search
Published  30/11/-0001
Share:  

Arte Povera at Tate Modern

Although hardly a 'movement' in the conventional sense, Arte Povera has stayed in the mind of a ...

Rembrandt's Women

A curiously gauche title this, for a great coup of an exhibition....

RIBA in Ecstasy: British Architectural Awards 2001

RIBA Awards 2001 – Ecstasy and fatigue, according to neuro-psychologist Richard Gregory, go togeth...

Patrick Heron: the growing legacy of genius

The work of Patrick Heron is bound up with what is probably the most crucial series of events in Bri...

Ken Kiff: obituary

The world of the imagination, like that of the dream has attracted many twentieth century artists, f...

Century City at Tate Modern

City exhibitions are not new. In 1977 Centre Georges Pompidou, Paris embarked upon a great series of...

Caravaggio: The Genius of Rome

It might seem churlish to criticise an exhibition which has been dedicated to the late Francis Haske...

Apocalypse: Beauty and Horror in Contemporary Art

Apocalypse: Beauty and Horror in Contemporary Art – The exhibition contains the work of thirteen i...

Victor Willing (1928-1988)

The exhibition of Victor Willing's paintings at Marlborough Fine Art supports the publication of the...

Paul Klee at the Scottish National Gallery

The Private Klee on show at the Scottish National Gallery of Modern Art in Edinburgh is the third in...

Chasing beauty

L'Idea del Bello (Beauty as an idea); Le Jardine 2000; La Beauté; Enclosed and Enchanted;...

Bill Viola, master of video

Bill Viola is included in the National Gallery's exhibition 'Encounters', which was sponsored by Mor...

Encounters: A dialogue with art from the past

The creative process evolves from personal experience, formal education, a dialogue with art from th...

Royal Academy Summer Exhibition, 2000

Given the characteristic hubris of Tate Modern over the river, it is interesting and also reassuring...

Ken Done - Opera house and bridge

Ken Done – To Sydneysiders and visitors alike the man-made structures of the Harbour Bridge and th...

Ken Done - beaches and boats

The view from his studio of Chinaman's Beach long sustained Ken Done's artistic inquiry throughout t...

Ken Done - The Cabin

Ken Done – The Cabin studio at Mosman, overlooking Chinaman's Beach on Middle Harbour, was acquire...

Ken Done's Sydney

Ken Done's earliest recollections of Sydney Harbour were as a young child during the war. In the ear...

The Arthur M Sackler Museum of Art and Archaeology, Peking University, Chi...

Arthur M Sackler Museum of Art and Archaeology at Peking University – From the time of his first v...

The Arthur M Sackler Gallery at the Smithsonian Institution, Washington DC

The Arthur M Sackler Gallery at the Smithsonian Institution will open to the public on 28th Septembe...

Michael Andrews

In the summer of 1986 there burst upon London, virtually unheralded, a major series of paintings, by...

Caravaggio: A Contemporary View by John Berger, Vol 196 No 998 1983.

Once I was asked to name my favourite painter. I hesitated, searching for the least knowing, most tr...

Victor Willing, letter to Studio International, 1980

Opting out of the rat race, Victor Willing had tried 'to make some silence' around himself, and proc...

ARCHIVE: Mario Merz interview

An interview by Caroline Tisdall (Translated by Caroline Tisdall from an interview held in London on...

Studio International – November/December 1975

November/December 1975 Volume 190 Number 978...

Studio International – September/October 1975

September/October 1975 Volume 190 Number 977...

Studio International – July/August 1975

July/August 1975 Volume 190 Number 976...

Studio International – May/June 1975

May/June 1975 Volume 189 Number 975...

Studio International – March/April1975

March/April1975 Volume 189 Number 974...

Studio International – January/February 1975

January/February 1975 Volume 189 Number 973...

studio international logo

Copyright © 1893–2024 Studio International Foundation.

The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.

twitter facebook instagram

Studio International is published by:
the Studio International Foundation, PO Box 1545,
New York, NY 10021-0043, USA