AlanJames Burns: ‘I’m embedding the cave with an assumed consciousness...

Burns guides us around the cave where his latest installation is taking place and explains that, his...

Bartolomé Bermejo: Master of the Spanish Renaissance

A display of paintings by Spanish Renaissance painter Bartolomé Bermejo forms a picture of religiou...

Bertille Bak – interview: ‘The world of art is a territory capable of ...

At the Merz Foundation in Turin, on the occasion of its third art prize, Bertille Bak reflects on a ...

Anthony Luvera – interview: ‘Photography is a way of telling stories a...

Luvera is the editor of Photography for Whom?, a new journal focusing on community photography proje...

Alberto Giacometti: A Line Through Time

This remarkable show traces Giacometti’s artistic career, displaying his works alongside those of ...

Botanic: National Amalgamation Project

Iranian artist Maryam Najd talks about her exhibition at the Arthur M Sackler Museum of Art and Arch...

Cut and Paste: 400 Years of Collage

This show explores the ways in which collage has been used to create work that is, by turns, playful...

Alvaro Barrington – interview: ‘When you look at my paintings, you’r...

The New York-based painter talks about the artists he steals from, integrating his lived experience ...

Callum Hüseyin – interview: ‘Music has the power to shock people in a...

Taking as inspiration the stories of scientists, donors and patients and creating a breathtakingly b...

Cindy Sherman

Sherman was fascinated by the ambiguous nature of appearances and she throws out clues to entice vie...

Cutting Edge: Modernist British Printmaking

Dulwich Picture Gallery shines a well-deserved spotlight on an almost-forgotten era of future-facing...

Andrea Luka Zimmerman – interview: ‘This is how I work in films, it’...

Luka Zimmerman talks about her interest in people on the margins, her collaborative process, and tha...

A Backward Glance: Giorgio Morandi and the Old Masters

The early 20th-century painter known for his devotion to still lifes is held up next to the artists ...

AI: More than Human

With AI seeping into all our lives, the Barbican should be congratulated for tackling such a prescie...

Andrew Marr – interview: ‘Everybody is angry and upset. We’ve messed...

The broadcaster, writer and former BBC political editor talks about how his painting and drawing pra...

Casey Reas – interview: ‘There is an increased understanding that soft...

Reas is known as the man who helped to create the open-source programming language Processing and br...

Angelica Mesiti – interview: ‘I really want to maintain ambiguity and ...

Representing the Australian Pavilion at this year’s Venice Biennale, Angelica Mesiti is showing a ...

Chihuly at Kew: Reflections on Nature

As an artist who seeks to create works that appear as if they came from nature, placing intervention...

Antonello da Messina

A must-see exhibition at Milan’s Palazzo Reale unites two-thirds of the surviving paintings by Sic...

Aliza Nisenbaum – interview: ‘I was torn between wanting to be a socia...

The Mexican-born, New York-based artist talks about her first UK public commission, a mural at Brixt...

Allan Sekula: Photography, A Wonderfully Inadequate Medium

A career-spanning presentation of the late photographer and theorist shows an artist redefining the ...

Anne Imhof: Sex

Spending four hours at Imhof’s live works is like Waiting for Godot, for the slacker generation. T...

Biosphere – The Shed at Hudson Yards opens

Pioneering and Olympian, a $475m arts centre anchoring the south end of a shiny new enclave on Manha...

Barby Asante – interview: ‘There was real pleasure running through the...

With Declaration of Independence at the Baltic, Asante makes space for womxn of colour to relate nar...