawden with a typically joyous exhi...

David Chipperfield: ‘Architecture shouldn’t exist on its own. There is...

Fresh from his transformation of the Royal Academy of Arts, David Chipperfield talks about architect...

Etel Adnan

In a bold juxtaposition with works by Paul Klee, the oil paintings, poems, carpets and tapestries of...

Dorothea Lange: Politics of Seeing

A photographer of fierce resolve and compassion, Dorothea Lange knew how to capture the very essence...

Eve Fowler: ‘Stein’s work really affected me’

The artist talks about her latest exhibition, What a slight, what a sound, what a universal shudder,...

Eleanor Pinfield: ‘London – and London Underground - deserves to have ...

Pinfield is Head of Art on the Underground, which has commissioned work by Cindy Sherman, David Shri...

David Cross: ‘Art is what fills the gap between how the world is and how...

A reader at the University of the Arts London, Cross talks about his struggle to persuade the univer...

Eugène Delacroix (1798-1863)

A colossal retrospective at the Louvre liberates the French romantic from his early history painting...

Fergus McCaffrey Gallery opens in Japan

Since founding his New York gallery in 2006, Fergus McCaffrey has been instrumental in introducing p...

Ettore Spalletti: ‘A yellow can lead me so far away into the light that ...

On the opening of his exhibition at the Galerie Marian Goodman, the Italian artist recounts his ritu...

Dallas Art Fair

The 10th edition of the major art showcase was an affirmation of the city’s commitment to visual c...

Fashioned from Nature

As environmental changes affect more areas of the world, our lifestyles need to be more sustainable....

David Shrigley: ‘The quality of the work for me is about avoiding contri...

David Shrigley talks about his large-scale installation Life Model II at Fabrica Gallery in Brighton...

Emil Nolde: Colour Is Life

With a riot of vibrant colours, German expressionist painter and printmaker Emil Nolde brings to lif...

David Hockney: Something New in Painting (and Photography) [and even Print...

Coming off Hockney’s stunning retrospective at the Metropolitan Museum of Art celebrating his 80th...

Dawn Mellor: ‘It is not surprising that activism and resentments due to ...

Dawn Mellor, best-known for her parodic portraits of celebrities, talks about taking a year of from ...

Evelyn Hankins: ‘Mark Bradford’s project directly challenges the idea ...

Hankins, senior curator at the Hirshhorn museum, explains how a collaboration with Mark Bradford led...

David Milne: Modern Painting

An exhibition of work by the Canadian painter David Milne charts his progression from depictions of ...

Encountering the Buddha and the Kandell Tibetan Buddhist Shrine Room – a...

The curator talks about Encountering the Buddha: Art and Practice Across Asia, the current exhibitio...

Edmund Clark: ‘The intervention, the control, the censorship is part of ...

Edmund Clark discusses his recent residency at the UK’s only wholly therapeutic prison, HMP Grendo...

From Life

This exhibition sets out to explore the significance of life drawing and the life class in art pract...

From Ear to Ear to Eye: Sounds and Stories From Across the Arab World

This powerful show fuses art and music in an attempt to open ears and eyes to life in the Arab world...

Future Shock

An exhibition of works by a group of international artists, Future Shock looks at the profound impac...

Dan Colen – Sweet Liberty

From glass whoopee cushions to a vast US flag to cartoon characters, Colen’s works, which use ever...

David Hartt: In the forest

In his filmic and photographic portraits of architect Moshe Safdie’s abandoned 1968 housing projec...

Expo Chicago 2017

An ambitious Expo Chicago showed positive signs of a refined personality, an adventurous pioneering ...

From the Vapor of Gasoline

This exhibition is a lively collection of works from a group of impressive and challenging artists, ...

Delirious: Art at the Limits of Reason 1950-1980

At the risk of exposing the theme show as a curatorial conceit, this selection of work produced in t...

Folkestone Triennial 2017

The fourth triennial outing for this slowly regenerating UK seaside town sees curator Lewis Biggs in...

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