Formafantasma: Cambio

From an ancient forest to an Ikea stool, from musical instruments to makeup brushes, Andrea Trimarch...

David Hockney: Drawing from Life

In the first major exhibition of David Hockney’s drawings for 20 years, a focus on just a handful ...

Denzil Forrester – interview: ‘I needed that dark space to bring out t...

Studio International spoke with Forrester at the opening of Itchin & Scratchin, his first major solo...

David Reed: New Paintings

In his second solo show with Gagosian, Reed displays his many strengths in 15 new and impressive wor...

Expressive Art in the Early 20th Century

This is a small but moving display that, 75 years after the Holocaust, reminds us of the need for co...

Darren Waterston – interview: ‘My normal studio practice is quite mona...

Studio International spoke to Waterston ahead of the opening of his installation Filthy Lucre: Whist...

Francesco Clemente: Pastels

A career-spanning selection of pastels by the transavantguardia stalwart is best when at its most wh...

Eco-Visionaries

This Royal Academy exhibition addresses a planet in a state of emergency with a range of artists and...

Edmund de Waal – interview: ‘The great thing about a library is that, ...

The British artist and author talks about his many exhibitions this year, including his work for the...

David Smith: Field Work

This is a compelling show that reminds us that, though known best for his welded-steel sculptures, S...

Danh Vo: Untitled

Gathering together constellations of objects and artworks, the Danish artist’s largest UK exhibiti...

David Roberts Art Foundation’s Evening of Performances

Haroon Mirza, Jack Jelfs, Gaika and Hannah Perry were among nine international artists performing to...

David Nash – interview: ‘The world of nature, the environment, weather...

David Nash, the Welsh-based land artist, talks of his early years, the evolution of his process, the...

Doug Aitken: Return to the Real

A humming, interconnected series of unsettling yet eerily beautiful works explores our place in a wo...

Esther Pearl Watson – interview: ‘I really search out moments of awkwa...

The Los Angeles-based painter presents an offbeat world that reflects on a distinctly American kind ...

Dóra Maurer

This is a fascinating insight into the joyous experimental work of this Hungarian-born artist, who s...

David Batchelor: My Own Private Bauhaus

Batchelor’s playful exploration of colour through sculpture, installation and painting pays tribut...

David Wojnarowicz: History Keeps Me Awake at Night

A comprehensive survey of the impassioned American artist and writer proves his relevance then and n...

Fra Angelico and the Rise of the Florentine Renaissance

An exquisite exhibition at the Prado reveals the most joyous and serene of Italian artists as a pivo...

France-Lise McGurn – interview: ‘I think I’ve got a certain aestheti...

McGurn talks about motherhood, sleeplessness and strangeness in Glasgow, Berlin and Ibiza, and how t...

Francesc Ruiz – interview: ‘In the realm of drawing, a place of fantas...

The artist talks about his alternative porn installation, House of Fun, now on at Norway’s Momentu...

David Lewis, Billy Gerard Frank: Epic Memory – Venice Biennale 2019

Two quite different artists who have distinct and diverse relationships with the islands of Grenada ...

Ekaterina Degot – interview: ‘We now have an abyss on all fronts – e...

Degot discusses Steirischer Herbst, an annual art festival held in Graz, Austria. Last year, her fir...

Dulwich Pavilion 2019: The Colour Palace

The Colour Palace is a monumental temporary pavilion by artist Yinka Ilori and architects Pricegore,...