Published  30/11/-0001
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Brit Art from the Fifties: the reality versus the myth

Just after the war, when France had Picasso and Matisse, Giacometti and Existentiali...

Peter Doig 100 years ago

'100 Years Ago' is the name of Peter Doig's current show, the first in London since his Whitecha...

Return of the Buddha: The Qingzhou Discoveries

In 1996, while levelling the sports field of the Shefan primary school in Qingzhou, ...

Professor Gunther von Hagens’ Korperwelten (Body Worlds): Fascination Be...

Body Worlds exhibits human corpses: skinned, gutted, flayed, peeled, shelled, filleted, opened up ...

Gerhard Richter: Forty years of painting

The enigma of the German painter Gerhard Richter (b.1932) is finally explored through Robert Storr's...

Richard Demarco's Edinburgh

Edinburgh belongs to a special kind of city deserving of the UNESCO designation as a...

Letter from Poland

Depart Edinburgh Airport BA 1435 at 7.40 am arriving Heathrow 09.15 am....

The authentic and the twitch

Increasingly, we now seek to verify what is presented as 'real': we are wary of 'sim...

Letter from Sydney

The year 2000 in Sydney was a hard act to follow. Every cynic - and there were many ...

Will Maclean: Driftworks

Will Maclean’s exhibition, ‘Driftworks’ at Dundee Contemporary Arts (24 November 2001 – 3 Fe...

Letter from Shanghai

Ever since the Treaty of Nangking opened Shanghai to foreign trade in 1842, the city...

Frank Auerbach

Frank Auerbach's career is celebrated at the Royal Academy in all the ways in which this institution...

Frank Auerbach: Paintings and Drawings 1954-2001

The paintings on show at the RA have an effect that it would have been impossible to anticipate; the...

Michael Andrews revisited

If there was ever a clearer purpose and definition of the respective rationale behind the division o...

Letter from Stockholm, September 2001

The newly opened memorial for Raoul Wallenberg (1912-1947) is a significant event in Stockholm...

Patrick Heron: the growing legacy of genius

The work of Patrick Heron is bound up with what is probably the most crucial series of events in...

Ken Kiff: obituary

The world of the imagination, like that of the dream has attracted many twentieth century artists, f...

Apocalypse: Beauty and Horror in Contemporary Art

The exhibition contains the work of thirteen artists (or partnerships) allocated thi...

ARCHIVE: Mario Merz interview

Contemporary online art journal with reviews, analysis and comment...

On Purpose: An enquiry into the possible roles of the computer in art

This is not another article about ‘computer art’...

Studio International – April 1972

April 1972 Volume 183 Number 943...

Studio International – March 1972

March 1972 Volume 183 Number 942...

Studio International – February 1972

February 1972 Volume 183 Number 941...

Studio International – January 1972

January 1972 Volume 183 Number 940...

Studio International – December 1971

December 1971 Volume 182 Number 939...

Studio International – November 1971

November 1971 Volume 182 Number 938...

Studio International – October 1971

October 1971 Volume 183 Number 937...

Studio International – September 1971

September 1971 Volume 182 Number 936...

Studio International – July-August 1971

July-August 1971 Volume 182 Number 935...

Studio International – June 1971

June 1971 Volume 181 Number 934...

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