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This show pays homage to the remarkable legacy of 10 artists who left their Scottish homeland to achieve success, becoming immersed in international developments in art in London, Paris and New York.
She was an aristocrat sculpting voluptuous female figures, he a working-class maker of scrap metal kinetic sculptures – but their tumultuous personal relationship and creative collaborations endured.
Inviting others to write a letter about their grief, and responding to each with a drawing, was the starting point for Natalia Millman to process her own loss.
A fine-tuned pocket survey celebrates the influential French realist painter, who imbued scenes of rural life with monumental stature.
On the occasion of Networked, his show at Gazelli Art House, London, the pioneering computer artist talks about his practice over the past 60 years and his latest work, Quantum Tango – and offers advice to artists wanting to follow in his footsteps.
A skating ramp, an invitation to paint the floor, a glowing tent-like structure – this ambitious joyful exhibition carves out a place in art history for work made for children.
A thorough introduction to and overview of a fascinating artist who has been far too overlooked. The focus on this decade brings to the fore Scott’s paradoxical sculptures and horizontal Brâncuși-ism.
Sorcha Carey’s first outing as curator of the Folkestone Triennial turns its sixth iteration into a subtle but no less powerful meditation on this distinctive coastal terrain, and the impacts of climate and human activity here and further afield.
New paintings by the American artist, now 87, make their debut in this exhibition in Zurich.
Drawing on correspondence between the writer Sophie Brzeska and the artist Nina Hamnett as well as Himid and Stawarska’s interactions with one another, the artists’ wit and ingenuity shines through.
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Collaborating with craftspeople from around the world, Lee incorporates traditional techniques into elegant works that engage the eyes and the imagination.
The multidisciplinary artist talks about her first solo exhibition in Spain, at Hauser & Wirth Menorca, and discusses the importance of materials, how her works develop in dialogue with her thoughts and visions, and why she no longer blurs fact and fiction.
This small but insightful show puts the spotlight on a microcosm within Berlin’s art world at the turn of the 19th century by presenting the art collectors Felicie and Carl Bernstein and their contribution to establishing French impressionism in Germany.
Large installations, paintings on silk, fabric sculptures and drawings convey the connection between the specific and the universal and between life and death. Talbot tells us how myth, tragedy and politics colour her magical world.
To mark its 40th birthday, Ditchling Museum of Art + Craft is hosting an exhibition all about reaching out: within its collection to rarely exhibited objects; to villagers past and present; to those with access or sensory needs; and to survivors of abuse, with a mind to sensitively and informedly displaying its Eric Gill works.
From the architecture of an old hilltop city in Turkey to the demolished Heygate Estate in south London, Nelson’s interest in entropic landscapes weaves through this exhibition like a guiding thread.
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This astounding show brings together the very best of an incomparable artist: absorbing, transcendent, sublime.
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From a mother bathing her children to cleaners working at the gallery, Salmon gives voice to a diverse group of residents in Glasgow’s Maryhill and Kelvinside –work that, for me, has a personal poignancy.
Rapping fruit, legendary birds and nail art feature in the UK debut of the Berlin-based collective Slavs and Tatars.
From Sheila Hicks’s gemstone-like sculptures to Elizabeth Price’s video essay on modernist Catholic churches, 30 artists respond to the theme of this year’s Liverpool Biennial, ‘bedrock’.
Karikis explains the ideas behind his new sound and video installation calling for action against climate change, on which he has collaborated with the SHE cooperative choir for women and non-binary people.
Two concurrent exhibitions bring special collections into broader spaces of circulation, highlighting print’s enduring role as a medium of collective expression and firmly placing a new era of zine-making and independent, small-press publishing within a radical multigenerational continuum.
Focusing on the skills of wallpaper design and embroidery, this exhibition tells the story of the “remarkable” woman at the helm of Morris & Co.
